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Avant Garde Collection (#2)

"Avant Garde: A Journey through Artistic Innovation" Step into the world of avant-garde, a movement that defied conventions and pushed boundaries

Background imageAvant Garde Collection: Olga Rozanova, c. 1900 (b/w photo)

Olga Rozanova, c. 1900 (b/w photo)
2653760 Olga Rozanova, c.1900 (b/w photo) by Russian Photographer, (20th century); Rostov Museum of Fine Art, Russia; (add.info.: Olga Vladimirovna Rozanova (also spelled Rosanova)

Background imageAvant Garde Collection: Untitled, 1916 circa, (oil on canvas)

Untitled, 1916 circa, (oil on canvas)
7129407 Untitled, 1916 circa, (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); Peggy Guggenheim Foundation, Venice, Italy; (add.info.: Untitled, 1916 circa, Kazimir Malevich)

Background imageAvant Garde Collection: 7387058

7387058

Background imageAvant Garde Collection: Untitled, 1919-20 circa, (oil on canvas)

Untitled, 1919-20 circa, (oil on canvas)
7129406 Untitled, 1919-20 circa, (oil on canvas) by Lissitzky, Eliezer (El) Markowich (1890-1941); Peggy Guggenheim Foundation, Venice, Italy; (add.info.: Untitled, 1919-20 circa, El Lissitzky)

Background imageAvant Garde Collection: Hommage to Cezanne, 1910 (oil on panel)

Hommage to Cezanne, 1910 (oil on panel)
7346010 Hommage to Cezanne, 1910 (oil on panel) by Burliuk, Vladimir Davidovich (1886-1917); 18.5 x 13 cm; Private Collection; (add.info.: by Vladimir Davidovich Burliuk (1886-1917))

Background imageAvant Garde Collection: Studies for Dynamism of a Cyclist, 1913 (black ink on paper)

Studies for Dynamism of a Cyclist, 1913 (black ink on paper)
6366704 Studies for Dynamism of a Cyclist, 1913 (black ink on paper) by Boccioni, Umberto (1882-1916); Civiche Raccolte del Castello Sforzesco, Gabinetto dei Disegni, Milan, Italy; Italian

Background imageAvant Garde Collection: I want to le human forms in movement (Dynamic Decomposition), 1913 (black pencile, black ink)

I want to le human forms in movement (Dynamic Decomposition), 1913 (black pencile, black ink)
6366702 I want to le human forms in movement (Dynamic Decomposition), 1913 (black pencile, black ink, white tempera and white w/c on paper) by Boccioni

Background imageAvant Garde Collection: I want to le human forms in movement (Muscles in movement), 1913 (black pencile, black ink)

I want to le human forms in movement (Muscles in movement), 1913 (black pencile, black ink)
6366701 I want to le human forms in movement (Muscles in movement), 1913 (black pencile, black ink, white tempera and white w/c on paper) by Boccioni

Background imageAvant Garde Collection: The Steerage, 1907 (photogravure)

The Steerage, 1907 (photogravure)
3492961 The Steerage, 1907 (photogravure) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; (add.info)

Background imageAvant Garde Collection: From My Window at the Shelton, North, 1931 (gelatin silver print)

From My Window at the Shelton, North, 1931 (gelatin silver print)
3492959 From My Window at the Shelton, North, 1931 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Georgia O Keeffe -- Neck, 1921 (palladium print)

Georgia O Keeffe -- Neck, 1921 (palladium print)
3492958 Georgia O Keeffe -- Neck, 1921 (palladium print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; (add.info.: Section of the composite portrait of his wife)

Background imageAvant Garde Collection: Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter

Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660947 Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Background imageAvant Garde Collection: The Boat; Le Bateau, c. 1936 (oil on canvas)

The Boat; Le Bateau, c. 1936 (oil on canvas)
826661 The Boat; Le Bateau, c.1936 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 100x81 cm; Private Collection; (add.info.: The Boat; Le Bateau)

