Arthurian Collection (page 2)

King Arthur, September 1874. Creator: Julia Margaret Cameron
King Arthur, September 1874. A photograph of the torso and head in profile of a bearded and long-haired knight (William Warder) with helmet and chainmail gripping a sword

Queen Guinevere consort of King Arthur, 1937. Artist: Alexander K MacDonald
Queen Guinevere consort of King Arthur. Guinevere is the Queen consort of King Arthur in the Arthurian Legend. From an original drawing by A. K. Macdonald

Merlin and Vivian in Arthurian legend
Merlin and Vivian in the forest, from legends of King Arthur. Hand-colored halftone of a Dore painting

Guenevere
A portrait design which depicts the lady Guenevere, a Queen of Great Britain in Arthurian legend, wife of King Arthur. The design was made for embroidery in Red House, the home of William Morris

Le Morte D'Arthur
A scene from Le Morte D'Arthur, possibly either Igraine (Arthur's mother) or Merlin's mother who both died in childbirth Date: 1498

Guinevere Dead
Sir Lancelot with Guinevere's body at Almesbury

Sir Lamorack is Slain
Sir Lamorak de Galis is attacked by Sir Gawaine & his kin Sir Agravaine, Sir Gaheris & Sir Mordred. Lamorak, being a mighty knight, fights for 3 hours before he is slain

Lancelot and Tarquin
Sir Lancelot challenges Sir Tarquin (Tarquine) who has imprisoned 64 of King Arthur's knights. Sir Tarquin is slain

Lancelot Driven Mad
Lancelot is driven mad by Guinevere's anger (the result of an enchantment to make her believe that he was a traitor) & lives in a wild wood surviving on fruit

Lady Lyonesse and Dwarf
The Lady Lyonesse questions Sir Beaumains's dwarf & finds out that the knight is the son of a king & that his true identity is Sir Gareth of Orkney

Elaine Dies Love Myth England Arthurian Legend
elaine, dies, love, myth, england, arthurian, legend, astolat, lancelot, body, brought, arthur, court, arthur's, of, and, to, for, the, 10047138

DEATH OF LANCELOT
Sir Lancelot, an old man in a monk's habit, dies of a broken heart on King Arthur's tomb

Merlin takes the child Arthur into his keeping Date: 1893 - 1894

ELAINE OF ASTOLAT
Elaine comes to the little hermitage where Lancelot lies sick, where she will tend him, fall in love with him, and ultimately die for love of him

ARTHUR VERSUS MORDRED
He slays his nephew Mordred, who is trying to seize the throne (and Guinevere), at the battle of Camlann ; but unfortunately Mordred also slays him

ELAINE & SHIELD/LEGEND
Elaine, the lily-maid of Astolat, otherwise known as The Lady of Shalott, with the shield of Lancelot, for whom she dies of love

Elaine Corpse Legend Myth England Arthurian Lily
elaine, corpse, legend, myth, england, arthurian, lily, maid, astolat, lady, shalott, dies, love, lancelot, body, taken, camelot, shallot, elaine's, history, historical, 10022350

ELAINE & LANCELOT LEGEND
Elaine, the lily-maid of Astolat, otherwise known as The Lady of Shalott, declares her love to Lancelot, for whom she dies of love

ARTHURIAN/ELAINE
Elaine, the lily-maid of Astolat, otherwise known as The Lady of Shalott, working on her embroidery and thinking of Lancelot for whom she dies of love

PASSING OF ARTHUR
THE PASSING OF ARTHUR - his body is carried away on a mysterious boat

Excalibur Acquired
Arthur, accompanied by Merlin, acquires the magic sword Excalibur, and its even more magic scabbard, from the Lady of the Lake

Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth
2915234 Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth and Lynette from the book The Gateway to Tennyson published 1910

Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published 1910
2915236 Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

Sir Lancelot and Queen Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910
2915233 Sir Lancelot and Queen Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

A nun binds the waist of Sir Galahad with a belt made of her hair and a device representing The Holy Grail in crimson
2915238 A nun binds the waist of Sir Galahad with a belt made of her hair and a device representing The Holy Grail in crimson and silver thread

And down the wave and in the flame was borne a naked babe, and rode to Merlin's feet
2915232 And down the wave and in the flame was borne a naked babe, and rode to Merlin's feet. Title of coloured illustration from the book The Gateway to Tennyson published 1910

