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Backplate Collection

"Exploring the Evolution of Backplates: A Journey through Time and Style" Backplate with Fauld, Southern Germany, 1525 / 75

Background imageBackplate Collection: Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate

Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate
FLO4678252 Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches

Background imageBackplate Collection: Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555

Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows
FLO4678253 Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate

Background imageBackplate Collection: Backplate with Fauld, Southern Germany, 1525 / 75. Creator: Unknown

Backplate with Fauld, Southern Germany, 1525 / 75. Creator: Unknown
Backplate with Fauld, Southern Germany, 1525/75

Background imageBackplate Collection: Cuirass (Breastplate and Backplate) in the Late Gothic Style, Germany, c. 1480

Cuirass (Breastplate and Backplate) in the Late Gothic Style, Germany, c. 1480

Background imageBackplate Collection: Backplate with Associated Culet of One Lame, Northern Germany, c. 1560. Creator: Unknown

Backplate with Associated Culet of One Lame, Northern Germany, c. 1560. Creator: Unknown
Backplate with Associated Culet of One Lame, Northern Germany, c. 1560

Background imageBackplate Collection: Backplate, Italy, early 17th century, marked later. Creator: Unknown

Backplate, Italy, early 17th century, marked later. Creator: Unknown
Backplate, Italy, early 17th century, marked later

Background imageBackplate Collection: Backplate, Italy, c. 1560 / 70. Creator: Unknown

Backplate, Italy, c. 1560 / 70. Creator: Unknown
Backplate, Italy, c. 1560/70

Background imageBackplate Collection: Backplate, Italy, northern, c. 1590 / 1600. Creator: Unknown

Backplate, Italy, northern, c. 1590 / 1600. Creator: Unknown
Backplate, Italy, northern, c. 1590/1600

Background imageBackplate Collection: Drawer Pulls and Key Plate, c. 1936. Creator: Philip Johnson

Drawer Pulls and Key Plate, c. 1936. Creator: Philip Johnson
Drawer Pulls and Key Plate, c. 1936

Background imageBackplate Collection: Waistcoat cuirass, c. 1580 (steel with brass rivets)

Waistcoat cuirass, c. 1580 (steel with brass rivets)
490874 Waistcoat cuirass, c.1580 (steel with brass rivets) by Italian School, (16th century); 47.6x29.6x25.7 cm; Cleveland Museum of Art, OH

Background imageBackplate Collection: Backplate, c. 1510-1530 (steel with black paint, leather straps)

Backplate, c. 1510-1530 (steel with black paint, leather straps)
491093 Backplate, c.1510-1530 (steel with black paint, leather straps) by German School, (16th century); h:38.00 w:35.50 Wt: 1.57 kg cm; Cleveland Museum of Art, OH, USA; Gift of Mr. and Mrs. John L

Background imageBackplate Collection: Gothic backplate, c. 1475-1500 (steel & leather)

Gothic backplate, c. 1475-1500 (steel & leather)
490843 Gothic backplate, c.1475-1500 (steel & leather) by German School, (15th century); 44.5x34.5x16.5 cm; Cleveland Museum of Art, OH

Background imageBackplate Collection: Backplate, Landshut, mid-1500s (steel)

Backplate, Landshut, mid-1500s (steel)
490788 Backplate, Landshut, mid-1500s (steel) by German School, (16th century); 41.3x35.9x17.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: See also image 490787.); Gift of Mr. and Mrs. John L

Background imageBackplate Collection: Backplate in the Maximilian style, c. 1510-30 (steel with brass rivets)

Backplate in the Maximilian style, c. 1510-30 (steel with brass rivets)
490851 Backplate in the Maximilian style, c.1510-30 (steel with brass rivets) by German School, (16th century); 42x33.9x15.5 cm; Cleveland Museum of Art, OH

Background imageBackplate Collection: Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c

Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper


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"Exploring the Evolution of Backplates: A Journey through Time and Style" Backplate with Fauld, Southern Germany, 1525 / 75. Creator: Unknown: This stunning backplate showcases intricate craftsmanship from Southern Germany during the late 16th century. The addition of a fauld adds both protection and elegance to this piece. Cuirass (Breastplate and Backplate) in the Late Gothic Style, Germany, c. 1480: A remarkable example of German late Gothic style, this cuirass combines a breastplate and backplate seamlessly to create a unified armor ensemble that exudes strength and sophistication. Backplate with Associated Culet of One Lame, Northern Germany, c. 1560. Creator: Unknown: From Northern Germany comes this unique backplate featuring an associated culet consisting of one lame - a testament to the creativity and innovation prevalent during the Renaissance period. Backplate, Italy, early 17th century, marked later. Creator: Unknown: An enigmatic piece from early 17th-century Italy bears mysterious markings added at a later date but still retains its allure as an exquisite example of Italian armor design. Backplate, Italy, c. 1560 /70. Creator :Unknown : Italian artistry shines through in this beautifully crafted backplate dating back to the mid-16th century; its intricate details showcase unparalleled skill by its unknown creator. Back plate, Italy, northern, c. 1590/1600. Creator :Unknown : Hailing from northern Italy during the turn of the seventeenth century, this ornate back plate exemplifies regional styles with its distinctive motifs, paying homage to Italian craftsmanship. Drawer Pulls and Key Plate, c. 1936. Creator :Philip Johnson : Intriguingly deviating from traditional armor designs, this drawer pulls set created by Philip Johnson in 1936 demonstrates how even everyday objects can be transformed into works of art.