Audience Collection (page 21)

A Dancing Bear, 1865 (oil on canvas)
3930814 A Dancing Bear, 1865 (oil on canvas) by Jernberg, August (1826-96); 113x163 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Ancient Greek theatre (engraving)
3647036 Ancient Greek theatre (engraving) by German School, (19th century); Private Collection; (add.info.: Ancient Greek theatre)

Homer entertaining foreign sailors with a song (engraving)
3647034 Homer entertaining foreign sailors with a song (engraving) by Philippoteaux, Paul Dominique (1846-1923); Private Collection; (add.info.: Homer entertaining foreign sailors with a song)

A night at the Royal Opera, Covent Garden, London (litho)
3627074 A night at the Royal Opera, Covent Garden, London (litho) by Partridge, Bernard (1861-1945) (after); Private Collection; (add.info.: A night at the Royal Opera, Covent Garden, London)

Scene from a play in a late medieval theatre (engraving)
3647916 Scene from a play in a late medieval theatre (engraving) by German School, (19th century); Private Collection; (add.info.: Scene from a play in a late medieval theatre)

Markgrafentheater in Erlangen, 1721 (engraving)
3481431 Markgrafentheater in Erlangen, 1721 (engraving) by Homann, Johann Baptista (1663-1724); Private Collection; German, out of copyright

Elephant Rope Dancing, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
3481236 Elephant Rope Dancing, from A Hundred Anecdotes of Animals, pub. 1924 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Frontispiece from French Edition of Gullivers Travels
3514773 Frontispiece from French Edition of Gullivers Travels by Jonathan SwiftI answered the Kings questions correctly Gulliver and the King and Queen of Brobdingnag

Listening where the sound comes from (colour litho)
3643261 Listening where the sound comes from (colour litho) by English School, (20th century); Private Collection; (add.info.: Listening where the sound comes from. Postcard, early 20th century)

Within the great amphitheatre of the Royal Albert Hall (b / w photo)
3637471 Within the great amphitheatre of the Royal Albert Hall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

"The Eyes looked at her thoughtfully. "from The Wonderful Wizard of Oz
3614745 A" The Eyes looked at her thoughtfully.A" from A The Wonderful Wizard of OzA by L. Frank Baum by Denslow

Columbus before Isabella (oil on canvas)
3940965 Columbus before Isabella (oil on canvas) by Laurens, Jean Paul (1838-1921); 162.7 x 130.8 cm; Yale University Art Gallery, New Haven, CT

The Gallery at the Old Mogul, 1906 (oil on canvas)
6372882 The Gallery at the Old Mogul, 1906 (oil on canvas) by Sickert, Walter Richard (1860-1942); Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Audience at Islington Circus (w / c)
6198761 Audience at Islington Circus (w/c) by Lessore, Therese (1884-1945); 20.9x25.5 cm; The McManus, Dundee, UK; (add.info.: Therese Lessore (1884-1945)); Dundee Art Galleries and Museums; English

The Auditorium, Chicago (b / w photo)
6018278 The Auditorium, Chicago (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: The Auditorium, Chicago)

The First Type of Composition, Oral Narration, A Danish Story-teller and his Audience (litho)
6013118 The First Type of Composition, Oral Narration, A Danish Story-teller and his Audience (litho) by English School, (20th century); Private Collection; (add.info.: The First Type of Composition)

Performance of a comedy in a theatre in Ancient Greece (litho)
5997017 Performance of a comedy in a theatre in Ancient Greece (litho) by Spanish School, (19th century); Private Collection; (add.info.: Performance of a comedy in a theatre in Ancient Greece)

Flute concert in the Palace of Sanssouci, Potsdam, Prussia (engraving)
5999577 Flute concert in the Palace of Sanssouci, Potsdam, Prussia (engraving) by Menzel, Adolph Friedrich Erdmann von (1815-1905) (after); Private Collection; (add.info)

Virginie being Admired while the Marquis Cavalcanti Looks On, c
5667921 Virginie being Admired while the Marquis Cavalcanti Looks On, c.1880-83 (monotype touched with pastel on wove paper) by Degas, Edgar (1834-1917); 16x11.9 cm; National Gallery of Art

Adolphe d Ennery
5675069 Adolphe d Ennery. by Le Petit, Alfred (1841-1909); (add.info.: Litterature. Le dramaturge francais Adolphe diEnnery pelant des oignons, pour faire pleurer les spectateurs)

Title page from Stories or Tales of the Past. With Moralites
5669191 Title page from Stories or Tales of the Past. With Moralites by Charles Perrault, Paris: Claude Barbin, 1697 (print & engraving) by Clouzier

The Calling of Saint Anthony, c. 1530 (oil on panel)
5043037 The Calling of Saint Anthony, c.1530 (oil on panel) by Leyden, Aertgen Claesz van (1498-1564); 132.5x96.3 cm; Rijksmuseum, Amsterdam

Armed sentries keeping watch during a meeting of Scottish Covenanters, 17th Century (colour litho)
5208313 Armed sentries keeping watch during a meeting of Scottish Covenanters, 17th Century (colour litho) by Skelton, J. R

English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina
5208534 English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina Mademoiselle Parisot, 1802 (colour litho) by Newton

