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Arthurian Gallery

Available as Prints and Gift Items

Choose from 363 pictures in our Arthurian collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Merlin & Vivien & Tree
Merlin & Vivien & Tree
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I am half sick of shadows, c1911. Artist: John William Waterhouse
I am half sick of shadows, c1911. Artist: John William Waterhouse
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The Lady of Shalott, 1862 (oil on canvas)
The Lady of Shalott, 1862 (oil on canvas)
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Arthur Weds Guinevere
Arthur Weds Guinevere
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Galahad & Round Table
Galahad & Round Table
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Lancelot Saves Arthur
Lancelot Saves Arthur
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Excalibur / Beardsley
Excalibur / Beardsley
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MERLIN
MERLIN
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Die Gralburg
Die Gralburg
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Tristran & Isolde
Tristran & Isolde
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Arthur Draws the Sword
Arthur Draws the Sword
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Merlin & Vivien
Merlin & Vivien
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I am half sick of shadows, c1911. Artist: John William Waterhouse Featured Image

I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Illustration of Tennyson's poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving. Beside her is the window she will look through and fall in love with Sir Lancelot. She will die of a broken heart because her love is not returned

© Ann Ronan Picture Library / Heritage-Images

1910s, 1st Baron Tennyson, 20th Century, Alfred, Alfred Lord, Alfred Lord Tennyson, Alfred Tennyson, Ann Ronan Pictures, Art, Arthurian, Arts, Baron Tennyson, Bored, Boredom, Britain, British, Century, Color, Colour, Concept, Country, Distracted, Dress, Elaine Of Astalot, England, English, Female, Indoors, Inside, Interior, John William, John William Waterhouse, Lady, Lady Of Shalott, Legend, Legendary, Literature, Location, Lord Tennyson, Mythology, Oil, Painting, People, Poem, Poetry, Print Collector1, Red, Seated, Sitting, Tennyson, Waterhouse, Weaving, Window, Woman, Women

The Lady of Shalott setting out on her boat for Camelot
The Lady of Shalott setting out on her boat for Camelot
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Lancelot & Guinevere
Lancelot & Guinevere
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The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
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Lancelot Mourns Legend
Lancelot Mourns Legend
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PMYT2A-00017
PMYT2A-00017
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Tennyson, Shalott, W'hse
Tennyson, Shalott, W'hse
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Arthur with Owain
Arthur with Owain
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Arthurian/Guinevere
Arthurian/Guinevere
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Concepts/Sangrael
Concepts/Sangrael
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Arthur Uses Excalibur
Arthur Uses Excalibur
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Perceval & Owen
Perceval & Owen
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Morgan Le Fay/Tristram
Morgan Le Fay/Tristram
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The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival Featured Image

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival

BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk, mohair and camel hair weft on cotton warp) by Burne-Jones, Edward Coley (1833-98); 695x244 cm; Birmingham Museums and Art Gallery; (add.info.: This sequence of tapestries was originally designed for William Knox D'Arcy, for the dining room of his house, Stanmore Hall in Middlesex (see black and white image). Several further versions were woven later. Birmingham's The Attainment is one of three tapestries commissioned in 1895 by the industrialist Laurence Hodson, for his house Compton Hall near Wolverhampton.
The subject matter is based on the 15th century text Le Morte D'Arthur (The Death of Arthur) by Sir Thomas Malory. It tells the story of the spiritual quest by the knights of King Arthur's round table for the Holy Grail, the cup from which Jesus and the disciples drank at the Last Supper.
The final scene shows the three successful knights. The relative purity of each knight's life is represented by their distance from the Holy Grail, which sits on the altar inside the chapel. Sir Galahad kneels in the doorway surrounded by white lilies, symbolising his purity. On the left are Sir Bors and Sir Perceval.
Three standing angels hold symbols of Christ's passion, including the bleeding lance of Longinus, the Roman soldier who pierced his side on the cross. Above the Holy Grail is a Pentecostal wind, symbolising the presence of the Holy Spirit.
flowers by John Henry Dearle (1860-1932)
Manufacturer: Morris & Co - View history); English, out of copyright

© Bridgeman Images

Romance of Arthur Ms
Romance of Arthur Ms
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Excalibur Restored
Excalibur Restored
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Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
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Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). Artist: Aubrey Beardsley
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Now King Arthur saw the Questing Beast and thereof had great marvel, from Le
Now King Arthur saw the Questing Beast and thereof had great marvel, from Le
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Lancelot approaches the Castle at Astolat, illustration from Idylls of the King'
Lancelot approaches the Castle at Astolat, illustration from Idylls of the King'
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Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum)
Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum)
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Chivalry, 1885 (oil on canvas)
Chivalry, 1885 (oil on canvas)
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Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition
Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition
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King Arthur discovers the Skeletons of the Brothers, illustration from Idylls of the King by Alfred Tennyson (litho)
King Arthur discovers the Skeletons of the Brothers, illustration from Idylls of the King by Alfred Tennyson (litho)
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Arthur at his round Table (engraving)
Arthur at his round Table (engraving)
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The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)
The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)
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Lancelot approaches the Castle at Astolat, illustration from Idylls of the King' Featured Image

Lancelot approaches the Castle at Astolat, illustration from Idylls of the King'

XJF359076 Lancelot approaches the Castle at Astolat, illustration from Idylls of the King by Alfred Tennyson (litho) by Dore, Gustave (1832-83); Private Collection; (add.info.: Lancelot rides to the Lord of Astolat's castle to borrow the Lord's armor, arms and colours, which he will use to disguise himself in order to take part in King Arthur's tournament; it is here that he meets the Lords's daughter Elaine; Alfred, Lord Tennyson (1809-92);); French, out of copyright

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A tournament in the days of King Arthur (colour litho)
A tournament in the days of King Arthur (colour litho)
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Tristan (chromolitho)
Tristan (chromolitho)
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Tannhauser (chromolitho)
Tannhauser (chromolitho)
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Sir Parsifal leaves for his quest (chromolitho)
Sir Parsifal leaves for his quest (chromolitho)
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King Arthur receives tribute in Ireland (chromolitho)
King Arthur receives tribute in Ireland (chromolitho)
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The marriage of King Arthur and Queen Guinevere (chromolitho)
The marriage of King Arthur and Queen Guinevere (chromolitho)
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Merlin the Magician (chromolitho)
Merlin the Magician (chromolitho)
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'Sore was the contest' (litho)
"Sore was the contest" (litho)
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'Struck him such a blow' (litho)
"Struck him such a blow" (litho)
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The Conversion of Sir Palamides (litho)
The Conversion of Sir Palamides (litho)
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King Anguish gives Isolt to Sir Tristram (litho)
King Anguish gives Isolt to Sir Tristram (litho)
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Queen Morgan le Fay (litho)
Queen Morgan le Fay (litho)
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