Background imageAvant Garde Collection: Katherine Dudley, 1922 (gelatin silver print)

Katherine Dudley, 1922 (gelatin silver print)
3492963 Katherine Dudley, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Georgia O Keeffe--Hand and Wheel, 1933 (gelatin silver print)

Georgia O Keeffe--Hand and Wheel, 1933 (gelatin silver print)
3492955 Georgia O Keeffe--Hand and Wheel, 1933 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Two Towers - New York, 1911 (photogravure)

Two Towers - New York, 1911 (photogravure)
3492953 Two Towers - New York, 1911 (photogravure) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageAvant Garde Collection: A Dreary Day, c. 1897 (photogravure)

A Dreary Day, c. 1897 (photogravure)
3492951 A Dreary Day, c.1897 (photogravure) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA

Background imageAvant Garde Collection: From the Back Window - 291, 1915 (platinum print)

From the Back Window - 291, 1915 (platinum print)
3492950 From the Back Window - 291, 1915 (platinum print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageAvant Garde Collection: Coney Island, 1914 (oil on canvas)

Coney Island, 1914 (oil on canvas)
3614019 Coney Island, 1914 (oil on canvas) by Stella, Joseph (1877-1946); diameter: 106 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageAvant Garde Collection: The Town; La Ville, c. 1914-1921 (oil on canvas)

The Town; La Ville, c. 1914-1921 (oil on canvas)
828286 The Town; La Ville, c.1914-1921 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 110x100.3 cm; Private Collection; (add.info.: The Town; La Ville)

Background imageAvant Garde Collection: From My Window at the Shelton, West, 1931 (gelatin silver print)

From My Window at the Shelton, West, 1931 (gelatin silver print)
3492970 From My Window at the Shelton, West, 1931 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Georgia O Keeffe--Hands and Horse Skull, 1931 (gelatin silver print)

Georgia O Keeffe--Hands and Horse Skull, 1931 (gelatin silver print)
3492957 Georgia O Keeffe--Hands and Horse Skull, 1931 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Reflections, night, New York, c. 1898 (photogravure)

Reflections, night, New York, c. 1898 (photogravure)
1766182 Reflections, night, New York, c.1898 (photogravure) by Stieglitz, Alfred (1864-1946); Private Collection

Background imageAvant Garde Collection: The city of ambition, 1910 (photogravure)

The city of ambition, 1910 (photogravure)
1766181 The city of ambition, 1910 (photogravure) by Stieglitz, Alfred (1864-1946); Private Collection; American, out of copyright

Background imageAvant Garde Collection: Battle of Lights, Coney Island, Mardi Gras, 1913-1914 (oil on canvas)

Battle of Lights, Coney Island, Mardi Gras, 1913-1914 (oil on canvas)
1765329 Battle of Lights, Coney Island, Mardi Gras, 1913-1914 (oil on canvas) by Stella, Joseph (1877-1946); 195.6x215.3 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Background imageAvant Garde Collection: Spiral Perpendicular Costruction. Seated Woman, 1913-14 (oil on canvas)

Spiral Perpendicular Costruction. Seated Woman, 1913-14 (oil on canvas)
6366707 Spiral Perpendicular Costruction. Seated Woman, 1913-14 (oil on canvas) by Boccioni, Umberto (1882-1916); Civiche Raccolte del Castello Sforzesco, Gabinetto dei Disegni, Milan

Background imageAvant Garde Collection: I want to synthetise the unique forms of the continuity in the Space (Dynamism of a Human Body)

I want to synthetise the unique forms of the continuity in the Space (Dynamism of a Human Body), 1913 (graphite)
6366700 I want to synthetise the unique forms of the continuity in the Space (Dynamism of a Human Body), 1913 (graphite, black ink, white tempera and black watercolour on paper) by Boccioni

Background imageAvant Garde Collection: Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter

Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660951 Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Background imageAvant Garde Collection: Experimental Set Design, illustration from Maquettes de Theatre by Alexandra Exter

Experimental Set Design, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660949 Experimental Set Design, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Background imageAvant Garde Collection: Set Design for Shakespeares Macbeth, illustration from Maquettes de Theatre by Alexandra Exter

Set Design for Shakespeares Macbeth, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660946 Set Design for Shakespeares Macbeth, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Background imageAvant Garde Collection: Construction, 1922-23 (oil on canvas)

Construction, 1922-23 (oil on canvas)
3726052 Construction, 1922-23 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 89.2 x 89.9 cm; Museum of Modern Art, New York, USA; The Riklis Collection of McCrory Corporation

Background imageAvant Garde Collection: From My Window at An American Place, Southwest, 1932 (gelatin silver print)

From My Window at An American Place, Southwest, 1932 (gelatin silver print)
3492956 From My Window at An American Place, Southwest, 1932 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageAvant Garde Collection: The Loss of the 'Vanguard', Court-Martial on Board the Flag-Ship 'Royal Adelaide'at Plymouth

The Loss of the "Vanguard", Court-Martial on Board the Flag-Ship "Royal Adelaide"at Plymouth
1049321 The Loss of the " Vanguard", Court-Martial on Board the Flag-Ship " Royal Adelaide" at Plymouth, Vice-Admiral Tarleton giving Evidence (engraving) by Durand

Background imageAvant Garde Collection: Two Peasant Women with Baskets, (oil on canvas)

Two Peasant Women with Baskets, (oil on canvas)
651459 Two Peasant Women with Baskets, (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 118x74 cm; Private Collection; (add.info.: Two Peasant Women with Baskets)

Background imageAvant Garde Collection: Sweeping Snow, 1890s (oil on canvas)

Sweeping Snow, 1890s (oil on canvas)
5672882 Sweeping Snow, 1890s (oil on canvas) by Hassam, Childe Frederick (1859-1935); 23 x 18 cm; Cleveland Museum of Art, OH, USA

Background imageAvant Garde Collection: Studies for Dynamism of a Cyclist, 1913 (black ink on paper)

Studies for Dynamism of a Cyclist, 1913 (black ink on paper)
6366705 Studies for Dynamism of a Cyclist, 1913 (black ink on paper) by Boccioni, Umberto (1882-1916); Civiche Raccolte del Castello Sforzesco, Gabinetto dei Disegni, Milan, Italy; Italian

Background imageAvant Garde Collection: Georgia O Keeffe, 1918 (platinum-palladium print)

Georgia O Keeffe, 1918 (platinum-palladium print)
3492966 Georgia O Keeffe, 1918 (platinum-palladium print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: From My Window at An American Place, North, 1931 (gelatin silver print)

From My Window at An American Place, North, 1931 (gelatin silver print)
3492964 From My Window at An American Place, North, 1931 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageAvant Garde Collection: Shadows in Lake, 1916 (gelatin silver print)

Shadows in Lake, 1916 (gelatin silver print)
3492960 Shadows in Lake, 1916 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York

Background imageAvant Garde Collection: Dorothy True, 1919 (gelatin silver print)

Dorothy True, 1919 (gelatin silver print)
3492954 Dorothy True, 1919 (gelatin silver print) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; (add.info)

Background imageAvant Garde Collection: Set Design for a Jazz Musical, illustration from Maquettes de Theatre by Alexandra Exter

Set Design for a Jazz Musical, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660945 Set Design for a Jazz Musical, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Background imageAvant Garde Collection: Wedge with Red Square (gouache on paper)

Wedge with Red Square (gouache on paper)
7076466 Wedge with Red Square (gouache on paper) by Lissitzky, Eliezer (El) Markowich (1890-1941); 43.18x45.72 cm; Private Collection; (add.info.: Lissitzky, Eliezer (El) Markowich (1890-1941))

