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Bank Building Collection (page 6)

"Bank Buildings: A Glimpse into Architectural Marvels and Historical Significance" Step into the world of bank buildings, where grandeur meets functionality

Background imageBank Building Collection: Visit of the Prince and Princess of Wales to Longleat, Sketches at Warminster (engraving)

Visit of the Prince and Princess of Wales to Longleat, Sketches at Warminster (engraving)
1590795 Visit of the Prince and Princess of Wales to Longleat, Sketches at Warminster (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBank Building Collection: Illustration for A Colonel of The Empire, by Emily Lawless (litho)

Illustration for A Colonel of The Empire, by Emily Lawless (litho)
1100108 Illustration for A Colonel of The Empire, by Emily Lawless (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info)

Background imageBank Building Collection: Young couple on a bench in a garden (chromolitho)

Young couple on a bench in a garden (chromolitho)
1093761 Young couple on a bench in a garden (chromolitho) by French School, (19th century); Private Collection; (add.info.: Young couple on a bench in a garden)

Background imageBank Building Collection: Indigestion (chromolitho)

Indigestion (chromolitho)
1093775 Indigestion (chromolitho) by French School, (19th century); Private Collection; (add.info.: Indigestion. French educational card, late 19th or early 20th century.); © Look and Learn

Background imageBank Building Collection: A Threatened Pack, the Royal Buckhounds at the Kennels at Ascot (litho)

A Threatened Pack, the Royal Buckhounds at the Kennels at Ascot (litho)
1040297 A Threatened Pack, the Royal Buckhounds at the Kennels at Ascot (litho) by Dadd, S.T. (19th century) (after); Private Collection; (add.info.: A Threatened Pack)

Background imageBank Building Collection: A Snapshot from the Bank (engraving)

A Snapshot from the Bank (engraving)
1037131 A Snapshot from the Bank (engraving) by English School, (19th century); Private Collection; (add.info.: A Snapshot from the Bank)

Background imageBank Building Collection: On the Road to Klondyke (litho)

On the Road to Klondyke (litho)
1063691 On the Road to Klondyke (litho) by Fripp, Charles Edwin (1854-1906); Private Collection; (add.info.: On the Road to Klondyke)

Background imageBank Building Collection: Preparing for the Paris Exhibition of 1900, View of the Building Operations from the North Side of

Preparing for the Paris Exhibition of 1900, View of the Building Operations from the North Side of the Seine (engraving)
1063679 Preparing for the Paris Exhibition of 1900, View of the Building Operations from the North Side of the Seine (engraving) by Renouard

Background imageBank Building Collection: Scene from Beauty and the Beast (colour litho)

Scene from Beauty and the Beast (colour litho)
979381 Scene from Beauty and the Beast (colour litho) by Boyle, Eleanor Vere (1825-1916); Private Collection; (add.info.: Scene from Beauty and the Beast.); © Look and Learn

Background imageBank Building Collection: A Days Alligator Shooting in Jamaica (engraving)

A Days Alligator Shooting in Jamaica (engraving)
1050863 A Days Alligator Shooting in Jamaica (engraving) by Nash, Joseph (d.1922); Private Collection; (add.info.: A Days Alligator Shooting in Jamaica)

Background imageBank Building Collection: Chattanooga from the north bank of the Tennessee, September 1863 (engraving)

Chattanooga from the north bank of the Tennessee, September 1863 (engraving)
959350 Chattanooga from the north bank of the Tennessee, September 1863 (engraving) by American School, (19th century) (after); Private Collection; (add.info)

Background imageBank Building Collection: A Cockney Carnival, bank holiday on Hampstead Heath (litho)

A Cockney Carnival, bank holiday on Hampstead Heath (litho)
959169 A Cockney Carnival, bank holiday on Hampstead Heath (litho) by May, Phil (1864-1903); Private Collection; (add.info.: A Cockney Carnival, bank holiday on Hampstead Heath)

