Attributed To Collection (page 4)

Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556-60; border c. 1602. One of the few surviving works that appear to have been made by an artist brought from Iran by Akbars father

Dragon, early to mid-1600s. Creator: Soga Nichokuan (Japanese), attributed to
Dragon, early to mid-1600s

Dragon and Tiger, early to mid-1600s. Creator: Soga Nichokuan (Japanese), attributed to
Dragon and Tiger, early to mid-1600s. A tiger looks upon a waterfall as it prowls out of a bamboo grove, and a dragon dives through clouds on the right

Landscape Near Paris, c. 1840. Creator: Georges Michel (French, 1763-1843), attributed to
Landscape Near Paris, c. 1840. The location of this scene, probably near Paris, has not been identified with certainty. Unlike most painters of this time

Landscape in the Style of Juran, 1368-1644. Creator: Liu Du (Chinese, active c. 1628-after 1653)
Landscape in the Style of Juran, 1368-1644

Leaf from an Antiphonary: Coronation of the Virgin, 1400s. Creator: Master of the Beffi Triptych
Leaf from an Antiphonary: Coronation of the Virgin, 1400s. The unidentified illuminator of this leaf is named after his work on a painted triptych that once hung behind the altar of the Church of

Bamboo in Rain, early 1500s. Creator: Genga (Japanese), attributed to
Bamboo in Rain, early 1500s. East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images

Birds and Flowers, mid-1400s-early 1500s. Creator: Sessh? T?y? (Japanese, 1420-1506)
Birds and Flowers, mid-1400s-early 1500s

Bay Todos os Santos, Paqueta, Brazil, 1880s. Creator: Marc Ferrez (Brazilian, 1843-1923)
Bay Todos os Santos, Paqueta, Brazil, 1880s

Altar Frontal with the Lamentation, c. 1474. Creator: Cosimo Tura (Italian, c. 1430-1495)
Altar Frontal with the Lamentation, c. 1474. A decorative textile suspended along the altars entire front, an altar frontal was often embellished with gold and silver threads, as seen here

Basket with Fan, Chrysanthemums, and Mushrooms, early 1800s. Creator: Katsushika Hokusai (Japanese)
Basket with Fan, Chrysanthemums, and Mushrooms, early 1800s. A surimono is a privately commissioned print used to announce or commemorate a special event

Bamboo in Wind, early 1500s. Creator: Genga (Japanese), attributed to
Bamboo in Wind, early 1500s. East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images

Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90…, c
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu l Fazl (Indian 1551-1602), c. 1602-3; borders added c. 1700s

Entrance, St. Lorenz Cathedral, Nuremberg, c. late 1850 s. Creator: Schrag, attributed to
Entrance, St. Lorenz Cathedral, Nuremberg, c. late 1850" s

Elegant Pleasures of the Four Seasons, c. 1782. Creator: Kitagawa Utamaro (Japanese
Elegant Pleasures of the Four Seasons, c. 1782. The title of this print suggests a series of four, but only this wintry print is known

Eaux-Chaudes, Pyrenees (verso), c. 1855. Creator: Farnham Maxwell Lyte (British, 1828-1906)
Eaux-Chaudes, Pyrenees (verso), c. 1855

Dante and Virgil with the Vision of Beatrice, c. 1481-1485. Creator: Baccio Baldini (Italian, c)
Dante and Virgil with the Vision of Beatrice, c. 1481-1485

Design for Glass Painting: Man and Woman in Architectural Setting, second half 1500s

Descent into Limbo, late 1460s. Creator: Andrea Mantegna (Italian, 1431-1506), attributed to
Descent into Limbo, late 1460s

Ghatotkacha and three demons in his company chase Bhagadatta... 1616-1617. Creator: Fazl (Indian)
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars)

Genre Scene of Young Men Playing a Game. Creator: Frederico Zuccaro (Italian, 1540 / 1-1609)
Genre Scene of Young Men Playing a Game

Aeneas Saving Anchises at the Fall of Troy, 1587-1588. Creator: Federico Barocci (Italian
Aeneas Saving Anchises at the Fall of Troy, 1587-1588. In book two of Virgils epic poem The Aeneid (29-19 bc), the Trojan hero Aeneas escapes with his family from the burning city of Troy

Adoration of the Magi, c. 1500-1525. Creator: Giulio della Torre (Italian, c. 1481-bef 1563)
Adoration of the Magi, c. 1500-1525. Figures leading livestock descend the winding rocky landscape in the background while in the foreground, a crowd gathers before the Holy Family