Lancelot looks at the dead Lady of Shalott on her arrival at Camelot. Coloured illustration from the book The Gateway
2915235 Lancelot looks at the dead Lady of Shalott on her arrival at Camelot. Coloured illustration from the book The Gateway to Tennyson published 1910

The Marriage of King Arthur and Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910
2915229 The Marriage of King Arthur and Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 62953)
495754 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 62953) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)
2915237 Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho) by English School, (20th century); Photo © Hilary Morgan

Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum)
IND113200 Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum) by French School, (15th century); Musee Conde, Chantilly

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition
STC323602 Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

The Infant Arthur is found... illustration from Idylls of the King by Alfred Tennyson (1809-92)
IL274109 The Infant Arthur is found... illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho) by Fortescue-Brickdale

Kynon comes to the castle, c. 1910 (engraving)
3740331 Kynon comes to the castle, c.1910 (engraving) by Ault, Norman (1880-1950); Private Collection; (add.info.: illustration from Mabinogion, collection of Welsh tales of youth); English

Tristram and Iseult
BAL13703 Tristram and Iseult by Meteyard, Sidney (1868-1947); Private Collection; Roy Miles Fine Paintings

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

The Kiss of Judas, 1893 (litho)
DGC288110 The Kiss of Judas, 1893 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

The Lady of the Lake (Furnishing Fabric), Mulhouse, c. 1820. Creator: Unknown
The Lady of the Lake (Furnishing Fabric), Mulhouse, c. 1820. Scenes from Arthurian legend. Designed by G. Merklen

King Arthur, 1874. Creator: Julia Margaret Cameron
King Arthur, 1874. A work made of albumen print

Elaine, c. 1874. Creator: Julia Margaret Cameron
Elaine, c. 1874. A work made of albumen print

The Angel of the Sea, 1906 (oil on canvas)
1766667 The Angel of the Sea, 1906 (oil on canvas) by Frampton, Edward Reginald (1872-1923); 121.9x68.6 cm; Private Collection; (add.info.: The Angel of the Sea. Edward Reginald Frampton (1872-1923)

Enid and Geraint (oil on canvas)
CH378493 Enid and Geraint (oil on canvas) by Hughes, Arthur (1832-1915); 26x37.5 cm; Private Collection; (add.info.: from The Marriage of Geraint in Idylls of the King by Alfred)

Arthur at his round Table (engraving)
3634260 Arthur at his round Table (engraving) by English School, (19th century); Private Collection; (add.info.: Arthur at his round Table)

The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)
3641284 The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho) by English School, (20th century); Private Collection; (add.info)

A tournament in the days of King Arthur (colour litho)
977952 A tournament in the days of King Arthur (colour litho) by Wyeth, Newell Convers (1882-1945) (after); Private Collection; (add.info.: A tournament in the days of King Arthur)

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"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny, as depicted in John William Waterhouse's masterpiece "I am half sick of shadows, c1911. " The ethereal painting captures the essence tales, where magic and mystery reign supreme. In one corner, we find Merlin and Vivien standing beneath an ancient tree. Their enigmatic connection hints at the intricate web of fate that binds them together. Meanwhile, "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" transports us to a sacred moment when these noble knights glimpse their ultimate quest. Waterhouse's enchantment continues with "The Lady of Shalott, " her haunting beauty encapsulating the tragic tale that unfolds within Camelot's walls. Yet hope prevails as Lancelot emerges to save Arthur from perilous situations time and again. The bravery showcased in this act echoes throughout history. As we venture further into this mythical world, we encounter "Die Gralburg, " a testament to the enduring allure surrounding the Holy Grail. Its power captivates all who seek it but remains elusive for most. However, amidst trials and tribulations, Arthur weds Guinevere—a union that symbolizes love's triumph over adversity. Galahad takes his rightful place among legendary knights at King Arthur's Round Table—an assembly embodying chivalry and honor beyond measure. Excalibur gleams under Beardsley's skilled hand—its significance resonating far beyond its physical form. No retelling is complete without paying homage to Merlin—the wise sorcerer whose guidance shapes destinies across generations. Tristran & Isolde epitomize forbidden love entangled in tragedy—a poignant reminder that even heroes are not immune to heartache.