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Astyanax Collection

Astyanax, the son of Hector and Andromache, is a figure deeply rooted in Greek mythology and the Trojan War

Background imageAstyanax Collection: Hector & Andromache

Hector & Andromache
Hector and Andromache with their baby son, Astyanax (Scamandrios), held by a nursemaid. Hector asks the gods to make his son braver and stronger than himself

Background imageAstyanax Collection: The Iliad: Andromache and Astyanax meet Hektor prepared for war (engraving)

The Iliad: Andromache and Astyanax meet Hektor prepared for war (engraving)
6026365 The Iliad: Andromache and Astyanax meet Hektor prepared for war (engraving) by Jacomb-Hood, George Percy (1857-1930); Private Collection; (add.info)

Background imageAstyanax Collection: Cybele, goddess of the Phrygians, in a chariot

Cybele, goddess of the Phrygians, in a chariot
Cybele, goddess of the Phrygians, with orb and sceptre in a chariot drawn by four lions. With Attis in Phrygian cap holding syrinx panpipes and shepherds crook. Cibele, Ati, &c

Background imageAstyanax Collection: Andromache mourning Hector, 1783

Andromache mourning Hector, 1783
PWI82870 Andromache mourning Hector, 1783 by David, Jacques Louis (1748-1825); 58x43 cm; Pushkin Museum, Moscow, Russia; © Peter Willi

Background imageAstyanax Collection: Detail of an attic red-figure cup depicting scenes from the Trojan War, c

Detail of an attic red-figure cup depicting scenes from the Trojan War, c
XIR211798 Detail of an attic red-figure cup depicting scenes from the Trojan War, c.490 BC (pottery) (see 92562 & 211797 for interior) by Brygos Painter (c.500-475 BC); diam: 32.5 cm; Louvre, Paris

Background imageAstyanax Collection: Courtyard and columns of Heliopolis, Temple of Baalbek

Courtyard and columns of Heliopolis, Temple of Baalbek
Plan of the courtyard of Heliopolis, or the Temple of Baalbek, and columns in the temple and the Hexagonal court, Beqaa Valley, Lebanon

Background imageAstyanax Collection: The corpse of Hector brought into Troy

The corpse of Hector brought into Troy. The Trojan soldiers wear helmets that resemble Phrygian caps. Priam kneels at the left, and Hectors wife Andromache and son Astyanax mourn at right

Background imageAstyanax Collection: Attic red-figure cup depicting scenes from the Trojan War, c. 490 BC (pottery) (detail)

Attic red-figure cup depicting scenes from the Trojan War, c. 490 BC (pottery) (detail)
XIR230315 Attic red-figure cup depicting scenes from the Trojan War, c.490 BC (pottery) (detail) by Brygos Painter (c.500-475 BC); Louvre, Paris

Background imageAstyanax Collection: Hector and Andromache, c. 1708-10 (oil on canvas)

Hector and Andromache, c. 1708-10 (oil on canvas)
LMG109105 Hector and Andromache, c.1708-10 (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 233.7x223.5 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Background imageAstyanax Collection: Hector and Andromache, from The Childrens Hour: Stories from the Classics

Hector and Andromache, from The Childrens Hour: Stories from the Classics
IL262825 Hector and Andromache, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Background imageAstyanax Collection: Andromache and Astyanax, c. 1813-24 (oil on canvas)

Andromache and Astyanax, c. 1813-24 (oil on canvas)
6256901 Andromache and Astyanax, c.1813-24 (oil on canvas) by Prud hon, Pierre-Paul (1758-1823); 132.1x170.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageAstyanax Collection: 'The warrior stretched out his arms to embrace his little one'(engraving)

"The warrior stretched out his arms to embrace his little one"(engraving)
2786904 " The warrior stretched out his arms to embrace his little one" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageAstyanax Collection: Hectors Departure, 1776 (oil on canvas)

Hectors Departure, 1776 (oil on canvas)
BFM286674 Hectors Departure, 1776 (oil on canvas) by Tischbein, Johann Heinrich Wilhelm (1751-1829); 121.6x142.5 cm; Schlossmuseum, Schloss Friedenstein, Gotha

