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Arthurian Romance Collection

"Step into the enchanting world of Arthurian romance, where medieval knights don their armor and wield their swords in epic battles

Background imageArthurian Romance Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imageArthurian Romance Collection: Isolde writing to Tristan, 1892-1894 (engraving)

Isolde writing to Tristan, 1892-1894 (engraving)
AIS5356036 Isolde writing to Tristan, 1892-1894 (engraving) by Beardsley, Aubrey (1872-98); (add.info.: Art Nouveau: Iseult (iseut, Yseut or Isolde) writing to Tristan

Background imageArthurian Romance Collection: Arthur and Guenevere kiss before all the people (engraving)

Arthur and Guenevere kiss before all the people (engraving)
973834 Arthur and Guenevere kiss before all the people (engraving) by Ford, Henry Justice (1860-1941); Private Collection; (add.info.: Arthur and Guenevere kiss before all the people)

Background imageArthurian Romance Collection: King Arthur (engraving)

King Arthur (engraving)
8636297 King Arthur (engraving) by English School, (19th century); Private Collection; (add.info.: King Arthur. Illustration for Philips' Picturesque History of England edited by J Francon)

Background imageArthurian Romance Collection: King Arthur (colour litho)

King Arthur (colour litho)
8670409 King Arthur (colour litho) by English School, (20th century); Private Collection; (add.info.: King Arthur. Illustration for Graphic Stories of Kings edited by M T Yates (William Collins)

Background imageArthurian Romance Collection: Myths and legends: King Arthur's round table. Colour engraving after a 14th century miniature

Myths and legends: King Arthur's round table. Colour engraving after a 14th century miniature
NWI4929795 Myths and legends: King Arthur's round table. Colour engraving after a 14th century miniature.; (add.info.: Myths and legends: King Arthur's round table)

Background imageArthurian Romance Collection: Sir Galahad. Illustration from the book The Gateway to Tennyson published 1910

Sir Galahad. Illustration from the book The Gateway to Tennyson published 1910
2915241 Sir Galahad. Illustration from the book The Gateway to Tennyson published 1910.; Photo © Hilary Morgan.

Background imageArthurian Romance Collection: Elsa and Lohengrin, Act III of 'Lohengrin', c.1910 ()

Elsa and Lohengrin, Act III of 'Lohengrin', c.1910 ()
3434044 Elsa and Lohengrin, Act III of 'Lohengrin', c.1910 (; (add.info.: Opera. Coll. Part. Music. Opera. Elsa and Lohengrin)

Background imageArthurian Romance Collection: Myths and legends: King Arthur receiving the magic sword by the Fee Viviane (or Lady of the Lake)

Myths and legends: King Arthur receiving the magic sword by the Fee Viviane (or Lady of the Lake)
NWI4929585 Myths and legends: King Arthur receiving the magic sword by the Fee Viviane (or Lady of the Lake). Colourful engraving of the 19th century.; (add.info.: Myths and legends)

Background imageArthurian Romance Collection: King Arthur, legendary British leader. Illustration from the book The Gateway to Tennyson

King Arthur, legendary British leader. Illustration from the book The Gateway to Tennyson published 1910
2915231 King Arthur, legendary British leader. Illustration from the book The Gateway to Tennyson published 1910.; Photo © Hilary Morgan.

Background imageArthurian Romance Collection: Lancelot of the Lake, 1494 (miniature)

Lancelot of the Lake, 1494 (miniature)
7415644 Lancelot of the Lake, 1494 (miniature); Bibliotheque Nationale, Paris, France; (add.info.: Lancelot du Lac Printed on parchment by Gille Couteau ()

Background imageArthurian Romance Collection: King Arthur's sword Excalibur and the hand emerging from the lake

King Arthur's sword Excalibur and the hand emerging from the lake. Illustration from the book The Gateway to
2915240 King Arthur's sword Excalibur and the hand emerging from the lake. Illustration from the book The Gateway to Tennyson published 1910.; Photo © Hilary Morgan.

