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Arising Collection

"Arising from the Depths: A Tale of London's City Panic in 1866" In the bustling streets of London, a wave of panic gripped the city in 1866

Background imageArising Collection: 1866 / London / City Panic

1866 / London / City Panic
Black Friday. A scene in Lombard Street during the panic in the city arising from the Overend Gurney crisis

Background imageArising Collection: Court of Pie-poudre

Court of Pie-poudre
A special court that sat in times of public markets or fairs in England in medieval times, with exclusive jurisdiction over disputes between merchants and consumers

Background imageArising Collection: Plate 270. Arising from the Ground with Pamphlet in Left Hand

Plate 270. Arising from the Ground with Pamphlet in Left Hand
3950228 Plate 270. Arising from the Ground with Pamphlet in Left Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.5x29.7 cm; Addison Gallery of American Art

Background imageArising Collection: Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper)

Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper)
3950487 Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.5x45.1 cm; Addison Gallery of American Art, Phillips Academy

Background imageArising Collection: Plate 479. Child, Getting Up from the Ground, 1885 (collotype on paper)

Plate 479. Child, Getting Up from the Ground, 1885 (collotype on paper)
3950427 Plate 479. Child, Getting Up from the Ground, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 13x45.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageArising Collection: Plate 423. Toilet; Putting on Boots and Rising from Chair, 1885 (collotype on paper)

Plate 423. Toilet; Putting on Boots and Rising from Chair, 1885 (collotype on paper)
3950409 Plate 423. Toilet; Putting on Boots and Rising from Chair, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.4x38.4 cm; Addison Gallery of American Art, Phillips Academy

Background imageArising Collection: Plate 264. Getting out of bed and preparing to kneel, 1887 (collotype on paper)

Plate 264. Getting out of bed and preparing to kneel, 1887 (collotype on paper)
3951690 Plate 264. Getting out of bed and preparing to kneel, 1887 (collotype on paper) by Muybridge, Eadweard (1830-1904); 34.8x49.7 cm; Addison Gallery of American Art, Phillips Academy, Andover

Background imageArising Collection: Plate 422. Toilet; Putting on Shoes and Rising from Chair, 1885 (collotype on paper)

Plate 422. Toilet; Putting on Shoes and Rising from Chair, 1885 (collotype on paper)
3950486 Plate 422.Toilet; Putting on Shoes and Rising from Chair, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.4x40.5 cm; Addison Gallery of American Art, Phillips Academy

Background imageArising Collection: Four naked men emerging from their elements: flames, sky, sea and green earth

Four naked men emerging from their elements: flames, sky, sea and green earth
XYC309884 Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

Background imageArising Collection: Cortes, having landed on mainland, destroys his fleet

Cortes, having landed on mainland, destroys his fleet
Hernan Cortes, having reached Mexico and discovering already a mutiny, decided to sink the ships to stop any more arising. Men in longboats surround ships, either sunk or sinking. Date: 1519

Background imageArising Collection: Plate 268. Arising from the Ground, 1885 (collotype on paper)

Plate 268. Arising from the Ground, 1885 (collotype on paper)
3950512 Plate 268. Arising from the Ground, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.8x34.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageArising Collection: Plate 260. Arising from Couch and Stretching Arms, 1885 (collotype on paper)

Plate 260. Arising from Couch and Stretching Arms, 1885 (collotype on paper)
3950027 Plate 260. Arising from Couch and Stretching Arms, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x31.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageArising Collection: Four naked men emerging from their elements, plate 4 from The First Book of Urizen

Four naked men emerging from their elements, plate 4 from The First Book of Urizen
XYC256356 Four naked men emerging from their elements, plate 4 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageArising Collection: Handaka sonja, Handaka Sonja one of the sixteen rakan or arhats. [between 1830 and 1868]

Handaka sonja, Handaka Sonja one of the sixteen rakan or arhats. [between 1830 and 1868], 1 drawing on paper : ink and light colors; 27.1 x 38.8 cm


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"Arising from the Depths: A Tale of London's City Panic in 1866" In the bustling streets of London, a wave of panic gripped the city in 1866. The Court of Pie-poudre, known for its swift justice in resolving disputes during fairs and markets, found itself overwhelmed by an unprecedented chaos. Plate 270 captures this tumultuous scene vividly - a figure emerging from the ground with a pamphlet clenched tightly in their left hand. Meanwhile, Plate 424 portrays another aspect of daily life as it was back then - a woman gracefully rising from her chair and draping herself with a shawl. This collotype on paper print from 1885 showcases not only fashion but also hints at the resilience and strength that women possessed during those times. Amidst these everyday moments captured through art, Plate 479 presents an endearing image - that of a child getting up from the ground. This collotype on paper print serves as a reminder that even our youngest ones possess an innate ability to rise above challenges they encounter. The theme continues with Plate 423 where we witness someone putting on boots and rising from their chair; determination radiates through every line etched onto this piece created in 1885. Similarly, Plate 264 depicts one preparing to kneel after getting out of bed – perhaps symbolizing hope or seeking solace amidst adversity. But arising is not limited to individuals alone; it extends beyond human experiences. Four naked men emerge triumphantly from their respective elements - flames, sky, sea, and green earth. Their unity signifies rebirth and renewal as they transcend boundaries imposed upon them. And let us not forget Cortes' arrival on mainland America when he destroyed his fleet – an act signifying liberation and embracing new beginnings against all odds. Finally, Plates 268 and 271 depict figures arising once again from the ground but this time holding papers firmly in their hands.