Background imageAstyanax Collection: Hector taking leave of Andromache: the Fright of Astyanax, 1766. Creator: Benjamin West

Hector taking leave of Andromache: the Fright of Astyanax, 1766. Creator: Benjamin West
Hector taking leave of Andromache: the Fright of Astyanax, 1766

Background imageAstyanax Collection: Andromache and Astyanax, ?1813-17; 1823-24?. Creator: Pierre-Paul Prud hon

Andromache and Astyanax, ?1813-17; 1823-24?. Creator: Pierre-Paul Prud hon
Andromache and Astyanax, ?1813-17; 1823-24?

Background imageAstyanax Collection: Illustration of Blind Cave Characin (Astyanax mexicanus), orange freshwater fish also known as

Illustration of Blind Cave Characin (Astyanax mexicanus), orange freshwater fish also known as Mexican tetra, tetra

Background imageAstyanax Collection: Hector taking leave Andromache Fright Astyanax

Hector taking leave Andromache Fright Astyanax
Artokoloro

Background imageAstyanax Collection: Hector Farewell Andromache Astyanax 1676-1741 / 46

Hector Farewell Andromache Astyanax 1676-1741 / 46
Artokoloro

Background imageAstyanax Collection: The Departure of Hector, c. 1812 (pen & ink and pencil on paper)

The Departure of Hector, c. 1812 (pen & ink and pencil on paper)
XIR219601 The Departure of Hector, c.1812 (pen & ink and pencil on paper) by David, Jacques Louis (1748-1825); 22.3x29 cm; Louvre, Paris, France; French, out of copyright

Background imageAstyanax Collection: Hector Bidding Farewell to his Son and Andromache (oil on canvas)

Hector Bidding Farewell to his Son and Andromache (oil on canvas)
XIR201508 Hector Bidding Farewell to his Son and Andromache (oil on canvas) by Restout, Jean Bernard (1732-97); Musee des Beaux-Arts, Orleans

Background imageAstyanax Collection: The Fright of Astyanax (Hector Bidding Farewell to Andromache)

The Fright of Astyanax (Hector Bidding Farewell to Andromache); Benjamin West, American, 1738 - 1820, active England; Great Britain, Europe; 1797; Pen and brown ink, brown wash

Background imageAstyanax Collection: Red-figure pottery, calyx krater depicting Neoptolemus, Astyanax, Helen of Troy and Priamo on ground

Red-figure pottery, calyx krater depicting Neoptolemus, Astyanax, Helen of Troy and Priamo on ground
Etruscan civilization, 4th century b.C. Red-figure pottery: calyx krater by the Nazzano Painter, side depicting Neoptolemus, Astyanax, Helen of Troy and Priam on the ground


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Astyanax, the son of Hector and Andromache, is a figure deeply rooted in Greek mythology and the Trojan War. In Homer's epic poem, The Iliad, we witness the heart-wrenching meeting between Andromache and her husband Hector as he prepares for war. This emotional encounter has been immortalized in various forms of art throughout history. One such depiction is an engraving titled "The Iliad: Andromache and Astyanax meet Hektor prepared for war. " It captures the bittersweet moment when mother and child bid farewell to their beloved warrior before his fateful battle. Another artwork that showcases this poignant scene is "Andromache mourning Hector, " painted in 1783. Here, we see Andromache consumed by grief as she mourns the loss of her brave husband. Astyanax's connection to divine beings can be seen through references to Cybele, goddess of the Phrygians, who rides a chariot. This symbolizes his lineage as part mortal and part godly descendant. Additionally, an attic red-figure cup from ancient Falerii depicts scenes from the Trojan War including Astyanax among other characters. The significance extends beyond mere artistic representation; it delves into themes of love, loss, sacrifice, and destiny. As depicted on pottery or canvas alike - like "Hector and Andromache" painted around 1708-10 - these artworks capture our imagination with their portrayal of human emotions amidst a backdrop of war-torn Troy. Furthermore, images showcasing architectural wonders like Heliopolis' Temple of Baalbek remind us that these stories are not just mythical tales but were believed to have taken place within real historical settings.