Avenging Collection

An avenging expedition by a northern tribe of Central Australia. The men danced just before leaving to take vengeance
3033725 An avenging expedition by a northern tribe of Central Australia. The men danced just before leaving to take vengeance on another group of natives for the death of a relative

The Glorification of Saint Dominic, 1710-1785. Creators: Francesco Solimena, Unknown
The Glorification of Saint Dominic, 1710-1785. Copy after Francesco Solimena

The Prophet Balaam's donkey, 1626. Creator: Rembrandt Harmensz van Rijn
The Prophet Balaam's donkey, 1626

Battle Scene with Horsemen Fleeing from Avenging Angel, c. 1650. Creator: Dirck Hals
Battle Scene with Horsemen Fleeing from Avenging Angel, c. 1650

Sisters Avenging their Father's Death (from Kabuki Play Shiraishi'), between c1820 and c1830

Paranormal Miracles Circa 778 Charlemagne Intent
paranormal, miracles, circa, 778, charlemagne, intent, avenging, death, nephew, roland, commands, sun, stand, still, obediently, history, historical, 10008235

Woodcut by Albrecht Durer; The Battle of the Angels (Four avenging Angels of the Euphrates)
1578228 Woodcut by Albrecht Durer; The Battle of the Angels (Four avenging Angels of the Euphrates). The Revelation of Saint John (Apocalypse, VII)

The Combat of the Giaour and Hassan, 1826 (oil on canvas)
2968525 The Combat of the Giaour and Hassan, 1826 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 59.6x73.4 cm; The Art Institute of Chicago, IL, USA; Gift of Bertha Palmer Thorne

God frightens Heliodorus in a temple, 2 Maccabees (3: 21-28), 1695 (engraving)
937193 God frightens Heliodorus in a temple, 2 Maccabees (3:21-28), 1695 (engraving) by Weigel, Christoph (1654-1725); Private Collection; (add.info)

The Furies Departing from Athena, Apollo and Orestes, 18th century (pen & ink on paper)
AMO110724 The Furies Departing from Athena, Apollo and Orestes, 18th century (pen & ink on paper) by Flaxman, John (1755-1826); 18x39.7 cm; Ashmolean Museum, University of Oxford

Orestes and the Erinyes, 1891 (oil on canvas)
NUL407678 Orestes and the Erinyes, 1891 (oil on canvas) by Moreau, Gustave (1826-98); Private Collection; French, out of copyright

Pietro Aretino in the Studio of Tintoretto, 1822 (oil on canvas)
3937462 Pietro Aretino in the Studio of Tintoretto, 1822 (oil on canvas) by Bergeret, Pierre-Nolasque (1782-1863); 59.7x49.1 cm; National Museum, Stockholm

L Imperio Vendicato, 1630-1700. Creator: Pietro Santi Bartoli
L Imperio Vendicato, 1630-1700. (The Avenged Empire). After Carlo Maratti

Expulsion from Paradise, 1514. Creator: Hans Baldung
Expulsion from Paradise, 1514

Four Avenging Angels, from the Apocalypse series. n. d. Creator: Albrecht Durer
Four Avenging Angels, from the Apocalypse series.n.d

Plate 21: The Angel of the Lord Vanquishing the Army of Sennacherib, from Th... ca
Plate 21: The Angel of the Lord Vanquishing the Army of Sennacherib, from The Battles of the Old Testament, ca. 1590-ca. 1610

The Burning of Sodom (formerly The Destruction of Sodom ), 1843 and 1857
The Burning of Sodom (formerly " The Destruction of Sodom" ), 1843 and 1857

Study for The Destruction of Sodom, 1843. Creator: Jean-Baptiste-Camille Corot
Study for " The Destruction of Sodom", 1843

Judith, possibly ca. 1886. Creator: Jean Joseph Benjamin Constant
Judith, possibly ca. 1886

The Four Avenging Angels, 1498 (1906). Artist: Albrecht Durer
The Four Avenging Angels, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Apollo and Diana Kill Niobes Children with their Arrows, 1733. Artist: Bernard Picart
Apollo and Diana Kill Niobes Children with their Arrows, 1733. A plate from Le temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

The Love which is Avenged, 17th century. Artist: Simon Vouet
The Love which is Avenged, 17th century

Revenge of an elephant, back cover illustration from Le Petit Journal, supplement illustre
XIR661392 Revenge of an elephant, back cover illustration from Le Petit Journal, supplement illustre, 8th March 1914 (colour litho) by French School

SCENES ALONG THE DANUBE, IRON GATES DISTRICT, 1883: 1. Under Trajans Tablet: The Vandal Fisherman and the Avenging Antiquarian. 2. A Serbian Legend: Peasants Using Hogs Bristles as Nails. 3

Avenging Flourens
An avenger of Flourens, the popular leader who had been imprisoned until released by the Commune

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"Unleashing the Power of Avenging: A Journey through Paranormal Miracles and Divine Retribution" Step into a world where ancient battles and supernatural forces collide, as depicted in Albrecht Durer's woodcut masterpiece. Witness the ethereal Battle of the Angels, where four avenging angels rise from the Euphrates to mete out justice. In Saint John's Revelation, an apocalyptic scene unfolds, revealing figures engaged in fierce combat. The intensity captured by Charlemagne Intent transports us to a realm where vengeance reigns supreme. Travel further back in time with "The Combat of the Giaour and Hassan, " an oil on canvas that depicts a clash between two adversaries driven by revenge. This haunting artwork echoes Lord Byron's poem "Le Giaour, " evoking a sense of impending doom. From historical events to biblical tales, vengeance takes center stage once more in "The Avenging of Gordon. " Lithographs immortalize the great battle between British-Egyptian troops and Soudanese Dervishes at Omdurman—a testament to humanity's unyielding pursuit for retribution. Delve deeper into religious lore with "God frightens Heliodorus in a temple. " Engraved in 1695, this gripping image captures divine intervention against those who dare defy higher powers. As we explore further, witness Athena, Apollo, and Orestes bidding farewell to vengeful Furies. Pen & ink bring forth their departure—an ode to redemption amidst chaos—while Orestes grapples with his own inner demons portrayed vividly on canvas. Pietro Aretino finds himself immersed within Tintoretto's studio; their collaboration giving life to intricate scenes that embody both artistic genius and unresolved vendettas. Can art truly be separated from personal grievances? "L'Imperio Vendicato" invites us into Pietro Santi Bartoli's world, where vengeance becomes an empire.