Carrying a Qin on a Visit, 1271-1368. Creator: Luo Zhichuan (Chinese, active 1280s-1320s)
Carrying a Qin on a Visit, 1271-1368

Calligraphy of Lyrical Quatrains, c. 1760. Creator: Muhammad Rizavi Hindi (Indian
Calligraphy of Lyrical Quatrains, c. 1760. Floral sprigs illuminate the central calligraphic work, and paired verses have been written in smaller script all around the border

A European Couple, c. 1610-1627. Creator: Ali Riza, the Bodleian Painter (Indian), attributed to
A European Couple, c. 1610-1627. This painting of a European couple seems to be based on close observation and a desire to record the appearance of foreigners

A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso), c. 1525. This chalk drawing presents quick sketches of classical-style architecture

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. According to Akbars court historian, the emperor ordered likenesses to be taken of the grandees of his realm

A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars)

A Holy Man Prostrating Himself Before a Learned Prince, c. 1585; border added probably 1700s

A feast in a pavilion setting, c. 1620. Creator: Muhammad Ali (Persian, active 1590-1620)
A feast in a pavilion setting, c. 1620. Two gentlemen sit on a low carpeted platform in a walled garden. They wear bulbous turbans meant to indicate a historical time or distant place other than

Arcadian Landscape, c. 1615. Creator: Hendrick Goltzius (Dutch, 1558-1617), attributed to
Arcadian Landscape, c. 1615. Engraver Hendrik Goltzius worked in Haarlem most of his life. Goltzius revived the chiaroscuro woodcut technique in the late 16th-century

Apotheosis of a Saint, c. 1700?. Creator: Antonio Domenico Gabbiani (Italian, 1652-1726)
Apotheosis of a Saint, c. 1700?

An Estuary Scene with Fisherman, second quarter of 1600s. Creator: Rafel Govertsz
An Estuary Scene with Fisherman, second quarter of 1600s

Initial D[omine] from a Choral Book: King Solomon, c. 1470-1480. The initial D takes the form of the Temple at Jerusalem, built by King Solomon, who occupies the initials interior space

Boudoir from Hotel dHocqueville, Rouen, c. 1785

An Angel Supporting Two Escutcheons, c. 1470. Creator: Nikolaus Gerhaert von Leyden (German)
An Angel Supporting Two Escutcheons, c. 1470

Eagle Preaching Animals 16th century Pen brown ink
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Christ Driving Money Changers Temple 1530-70
Artokoloro

Study Title-Page Allegory Commerce Debtor Prison
Artokoloro

Month Elegant Man Holding Flower Lute 16th century
Artokoloro

Design Frontispiece Title Page n. d Brush grey wash
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Crucified Christ 1587-97 Pen brown ink brush
Artokoloro

Saint John Baptist Preaching Group Soldiers 16th century
Artokoloro

Design Stage Set? Interior Stateroom Four Tables Displaying Urns
Artokoloro

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"Exploring the Wilderness: Layla and Majnun Find Solace Amongst Animals, from a Khamsa (Quintet). . C. 1590-1600 (attributed to)" "A Tale of Love and Tragedy: Shirin and Farhad Immortalized in Art, c. 1810 (Creator: Amar Das Bhatti, attributed)" "Majestic Royalty: Maharaja Savant Singh and His Enchanting Consort Bani Thani, mid-1700s (Creator: Nihal Chand, attributed)" "Nature's Symphony Unveiled: Birds, Trees, and Flowers Painted with Graceful Precision, late 1500s (Creator: Kano Shoei, attributed to)" "The Grandeur of Akbar's Reign Captured on Paper: Akbar Mounting his Horse in Chester Beatty Akbar Nama (History of Akbar), 1605-07" "Elegance Transcends Time: A Bed Crafted with Exquisite Detail in the 1700s (Creator: Georges Jacob, attributed to)" "Unleashing History's Battle Scenes on Paper: The Romans Attacking Augsburg Depicted in Stunning Detail, c. 1490" "Spirituality Illuminated through Artistry:The Pentecost Illustrated on Thick Heavy Yellow Manuscript Paper, c. 1661/1687" "A Glimpse into Humanity's Journey:Awe-Inspiring Ecce Homo Painting Resonates with Emotion (oil on panel)" "Celebrating Simplicity:A Man Smoking a Clay Pipe Portrayed Effortlessly (oil on canvas)" "Intriguing Allure of Eastern Beauty:Ladies of the Harem Mesmerize with their Elegance (oil on canvas)" "Nature's Delicate Masterpiece.