Astley Collection

Astleys Amphitheatre
Philip Astleys amphitheatre, Westminster Bridge Road, London : loved by Dickens, this was also the scene of clowns such as Grimaldi, and popular melodrama

CIRCUS ELEPHANT, 1853. Circus elephant at Astleys Theatre in London. Wood engraving, 1853

Albert Edward Delaval Astley, 21st Baron Hastings,1882-1956. From the magazine The World and His Wife, published 1907
2638507 Albert Edward Delaval Astley, 21st Baron Hastings,1882-1956. From the magazine The World and His Wife, published 1907.; Private Collection; Photo © Hilary Morgan.

Thurrock RM17 6 Map
Postcode Sector Map of Thurrock RM17 6

Dress of the people of Cape Lope Gonsalvo and Rio Gabon
1078566 Dress of the people of Cape Lope Gonsalvo and Rio Gabon, illustration from Habits on the Gold Coast, by Thomas Astley, 1745-47 (engraving) by American School

M Jean Polaski at Astleys (engraving)
583318 M Jean Polaski at Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: M Jean Polaski at Astley s; from The Illustrated London News)

An Ambitious Youth (engraving)
668371 An Ambitious Youth (engraving) by Leech, John (1817-64); Private Collection; (add.info.: An Ambitious Youth. Illustration for John Leechs Pictures of Life and Character (c 1890)

The Astley Institute for potential jockeys run by R. Taylor

M Jean Polaski, at Astleys (engraving)
1606992 M Jean Polaski, at Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: M Jean Polaski, at Astley s)

Scene from the New Spectacle at Astley s, Morok (Van Amburgh) attacked by a Panther (engraving)
1607147 Scene from the New Spectacle at Astley s, Morok (Van Amburgh) attacked by a Panther (engraving) by English School

Plan of the King of Sines palace, Joal, Senegambia, 18th century. Entrance A, courts B, connecting huts C, kings hut D, wives huts E, reception area F, dining area G, servants huts H

The elephants feat, Astley s, London (engraving)
584251 The elephants feat, Astley s, London (engraving) by English School, (19th century); Private Collection; (add.info.: The elephants feat, Astley s; from The Illustrated London News)

A Coal Mine on Fire (engraving)
1618184 A Coal Mine on Fire (engraving) by English School, (19th century); Private Collection; (add.info.: A Coal Mine on Fire. Illustration for The Illustrated London News, 9 June 1849)

Scene from the New Pantomime of "Harlequin and O Donoghue, "at Astleys (engraving)
1625320 Scene from the New Pantomime of " Harlequin and O Donoghue, " at Astleys (engraving) by English School, (19th century); Private Collection; (add.info)

Astleys (engraving)
1625077 Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: Astley s. Illustration for The Illustrated London News, 31 August 1844)

Widdicombe (engraving)
1617072 Widdicombe (engraving) by English School, (19th century); Private Collection; (add.info.: Widdicombe. Illustration for The Illustrated London News, 20 May 1843)

Illustration for The Newcomes by Thackeray (litho)
5216481 Illustration for The Newcomes by Thackeray (litho) by English School, (19th century); Private Collection; (add.info.: An evening at Astley s)

Amidi Neuporte, the great Dutch equilibrists bottle feat, at Astleys (engraving)
583319 Amidi Neuporte, the great Dutch equilibrists bottle feat, at Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: Amidi Neuporte)

Southwark Elections (engraving)
1101426 Southwark Elections (engraving) by English School, (19th century); Private Collection; (add.info.: Southwark Elections. Illustration for The Illustrated London News, 13 September 1845)

Sketch of Mr Astleys System (engraving)
558240 Sketch of Mr Astleys System (engraving) by English School, (19th century); Private Collection; (add.info.: Sketch of Mr Astleys System.); Look and Learn / Peter Jackson Collection; English

Scenes from the Pantomimes and Extravaganzas (engraving)
1610427 Scenes from the Pantomimes and Extravaganzas (engraving) by English School, (19th century); Private Collection; (add.info.: Scenes from the Pantomimes and Extravaganzas)

The Great Dutch Equilibrists Bottle Feat, at Astleys (engraving)
1617428 The Great Dutch Equilibrists Bottle Feat, at Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Dutch Equilibrists Bottle Feat, at Astley s)

The Combat between Richard and Saladin (engraving)
1617071 The Combat between Richard and Saladin (engraving) by English School, (19th century); Private Collection; (add.info.: The Combat between Richard and Saladin)

Astleys Amphitheatre, London - Royal visit to Astleys (engraving)
584758 Astleys Amphitheatre, London - Royal visit to Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: Astleys Amphitheatre)

Pantomimes and Christmas Pieces (engraving)
1625300 Pantomimes and Christmas Pieces (engraving) by English School, (19th century); Private Collection; (add.info.: Pantomimes and Christmas Pieces)

Royal Visit to Astleys (engraving)
1101800 Royal Visit to Astleys (engraving) by English School, (19th century); Private Collection; (add.info.: Royal Visit to Astley s)

Scene from "The Camp of Silesia, "at Astley s, the Pandours Cavern (engraving)
1096236 Scene from " The Camp of Silesia, " at Astley s, the Pandours Cavern (engraving) by English School, (19th century); Private Collection; (add.info)