Background imageArthurian Romance Collection: Letter L: Lohengrin, in ' Lohengrin', opera (created in 1850) by Richard Wagner (1813-1883)

Letter L: Lohengrin, in " Lohengrin", opera (created in 1850) by Richard Wagner (1813-1883)
DUV4208566 Letter L: Lohengrin, in " Lohengrin", opera (created in 1850) by Richard Wagner (1813-1883). Men's Alphabet (Liebig) Serie S0369

Background imageArthurian Romance Collection: Arthurian Regions (litho)

Arthurian Regions (litho)
8652516 Arthurian Regions (litho) by Bartholomew, John George (1860-1920) ; Private Collection; (add.info.: Arthurian Regions)

Background imageArthurian Romance Collection: Merlin and Arthur (bronze)

Merlin and Arthur (bronze)
NGW186865 Merlin and Arthur (bronze) by John, William Goscombe (1860-1952); 61x25 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageArthurian Romance Collection: Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of

Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth
2915234 Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth and Lynette from the book The Gateway to Tennyson published 1910

Background imageArthurian Romance Collection: King Arthur, 1513 (bronze)

King Arthur, 1513 (bronze)
7413414 King Arthur, 1513 (bronze) by Vischer, Peter the Elder (c.1460-1529); 215 cm; Hofkirche, Innsbruck, Austria; (add.info)

Background imageArthurian Romance Collection: Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published

Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published 1910
2915236 Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

Background imageArthurian Romance Collection: Sir Lancelot and Queen Guinevere. Coloured illustration from the book The Gateway to Tennyson

Sir Lancelot and Queen Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910
2915233 Sir Lancelot and Queen Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

Background imageArthurian Romance Collection: A nun binds the waist of Sir Galahad with a belt made of her hair

A nun binds the waist of Sir Galahad with a belt made of her hair and a device representing The Holy Grail in crimson
2915238 A nun binds the waist of Sir Galahad with a belt made of her hair and a device representing The Holy Grail in crimson and silver thread

Background imageArthurian Romance Collection: And down the wave and in the flame was borne a naked babe, and rode to Merlin's feet

And down the wave and in the flame was borne a naked babe, and rode to Merlin's feet
2915232 And down the wave and in the flame was borne a naked babe, and rode to Merlin's feet. Title of coloured illustration from the book The Gateway to Tennyson published 1910

Background imageArthurian Romance Collection: Lancelot looks at the dead Lady of Shalott on her arrival at Camelot

Lancelot looks at the dead Lady of Shalott on her arrival at Camelot. Coloured illustration from the book The Gateway
2915235 Lancelot looks at the dead Lady of Shalott on her arrival at Camelot. Coloured illustration from the book The Gateway to Tennyson published 1910

Background imageArthurian Romance Collection: The Marriage of King Arthur and Guinevere. Coloured illustration from the book The Gateway to

The Marriage of King Arthur and Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910
2915229 The Marriage of King Arthur and Guinevere. Coloured illustration from the book The Gateway to Tennyson published 1910. by English School, (20th century); Photo © Hilary Morgan

Background imageArthurian Romance Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 62953)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 62953)
495754 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 62953) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imageArthurian Romance Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imageArthurian Romance Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imageArthurian Romance Collection: Lancelot Arriving in a French Village (vellum)

Lancelot Arriving in a French Village (vellum)
3499749 Lancelot Arriving in a French Village (vellum) by French School, (14th century); Biblioteca Civica, Turin, Italy; (add.info.: Lancelot du Lac. Miniature, 14th century)

Background imageArthurian Romance Collection: Iseult's treating Tristan, 1892-1894 (engraving)

Iseult's treating Tristan, 1892-1894 (engraving)
AIS5356028 Iseult's treating Tristan, 1892-1894 (engraving) by Beardsley, Aubrey (1872-98); (add.info.: Engraving in "The Death of Arthur" by Sir Thomas Malory)