The Wagnerites, 1894 (litho)
5208521 The Wagnerites, 1894 (litho) by Beardsley, Aubrey (1872-98) (after); Private Collection; (add.info.: The Wagnerites, 1894)

Political magician on the Champs Elysees, Paris (engraving)
5208121 Political magician on the Champs Elysees, Paris (engraving) by French School, (19th century); Private Collection; (add.info.: Political magician on the Champs Elysees, Paris)

The seven year-old Wolfgang Amadeus Mozart playing before King George III in London, 1764 (engraving)
5207910 The seven year-old Wolfgang Amadeus Mozart playing before King George III in London, 1764 (engraving) by French School

The Social Science Congress at Dublin (engraving)
1054656 The Social Science Congress at Dublin (engraving) by English School, (19th century); Private Collection; (add.info.: The Social Science Congress at Dublin)

Entertainment to Dock Labourers (litho)
1626201 Entertainment to Dock Labourers (litho) by Almond, William Douglas (1866-1916); Private Collection; (add.info.: Entertainment to Dock Labourers)

The Spanish-American War, Patriotic Fervour in New York (litho)
1039535 The Spanish-American War, Patriotic Fervour in New York (litho) by Paget, Henry Marriott (1856-1936) (after); Private Collection; (add.info.: The Spanish-American War)

Open-Air Music in London, listening to the Military Band in Hyde Park (engraving)
1056527 Open-Air Music in London, listening to the Military Band in Hyde Park (engraving) by Hopkins, Arthur (1848-1930) (after); Private Collection; (add.info.: Open-Air Music in London)

Pope Urban II preaching the First Crusade in the marketplace of Clermont, 1096
STC385225 Pope Urban II preaching the First Crusade in the marketplace of Clermont, 1096, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

The Prince of Waless Visit to Chatsworth, the Audience at the Private Theatricals (litho)
1040148 The Prince of Waless Visit to Chatsworth, the Audience at the Private Theatricals (litho) by Craig, Frank (1874-1918); Private Collection; (add.info)

George Fox preaching in a tavern, c. 1650 (litho)
STC373304 George Fox preaching in a tavern, c.1650 (litho) by Wehnert, Edward Henry (1813-68) (after); Private Collection; (add.info.: George Fox (1624-91)

Socialist Speaker, engraved by W. Strong, 1891 (engraving)
621404 Socialist Speaker, engraved by W. Strong, 1891 (engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The General addressing a Meeting at the Tent in the Quaker Burial-ground (engraving)
619603 The General addressing a Meeting at the Tent in the Quaker Burial-ground (engraving) by English School, (19th century); Private Collection; (add.info)

Sadlers Wells, from Ackermanns Repository of Arts, 1809 (colour litho)
619484 Sadlers Wells, from Ackermanns Repository of Arts, 1809 (colour litho) by Rowlandson, T.(1756-1827) & Pugin, A.C.(1762-1832); Private Collection; The Stapleton Collection; English

Outdoor performance of Hiawatha, c. 1913 (b / w photo)
1078871 Outdoor performance of Hiawatha, c.1913 (b/w photo) by Hassler, William Davis (1877-1921); Collection of the New-York Historical Society, USA; eNew York Historical Society; American

William Shakespeare (1564-1616) at the court of Queen Elizabeth I, engraved by Pierre Cottin, c. 1864 (mezzotint)
1758334 William Shakespeare (1564-1616) at the court of Queen Elizabeth I, engraved by Pierre Cottin, c.1864 (mezzotint) by Ender

An Audience at Agrippas (engraving)
1628810 An Audience at Agrippas (engraving) by Alma-Tadema, Lawrence (1836-1912) (after); Private Collection; (add.info.: An Audience at Agrippa s)

The late Emperor Theodore giving an audience (engraving)
961883 The late Emperor Theodore giving an audience (engraving) by English School, (19th century); Private Collection; (add.info.: The late Emperor Theodore giving an audience)

Henry, Prince of Wales before Judge Gascoigne (litho)
956328 Henry, Prince of Wales before Judge Gascoigne (litho) by Glindoni, Henry Gillard (1852-1913); Private Collection; (add.info.: Henry, Prince of Wales (1386-1422) son of Henry IV

The Baby Barber (litho)
959149 The Baby Barber (litho) by May, Phil (1864-1903); Private Collection; (add.info.: The Baby Barber. Illustration for A Phil May Medley (Graphic, 1903).); © Look and Learn

The song of the bard, ancient Germany (chromolitho)
1093288 The song of the bard, ancient Germany (chromolitho) by European School, (19th century); Private Collection; (add.info.: The song of the bard, ancient Germany)

Sir Henry Elliot presenting his Credentials to Sultan Abd-ul-Hamid at the Palace of Dolma Bagtche (engraving)
1053872 Sir Henry Elliot presenting his Credentials to Sultan Abd-ul-Hamid at the Palace of Dolma Bagtche (engraving) by English School

The Bricklayers Arms Station, 7th March 1863, from
939149 The Bricklayers Arms Station, 7th March 1863, from A Memorial of the Marriage of Edward VII and Alexandra of Denmark, pub

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In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.