Background imageBank Building Collection: Twos company, threes a crowd (chromolitho)

Twos company, threes a crowd (chromolitho)
5995959 Twos company, threes a crowd (chromolitho) by English School, (20th century); Private Collection; (add.info.: Twos company, threes a crowd)

Background imageBank Building Collection: Scenes near the Site of the Great Nile Dam, of which the Foundation-Stone was laid by the Duke of

Scenes near the Site of the Great Nile Dam, of which the Foundation-Stone was laid by the Duke of Connaught on 12
1598501 Scenes near the Site of the Great Nile Dam, of which the Foundation-Stone was laid by the Duke of Connaught on 12 February (litho) by Loye

Background imageBank Building Collection: The Advance towards Dongola, the Fortified Camp at Sarras, crowning a Hill on the Bank of the Nile

The Advance towards Dongola, the Fortified Camp at Sarras, crowning a Hill on the Bank of the Nile (engraving)
1605311 The Advance towards Dongola, the Fortified Camp at Sarras, crowning a Hill on the Bank of the Nile (engraving) by Overend

Background imageBank Building Collection: The Advance towards Dongola, Cholera in the Camp, burning Rubbish on the Bank of the Nile

The Advance towards Dongola, Cholera in the Camp, burning Rubbish on the Bank of the Nile (engraving)
1605690 The Advance towards Dongola, Cholera in the Camp, burning Rubbish on the Bank of the Nile (engraving) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info)

Background imageBank Building Collection: Two girls led a gang of evildoers in the assault on a New York bank (Colour Litho)

Two girls led a gang of evildoers in the assault on a New York bank (Colour Litho)
2777958 Two girls led a gang of evildoers in the assault on a New York bank (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageBank Building Collection: The reading of the verdict at the trial of Jean Gallay and Valentine Merelli (colour litho)

The reading of the verdict at the trial of Jean Gallay and Valentine Merelli (colour litho)
2779174 The reading of the verdict at the trial of Jean Gallay and Valentine Merelli (colour litho) by French School, (20th century); Private Collection; (add.info)

Background imageBank Building Collection: The Savior Dog (Colour Litho)

The Savior Dog (Colour Litho)
2778241 The Savior Dog (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Savior Dog. Fallen in the river near Ponte Ticino and overwhelmed by the current)

Background imageBank Building Collection: Stuff... of the other world (colour litho)

Stuff... of the other world (colour litho)
2777823 Stuff... of the other world (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Things... from the other world)

Background imageBank Building Collection: Microbes in Bank-Notes (engraving)

Microbes in Bank-Notes (engraving)
3627725 Microbes in Bank-Notes (engraving) by English School, (19th century); Private Collection; (add.info.: Microbes in Bank-Notes)

Background imageBank Building Collection: Letter B (chromolitho)

Letter B (chromolitho)
3626562 Letter B (chromolitho) by Zweigle, Walter (1859-1904); Private Collection; (add.info.: Letter B. Illustration from Welt-ABC (Gustav Weise, Stuttgart, c1894).); © Look and Learn

Background imageBank Building Collection: The Bank (litho)

The Bank (litho)
3622739 The Bank (litho) by Walcot, William (1874-1943); Private Collection; (add.info.: The Bank. Illustration for Disappearing London by E Beresford Chancellor (Studio)

Background imageBank Building Collection: Frontispice du Livre des 'monnoyes etrangeres'(engraving)

Frontispice du Livre des "monnoyes etrangeres"(engraving)
3644610 Frontispice du Livre des " monnoyes etrangeres" (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageBank Building Collection: Mr J Pierpont Morgans private office, the only photograph of it ever taken (b / w photo)

Mr J Pierpont Morgans private office, the only photograph of it ever taken (b / w photo)
3642027 Mr J Pierpont Morgans private office, the only photograph of it ever taken (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info)

Background imageBank Building Collection: Mr J Pierpont Morgans New York Office, draped in mourning for Mr McKinley (b / w photo)

