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Aux Limbes Collection

"A Journey into the Depths: Exploring 'Aux Limbes' through Art" Step into a world where darkness intertwines with hope

Background imageAux Limbes Collection: Panel of the Descent into Limbo, from the altarpiece of the convent of Santo Sepulchro

Panel of the Descent into Limbo, from the altarpiece of the convent of Santo Sepulchro, Zaragoza (tempera on panel)
IND112756 Panel of the Descent into Limbo, from the altarpiece of the convent of Santo Sepulchro, Zaragoza (tempera on panel) by Serra, Jaume (fl.1358-95); Museo Provincial de Bellas Artes, Zaragoza

Background imageAux Limbes Collection: Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)

Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)
ALG349740 Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990) by Donatello, (c.1386-1466); San Lorenzo, Florence

Background imageAux Limbes Collection: The Descent of Christ into Hell, c. 1600-15 (gloss paint on canvas)

The Descent of Christ into Hell, c. 1600-15 (gloss paint on canvas)
BFM286802 The Descent of Christ into Hell, c.1600-15 (gloss paint on canvas) by Macedonian School (17th century); 37.5x87 cm; Lindenau Museum, Altenburg

Background imageAux Limbes Collection: Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)
ALI235966 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) by Duccio di Buoninsegna, (c.1278-1318); total:212x425 cm; Museo dell Opera del Duomo, Siena

Background imageAux Limbes Collection: Pulpit from the south side of the nave, 1460 (bronze)

Pulpit from the south side of the nave, 1460 (bronze)
ALG237990 Pulpit from the south side of the nave, 1460 (bronze) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; (add.info)

Background imageAux Limbes Collection: Christ in Limbo, 1552 (oil on canvas)

Christ in Limbo, 1552 (oil on canvas)
BAT276799 Christ in Limbo, 1552 (oil on canvas) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageAux Limbes Collection: The Descent into Limbo, 1442 (fresco)

The Descent into Limbo, 1442 (fresco)
BAT94737 The Descent into Limbo, 1442 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

Background imageAux Limbes Collection: Christ in Limbo, 16th century (pen & ink on paper)

Christ in Limbo, 16th century (pen & ink on paper)
AMO110211 Christ in Limbo, 16th century (pen & ink on paper) by Altdorfer, Albrecht (c.1480-1538); 19.9x14.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Background imageAux Limbes Collection: Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)

Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)
ALG349739 Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990) by Donatello, (c.1386-1466); San Lorenzo, Florence

Background imageAux Limbes Collection: Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) (detail of 235966)
ALI227172 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) (detail of 235966) by Duccio di Buoninsegna

Background imageAux Limbes Collection: The Last Judgement (altarpiece)

The Last Judgement (altarpiece)
BAL3724 The Last Judgement (altarpiece) by Leyden, Lucas van (c.1494-1533); Stedelijk Museum de Lakenhal, Leiden, The Netherlands; Netherlandish, out of copyright

Background imageAux Limbes Collection: Maesta: Descent into Limbo, 1308-11

Maesta: Descent into Limbo, 1308-11
XJL62400 Maesta: Descent into Limbo, 1308-11 by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; Italian, out of copyright

Background imageAux Limbes Collection: Christ descending into the Grave, pl. 3, illustration from The Grave, A Poem

Christ descending into the Grave, pl. 3, illustration from The Grave, A Poem
XYC290773 Christ descending into the Grave, pl.3, illustration from The Grave, A Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageAux Limbes Collection: Harrowing of Hell or Christs descent into Limbo, 1512 (engraving) (b / w photo)

Harrowing of Hell or Christs descent into Limbo, 1512 (engraving) (b / w photo)
XJF275613 Harrowing of Hell or Christs descent into Limbo, 1512 (engraving) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Background imageAux Limbes Collection: Christs Descent into Limbo, c. 1532 (oil on canvas)

Christs Descent into Limbo, c. 1532 (oil on canvas)
XJL211809 Christs Descent into Limbo, c. 1532 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 226x114 cm cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageAux Limbes Collection: The Harrowing of Hell (oil on panel)

The Harrowing of Hell (oil on panel)
BAL128336 The Harrowing of Hell (oil on panel) by Bles, Herri met de (Civetta) (c.1510-p.1550); 15.5x50 cm; Private Collection; Johnny Van Haeften Ltd. London; Netherlandish, out of copyright

Background imageAux Limbes Collection: Christ in Limbo (oil on panel)

Christ in Limbo (oil on panel)
XIR109947 Christ in Limbo (oil on panel) by Italian School, (16th century); Real Monasterio de El Escorial, El Escorial, Spain; (add.info.: Descente du Christ aux Limbes; ); Italian, out of copyright

Background imageAux Limbes Collection: Christ in Limbo (oil on panel)

Christ in Limbo (oil on panel)
XKH141027 Christ in Limbo (oil on panel) by Bosch, Hieronymus (c.1450-1516); 20.2x34 cm; Hamburger Kunsthalle, Hamburg, Germany; Netherlandish, out of copyright


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"A Journey into the Depths: Exploring 'Aux Limbes' through Art" Step into a world where darkness intertwines with hope, as depicted in various artworks that delve into the concept of "aux limbes. " From the Panel of the Descent into Limbo to The Descent of Christ into Hell, these masterpieces transport us to a realm beyond our earthly existence. In Zaragoza's convent of Santo Sepulchro, an altarpiece reveals a mesmerizing scene. Painted with delicate tempera on panel, it portrays souls trapped in limbo, awaiting redemption. Their expressions reflect anguish and longing for salvation. Moving forward in time, we encounter a bronze pulpit from the 15th century. Its intricate details captivate our gaze as we focus on one particular section - a glimpse of despair amidst its grandeur. This detail serves as a reminder that even within moments of glory and splendor, there lies an undercurrent of uncertainty. The Maesta series takes us back further in history to witness eleven scenes from the Passion. On its reverse side lies another depiction related to "aux limbes. " Here again, tempera on panel brings forth emotions through vivid colors and meticulous brushstrokes. We witness Christ's descent into limbo – his triumphant presence offering solace to those who have been waiting patiently for liberation. A shift towards different mediums introduces us to oil on canvas and pen & ink on paper renditions. In both instances, artists skillfully capture Christ's journey through limbo using contrasting techniques. While oil painting adds depth and texture to every stroke conveying realism, pen & ink creates intricate patterns that evoke mystery and contemplation. Returning once more to the bronze pulpit from earlier times allows us another glimpse at its captivating details - this time focusing on yet another facet related to "aux limbes. " It reminds us that life is multifaceted; it encompasses not only joy but also moments of introspection and questioning.