Background imageAvant Garde Collection: A Sienese Village (oil on panel)

A Sienese Village (oil on panel)
5895263 A Sienese Village (oil on panel) by Dismorr, Jessica Stewart (1885-1939); 40.6x33 cm; Private Collection; (add.info.: Dismorr, Jessica Stewart (1885-1939))

Background imageAvant Garde Collection: Pablo Picasso, at Four Years of Age, 1885 (b / w photo)

Pablo Picasso, at Four Years of Age, 1885 (b / w photo)
LSE1163341 Pablo Picasso, at Four Years of Age, 1885 (b/w photo) by Spanish Photographer, (19th century); Private Collection; (add.info.: Pablo Ruiz y Picasso)

Background imageAvant Garde Collection: Costume design for Igor Stravinskys ballet The Rite of Spring

Costume design for Igor Stravinskys ballet The Rite of Spring
3743174 Costume design for Igor Stravinskys ballet The Rite of Spring, 1912 (gouache and tempera on paper) by Roerich, Nicholas (1874-1947); Bakhrushin Theatrical Museum, Moscow

Background imageAvant Garde Collection: The young girl, costume design for Igor Stravinskys ballet

The young girl, costume design for Igor Stravinskys ballet
3743173 The young girl, costume design for Igor Stravinskys ballet The Rite of Spring, 1912 (gouache and tempera on paper) by Roerich, Nicholas (1874-1947); Bakhrushin Theatrical Museum, Moscow

Background imageAvant Garde Collection: Decor for the ballet 'The Rite of Spring'by Igor Stravinsky

Decor for the ballet "The Rite of Spring"by Igor Stravinsky
3743172 Decor for the ballet " The Rite of Spring" by Igor Stravinsky, 1945 (tempera on canvas) by Roerich, Nicholas (1874-1947); State Russian Museum, St

Background imageAvant Garde Collection: Front cover of Shary (Balloons), by Osip Emilevich Mandeshtam

Front cover of Shary (Balloons), by Osip Emilevich Mandeshtam
1773375 Front cover of Shary (Balloons), by Osip Emilevich Mandeshtam, 1926 (colour litho) by Lapshin, Nikolai Fedorovich (1891-1942); 27.8x20.6 cm; Private Collection; (add.info)



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"Avant Garde: A Journey through Artistic Innovation" Step into the world of avant-garde, a movement that defied conventions and pushed boundaries. From Kazimir Malevich's enigmatic "Woman with a Rake" to his captivating portrait of Mikhail Matyushin, these artworks challenge our perceptions and invite us to explore new realms. In "The Album, " an oil on canvas masterpiece from 1895, we witness the birth of avant-garde as artists began to break away from traditional norms. The bold strokes and vibrant colors captivate our imagination, leaving us in awe of this artistic revolution. As we delve deeper into this realm, we encounter works like "Madame Noir" and the mesmerizing series titled "Terra Nr. " These pieces transport us to unknown landscapes where reality merges with abstraction. Each stroke tells a story untold before - a testament to the audacity of these artists who dared to venture beyond what was deemed acceptable. Vassily Kandinsky's "Exotic Birds" takes flight with its vivid hues and geometric forms. It epitomizes the essence of avant-garde by embracing pure abstraction while evoking emotions within us that words fail to describe. Malevich's "Reservist of the First Division" captures the turmoil of war through fragmented shapes and distorted perspectives. This artwork serves as a reminder that even amidst chaos, art can transcend boundaries and speak volumes about human experiences. And then there is "An Englishman in Moscow, " an intriguing piece created during turbulent times. Malevich challenges societal norms by blending elements from different cultures, inviting viewers to question their own preconceived notions about identity and belonging. Avant-garde is not just an artistic movement; it is a mindset that encourages exploration, innovation, and self-expression. It invites us all to embrace our individuality while challenging established norms. So let your imagination soar alongside these visionary artists, and let their works inspire you to break free from the confines of convention.