Mr J Pierpont Morgans New York Office, draped in mourning for Mr McKinley (b / w photo)
3642025 Mr J Pierpont Morgans New York Office, draped in mourning for Mr McKinley (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageBank Building Collection: Little gallant steals a kiss from the cheek of pretty miss (b / w photo)

Little gallant steals a kiss from the cheek of pretty miss (b / w photo)
3643448 Little gallant steals a kiss from the cheek of pretty miss (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageBank Building Collection: On the Cherwell, Oxford (coloured photo)

On the Cherwell, Oxford (coloured photo)
3643112 On the Cherwell, Oxford (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: On the Cherwell, Oxford. Postcard, early 20th century.); © Look and Learn

Background imageBank Building Collection: Bishopsgate Street Within, London (coloured photo)

Bishopsgate Street Within, London (coloured photo)
3642623 Bishopsgate Street Within, London (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Bishopsgate Street Within, London)

Background imageBank Building Collection: The Lynch Gate, St Justin Roseland (coloured photo)

The Lynch Gate, St Justin Roseland (coloured photo)
3642698 The Lynch Gate, St Justin Roseland (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: The Lynch Gate, St. Justin Roseland)

Background imageBank Building Collection: Central London Railway Motor Car, from Wood Lane to Bank (b / w photo)

Central London Railway Motor Car, from Wood Lane to Bank (b / w photo)
3656850 Central London Railway Motor Car, from Wood Lane to Bank (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Central London Railway Motor Car)

Background imageBank Building Collection: The Spanish Red Route on the Ebro (Colour Litho)

The Spanish Red Route on the Ebro (Colour Litho)
2783823 The Spanish Red Route on the Ebro (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Spanish Red Route on the Ebro)

Background imageBank Building Collection: The Cobbler (chromolitho)

The Cobbler (chromolitho)
733274 The Cobbler (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Cobbler.); Look and Learn / Barbara Loe Collection

Background imageBank Building Collection: The somnambulist by the river bank (engraving)

The somnambulist by the river bank (engraving)
736219 The somnambulist by the river bank (engraving) by English School, (19th century); Private Collection; (add.info.: The somnambulist by the river bank; A romantic incident in a manufacturing)

Background imageBank Building Collection: Girl playing with dolls sitting inside walnut shell, Guerites de bains de mer (chromolitho)

Girl playing with dolls sitting inside walnut shell, Guerites de bains de mer (chromolitho)
732826 Girl playing with dolls sitting inside walnut shell, Guerites de bains de mer (chromolitho) by French School, (19th century); Private Collection; (add.info)

Background imageBank Building Collection: Chateau de Grosbois (chromolitho)

Chateau de Grosbois (chromolitho)
724763 Chateau de Grosbois (chromolitho) by French School, (19th century); Private Collection; (add.info.: Chateau de Grosbois.Louis-Alexandre Berthier, Prince of Wagram (1753-1815)

Background imageBank Building Collection: Indian sepulchres on the banks of the Cowlitz river

Indian sepulchres on the banks of the Cowlitz river
LLM338356 Indian sepulchres on the banks of the Cowlitz river by English School, (20th century); Private Collection; (add.info.: Indian sepulchres on the banks of the Cowlitz river)

Background imageBank Building Collection: Bank of England, West Wing added (coloured engraving)

Bank of England, West Wing added (coloured engraving)
582133 Bank of England, West Wing added (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Bank of England, West Wing added. Published 1809)

Background imageBank Building Collection: Bank of England, Sir John Soanes fronts (engraving)

Bank of England, Sir John Soanes fronts (engraving)
582131 Bank of England, Sir John Soanes fronts (engraving) by English School, (19th century); Private Collection; (add.info.: Arrival of Californian Gold and Mexican Dollars at the Bank of England)

Background imageBank Building Collection: 'Reduced Three Percents', Bank of England (engraving)

