Ayah Collection
In the vibrant tapestry of Indian culture, the figure of an "ayah" emerges as a symbol of nurturing and care
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In the vibrant tapestry of Indian culture, the figure of an "ayah" emerges as a symbol of nurturing and care. Clad in traditional attire like jaliya or fisherman's clothes, harkara or messenger's garb, dai or wetnurse with a baby at her side, ayah or nursery maid cradling a child tenderly, ladies maid attending to her mistress' needs, and methrani sweeping diligently - these domestic workers play indispensable roles in colonial households. As we delve into the pages of "My Domestics; Notes of a Naturalist in the North-Western Provinces of India, " penned by Charles Horne in 1875, we catch glimpses of Tysoe Saul Hancock and his wife Philadelphia along with their daughter Elizabeth. Colonial children adorned in fancy dress find companionship and guidance from their Indian nannies. The canvas captures a group portrait during a christening party where an elegant lady sits gracefully while her husband stands behind her. Their child is attended by an ayah and four godparents. The enchanting chromolitho titled "Peepul Tree in the Palace of Delhi" transports us to regal surroundings where an Indian woman reclines on a lavish carpet surrounded by devoted servants. In another engraving called "The Ayah and her Charge, " taken from "The Gordian Knot, " we witness the deep bond between this caregiver and child. Meanwhile, amidst humorously depicted scenes such as "The Adventures and Misadventures of a Brahma Bull" and "Some Humorous Indian Types, " Hindu Ayahs shine through as pillars of strength. These images evoke nostalgia for times gone by when British colonial children found solace under the watchful eyes of their beloved Indian nanny. Through these snapshots frozen in time, we glimpse into history's embrace – witnessing moments that shaped lives within intricate cultural webs woven across continents.