Astley s, Mr Pablo Fanque, and his trained Steed (engraving)
1095801 Astley s, Mr Pablo Fanque, and his trained Steed (engraving) by English School, (19th century); Private Collection; (add.info.: Astley s, Mr Pablo Fanque, and his trained Steed)

ANDREW DUCROW / HORSEMAN
ANDREW DUCROW Equestrian performer at Astleys Amphitheatre and elsewhere, seen here riding two horses Date: 1793 - 1842

Shropshire SY4 4 Map
Postcode Sector Map of Shropshire SY4 4

Wigan M29 7 Map
Postcode Sector Map of Wigan M29 7

Wyre Forest DY13 0 Map
Postcode Sector Map of Wyre Forest DY13 0

Nuneaton & Bedworth CV10 7 Map
Postcode Sector Map of Nuneaton & Bedworth CV10 7

Interior of Astleys Amphitheatre in 1843, (c1878). Creator: Unknown
Interior of Astleys Amphitheatre in 1843, (c1878). Audience watching an equestrian show with a Roman chariot. Philip Astley, the father of modern circus

Entrance to Astleys Theatre in 1820, (c1878). Creator: Unknown
Entrance to Astleys Theatre in 1820, (c1878). Philip Astley, the father of modern circus, opened his Amphitheatre at Westminster Bridge Road, Lambeth, south London, in 1777

Arena of Astleys Amphitheatre, Westminster Bridge Road, 1942. From Fairs, Circuses and Music Halls, by M. Wilson Disher. [Collins, London, 1942]

Portrait of Master Bernard Astley, late 18th century, (1912). Artist: Daniel Gardner
Portrait of Master Bernard Astley, late 18th century, (1912). Portrait of a boy in blue coat by Daniel Gardner (1750-1805), a British painter, best known for his work as a portraitist

Death of the last Chinese Emperor of the Ming in 1644 from Nieuhof, 1745. Artist: George Childs
Death of the last Chinese Emperor of the Ming in 1644 from Nieuhof, 1745. From A new general collection of voyages and travels; consisting of the most esteemed relations

Francis Duckenfield Astley, Esq. and his Harriers, c19th century. Artist: Richard Woodman
Francis Duckenfield Astley, Esq. and his Harriers, c19th century. After Benjamin Marshall 1768-1835. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy

Francis Dukinfield Astley, Esq. and his Harriers, 1809. (1941). Artist: Richard Woodman
Francis Dukinfield Astley, Esq. and his Harriers, 1809. After Benjamin Marshall (1768-1835). From The Connoisseur, 1941 edited by H. Granville Fell. [The National Magazine Co. Ltd, London, 1941]

Sir Joshua Reynolds, 1750 (1900). A print from The Magazine of Art, Cassell and Company, Limited, 1900

Interior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Artist: William Capon
Interior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Philip Astley was the father of modern circus

Exterior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Artist: William Capon
Exterior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Philip Astley was the father of modern circus

The King of Cochin riding on an elephant, attended by his Nayro s, c1745. Illustration from Thomas Astleys A New General Collection of Voyages and Travels; consisting of the most esteemed relations

Edens Orphanage, Astley Bridge, Bolton, founded by a legacy from local industrialist James Eden

The Molyneux Family of Castledillon, Co. Armagh (1758). Astley, John 1724-1787. Date: 1758

Sir Astley Paston Cooper 1St Baronet 1768 To 1841 English Surgeon And Anatomist Engraved By J Cochran After Sir T Lawrence From The Book National Portrait Gallery Volume Iii Published C 1835

Charles Rowell. The Celebrated Pedestrian. Born in Chesterton, Cambridgeshire, England, August 12th 1853. Height 6 ft. 5 ins. Weight 140 lbs. Winner of the Astley Belt

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Astley, a name that resonates with history and entertainment. From the grand Astleys Theatre in London to the fascinating Astleys Amphitheatre, this name has left an indelible mark on the world of performing arts. In 1853, a circus elephant took center stage at Astleys Theatre in London, captivating audiences with its majestic presence. The wood engraving from that time immortalizes this awe-inspiring moment, reminding us of the enchantment that filled the air. But Astley is not just about theatres and circuses; it encompasses much more. Sir Astley Paston Cooper, a renowned surgeon and anatomist, contributed greatly to medical science during his time. His legacy lives on as we continue to benefit from his groundbreaking work. Beyond London's borders lies Edens Orphanage in Astley Bridge, Bolton - a place where hope was nurtured for countless children who found solace within its walls. This institution provided them with love and care when they needed it most. Venturing further into Thurrock RM17 6 Map reveals another facet of Astley's influence - the vibrant dress of Cape Lope Gonsalvo and Rio Gabon people. Their unique attire showcases their rich cultural heritage while adding splashes of color to our world. The mention of M Jean Polaski brings forth images of daring acrobatics performed at none other than Astleys itself. Through engravings capturing these breathtaking moments, we are transported back in time to witness firsthand the incredible feats achieved by this talented individual. An Ambitious Youth is depicted through yet another engraving associated with Astley - a testament to how dreams were pursued even then. It serves as a reminder that determination knows no bounds when one sets their sights high. For those aspiring jockeys out there, The Astley Institute was once an esteemed establishment run by R. Taylor where potential riders honed their skills under expert guidance.