"Reduced Three Percents", Bank of England (engraving)
582127 " Reduced Three Percents", Bank of England (engraving) by Calderon, Philip Hermogenes (1833-98); Private Collection; (add.info.: " Reduced Three Percents", Bank of England)

Background imageBank Building Collection: Bank and Mansion House, London (photo)

Bank and Mansion House, London (photo)
583681 Bank and Mansion House, London (photo) by English Photographer, (20th century); Private Collection; (add.info.: Bank and Mansion House, London); Look and Learn / Peter Jackson Collection

Background imageBank Building Collection: The Panic in the City - scene in Lombard Street on Friday (engraving)

The Panic in the City - scene in Lombard Street on Friday (engraving)
583640 The Panic in the City - scene in Lombard Street on Friday (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBank Building Collection: The Old Falcon Tavern on the Bank side, as it appeared in the year 1805 (engraving)

The Old Falcon Tavern on the Bank side, as it appeared in the year 1805 (engraving)
583117 The Old Falcon Tavern on the Bank side, as it appeared in the year 1805 (engraving) by English School, (19th century); Private Collection; (add.info.: The Old Falcon Tavern on the Bank side)

Background imageBank Building Collection: Bank of England, Sir John Soanes fronts (engraving)

Bank of England, Sir John Soanes fronts (engraving)
582087 Bank of England, Sir John Soanes fronts (engraving) by English School, (19th century); Private Collection; (add.info.: Bank of England, Sir John Soanes fronts. Published 1806)

Background imageBank Building Collection: Bank of England, Lothbury Court (engraving)

Bank of England, Lothbury Court (engraving)
582084 Bank of England, Lothbury Court (engraving) by Pugin, Augustus Charles (1762-1832); Private Collection; (add.info.: Bank of England, Lothbury Court. Published 1827)

Background imageBank Building Collection: The Bank of England (engraving)

The Bank of England (engraving)
582119 The Bank of England (engraving) by English School, (19th century); Private Collection; (add.info.: The Bank of England. Published 1803)

Background imageBank Building Collection: Bank of England, Parlour (engraving)

Bank of England, Parlour (engraving)
582078 Bank of England, Parlour (engraving) by English School, (19th century); Private Collection; (add.info.: Bank of England, Parlour. Published 1844.); Look and Learn / Peter Jackson Collection



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"Bank Buildings: A Glimpse into Architectural Marvels and Historical Significance" Step into the world of bank buildings, where grandeur meets functionality. From the enchanting CEC Savings Bank Palace in Bucharest, Romania to the majestic Housing Bank adorned with flags in Amman, Jordan, these structures are more than just financial institutions - they are symbols of power and prosperity. Take a journey back in time as you explore the historical illustration of the Olfen bank building in Hamburg, Germany. This digitally restored reproduction of an original 19th-century artwork transports us to an era when banking was still evolving. Intriguingly, amidst all this history lies a peculiar scene captured by a colour litho - an old woman accompanied by a strange cat sitting on a bench. What secrets do they hold? Perhaps it is a reminder that even within these solid walls filled with transactions and numbers, there is room for mystery and unexpected encounters. Venturing further into imagination, we stumble upon the Crazy Theatre depicted in Imagier de l'enfance from c. 1900. This engraving invites us to ponder how banks can be both serious institutions and sources of artistic inspiration simultaneously. As we delve deeper into alphabets engraved onto our collective memory, we encounter letters R and E representing "Repetition" and "Exercise. " These engravings from Alphabet français (1887) remind us that banks rely on repetition for stability while constantly adapting through exercise to meet ever-changing financial landscapes. History takes center stage once again with posters like "Third loan of Defense Nationale du Credit Lyonnais: Subscribe" (1917), urging citizens to support their nation during times of crisis. Banks become catalysts for unity as communities come together under one cause. Yet amidst all seriousness lies romance; The Romantic Itinerary portrayed through vibrant colour lithos captures love's essence intertwined with finance. It reminds us that even within the realm of numbers, emotions and dreams find their place.