Background imageArthurian Romance Collection: Lancelot in a battle - VERARD, Antoine (15th century). English publisher and bookseller

Lancelot in a battle - VERARD, Antoine (15th century). English publisher and bookseller. ; LANCELOT (6th c. )
CUL4871870 Lancelot in a battle - VERARD, Antoine (15th century). English publisher and bookseller.; LANCELOT (6th c.). Knight of King Arthur's court. Lancelot in a battle

Background imageArthurian Romance Collection: Lancelot comes out of Guenevere's room, illustration from The Book of Romance published by

Lancelot comes out of Guenevere's room, illustration from The Book of Romance published by Longmans Green and Co
3551775 Lancelot comes out of Guenevere's room, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Background imageArthurian Romance Collection: Guenevere sends her page to Lancelot for help, illustration from The Book of Romance published by

Guenevere sends her page to Lancelot for help, illustration from The Book of Romance published by Longmans Green
3551773 Guenevere sends her page to Lancelot for help, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Background imageArthurian Romance Collection: Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance

Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans
3551770 Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Background imageArthurian Romance Collection: Sir Bors (engraving)

Sir Bors (engraving)
3735707 Sir Bors (engraving) by Ryland, Henry (1856-1924); (add.info.: Engraving depicting Sir Bors was a Knight of the Round Table in Arthurian legend)

Background imageArthurian Romance Collection: Sir Gareth, or Beaumains (engraving)

Sir Gareth, or Beaumains (engraving)
3735656 Sir Gareth, or Beaumains (engraving) by Ryland, Henry (1856-1924); (add.info.: Engraving depicting Sir Gareth was a Knight of the Round Table in Arthurian legend)

Background imageArthurian Romance Collection: The Archers threaten Sir Lancelot, illustration from The Book of Romance published by Longmans

The Archers threaten Sir Lancelot, illustration from The Book of Romance published by Longmans Green and Co
3551774 The Archers threaten Sir Lancelot, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Background imageArthurian Romance Collection: Lancelot brings Guenevere to Arthur, illustration from The Book of Romance published by Longmans

Lancelot brings Guenevere to Arthur, illustration from The Book of Romance published by Longmans Green and Co
3551771 Lancelot brings Guenevere to Arthur, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho) by English School

Background imageArthurian Romance Collection: Lancelot and the Dwarf, illustration from The Book of Romance published by Longmans Green and Co

Lancelot and the Dwarf, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho)
3551766 Lancelot and the Dwarf, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Background imageArthurian Romance Collection: Postcard depicting Lohengrin with the Swan (litho)

Postcard depicting Lohengrin with the Swan (litho)
IMB4822782 Postcard depicting Lohengrin with the Swan (litho) by German School, (20th century); (add.info.: Postcard around 1900: the young Lohengrin with the swan, Germany)

Background imageArthurian Romance Collection: Lancelot at the Chapel, illustration from The Book of Romance published by Longmans Green and Co

Lancelot at the Chapel, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho)
3551763 Lancelot at the Chapel, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho) by English School

Background imageArthurian Romance Collection: Lancelot bears off Guenevere, illustration from The Book of Romance published by Longmans Green

Lancelot bears off Guenevere, illustration from The Book of Romance published by Longmans Green and Co
3551749 Lancelot bears off Guenevere, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho) by English School

Background imageArthurian Romance Collection: The Characters of Lohengrin, 1906 (colour litho)

The Characters of Lohengrin, 1906 (colour litho)
FGL5486074 The Characters of Lohengrin, 1906 (colour litho) by German School, (20th century); (add.info.: Le personnage de Lohengrin, heros de l'opera du meme nom de Richard Wagner (1813-1883)

Background imageArthurian Romance Collection: Vignette of the Opera Lohengrin by Richard Wagner, 1906 (colour litho)

Vignette of the Opera Lohengrin by Richard Wagner, 1906 (colour litho)
FGL5486030 Vignette of the Opera Lohengrin by Richard Wagner, 1906 (colour litho) by German School, (20th century); (add.info)

Background imageArthurian Romance Collection: Queen Guinevere besieged in the Tower of London, miniature from Lancelot

Queen Guinevere besieged in the Tower of London, miniature from Lancelot, the Knight of the Cart by Chretien de Troyes
AIS5391514 Queen Guinevere besieged in the Tower of London, miniature from Lancelot, the Knight of the Cart by Chretien de Troyes (vellum) by French School; Bibliotheque Nationale, Paris

Background imageArthurian Romance Collection: Arthur's Stone, Swansea (engraving)

Arthur's Stone, Swansea (engraving)
7243377 Arthur's Stone, Swansea (engraving) by British School, (19th century); Private Collection; (add.info.: Arthur's Stone, Swansea, Wales, seen here in the 19th century)

Background imageArthurian Romance Collection: Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)

Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)
2915237 Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho) by English School, (20th century); Photo © Hilary Morgan

Background imageArthurian Romance Collection: Parsifal shows the Holy Grail, work by Richard Wagner

Parsifal shows the Holy Grail, work by Richard Wagner
7279042 Parsifal shows the Holy Grail, work by Richard Wagner by Unknown Artist, (19th century); Private Collection; (add.info.: Parsifal shows the Holy Grail, work by Richard Wagner, Historical)

Background imageArthurian Romance Collection: Apparition of the Holy Grail to the Knights of the Round Table

Apparition of the Holy Grail to the Knights of the Round Table, illumination from Queste del saint Graal
1700532 Apparition of the Holy Grail to the Knights of the Round Table, illumination from Queste del saint Graal (ink & colour on vellum) by French School

Background imageArthurian Romance Collection: Sir Galahad helping his father, Sir Lancelot, fight twenty knights

Sir Galahad helping his father, Sir Lancelot, fight twenty knights, before disappearing into the forest without saying
3619730 Sir Galahad helping his father, Sir Lancelot, fight twenty knights, before disappearing into the forest without saying who he was, from Lancelot du Lac, c.1490 (vellum) by Verard



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"Step into the enchanting world of Arthurian romance, where medieval knights don their armor and wield their swords in epic battles. In a colored illustration from the story of Gareth and Lynette, we witness the awe-inspiring sight of Morning Star being readied for battle, its brilliance illuminating the battlefield. The spirit of King Arthur himself is captured in bronze, his regal presence commanding respect and admiration. As we delve deeper into this captivating realm, we encounter fighting knights clad in shining armor, engaged in a fierce struggle. Their valor and chivalry exemplify the ideals that define Arthurian romance. Sir Lancelot's love for Queen Guinevere is beautifully depicted in another vivid illustration - a testament to their forbidden yet undeniable passion. The tale takes an ethereal turn as a nun binds Sir Galahad's waist with a belt made from her own hair while presenting him with The Holy Grail. This symbolizes his divine destiny as he embarks on his sacred quest. A breathtaking scene unfolds before us as a naked babe rides through waves and flames to Merlin's feet - an enigmatic arrival that foretells great things to come. Tragedy strikes when Lancelot gazes upon the lifeless Lady of Shalott upon her arrival at Camelot. The haunting beauty portrayed in this colored illustration evokes both sorrow and wonderment. On a happier note, we witness the joyous union between King Arthur and Guinevere; their marriage celebrated amidst vibrant colors that mirror their love-filled kingdom. Artistic renditions further bring these legends to life: "The Lady of Shalott, " painted with meticulous detail by an unknown artist captures her mysterious allure; Vivien's portrait exudes power and intrigue; while another depiction showcases Guinevere herself preparing for Sir Launcelot within her chamber. Arthurian romance captivates our imagination with tales steeped in honor, adventure, and love.