Arimathea Collection

Icon of St. Joseph of Arimathea at Glastonbury, with the Holy Grail and the staff that flowered, by the hand of a Monk of the Brotherhood of St. Seraphim of Sarov

Inside the Church of the Holy Sepulchre, Jerusalem
View inside the Church of the Holy Sepulchre, Jerusalem, with the Stone of Unction on the left -- according to tradition, the body of Jesus was prepared for burial on this stone by Joseph of Arimathea

Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource
Entombment, or Holy Sepulchre, sculptural group, 1515, by the Master of Chaource, made for the sepulchral chapel of Nicolas de Monstier and Jacqueline de Laignes

The Descent From The Cross
This oil painting is a biblical depiction of the Deposition of Christ, inspired from the Gospels accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion

Tryptich of the Virgin. The Pieta. By Rogier van der Weyden
Rogier van der Weyden (1400-1464). Flemish painter. Triptych of the Virgin. The Pieta (central table). Virgin Mary cradling dead body of Jesus with Saint John (left)

Spain. La Rioja. Casalarreina. Monastery of Our Lady of Mercy. 16th century. Dominican Order. Church. Plateresque portico

Calvary of Hio. Galicia. Spain
Calvary of Hio. 1872. Carved by Master Cervino. Depicts the Descent from the Cross. Galicia. Spain

The Entombment and the swoon of the Virgin (stone)
CLG279640 The Entombment and the swoon of the Virgin (stone) by Richier, Ligier (c.1500-67); St. Etienne, Saint-Mihiel, France; (add.info)

Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
REV326684 Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

The Entombment and the swoon of the Virgin, detail: Joseph of Arimathae lifting up Jesus (stone)
CLG279645 The Entombment and the swoon of the Virgin, detail: Joseph of Arimathae lifting up Jesus (stone) by Richier, Ligier (c.1500-67); St

Tomb of Joseph of Arimathea, 1800s. Tomba di Giuseppe d Arimatea. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World

Detail of the Florence Pieta, 1547-53 (marble)
875221 Detail of the Florence Pieta, 1547-53 (marble) by Buonarroti, Michelangelo (1475-1564); Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

The Entombment and the swoon of the Virgin (stone)
CLG279639 The Entombment and the swoon of the Virgin (stone) by Richier, Ligier (c.1500-67); St. Etienne, Saint-Mihiel, France; (add.info)

The Entombment (polychrome wood)
PER267247 The Entombment (polychrome wood) by French School, (16th century); Saint-Etienne Cathedral, Bourges, France; (add.info)

Detail of the Florence Pieta, c. 1550 (marble)
875236 Detail of the Florence Pieta, c.1550 (marble) by Buonarroti, Michelangelo (1475-1564); Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

Filming the Holy Thorn at Kingsthorn, Herefordshire - and the buds which came into bloom around Midnight, Old Christmas Eve (January 5th)

Descent of Erill-la-Vall, polychromed sculpture, in the image there are five of the seven characters that make up the Sculpture: Nicodemus, Midas, Gestes, Joseph of Arimathea and Christ, 12th century

Crucifixion Christ cross left two Marys right John
Crucifixion, Crucifixion. Christ on the cross. On the left the two Marys, on the right John and Joseph of Arimathea, Mary Magdalene kneels at the foot of the cross

Entombment Christ Joseph Arimathea Nicodemus
Entombment of Christ with Joseph of Arimathea and Nicodemus, Mary Magdalene, the Virgin and Saint John the Evangelist, The Entombment

Entombment Tomb Christ Mary supports body womb
The Entombment, The Tomb of Christ. Mary supports the body of Christ in her womb, on the left John and Mary Magdalene. On the right Joseph of Arimathea and Nicodemus and a boy with a jug on a scale

Title page collection seven songs Joseph Arimathea
Title page of a collection of seven songs about Joseph of Arimathea, with an image in a circular frame of Joseph of Arimathea in front of a cave (possibly a grave)

Jaffa Joppa environs General view Ramleh Arimathea
Jaffa (Joppa) and environs. General view of Ramleh (Arimathea). 1898, Israel, Ramlah

Jaffa Jerusalem Ramleh Arimathea tower 1900 Ruins
Jaffa to Jerusalem. Ramleh (Arimathea) from the tower 1900, Ruins, Israel, Ramlah

Joseph Arimathea Pilate Simon Bening Flemish
Joseph of Arimathea Before Pilate; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525-1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 × 11.4 cm (6 5)

Death Of Joseph Of Arimathea. After A Miniature From The 15Th Century Manuscript History Of Saint Grail. From Science And Literature In The Middle Ages By Paul Lacroix Published London 1878

Glastonbury, Somerset - St. Josephs Chapel - Abbey Ruins. Date: circa 1940

The descent of Erill la Vall. Romanesque sculpture group. 12th century. Episcopal Museum of Vic. Catalonia. Spain

Glastonbury Thorn, Glastonbury, Somerset
The Glastonbury Thorn, a legendary tree at Glastonbury, Somerset. A flowering hawthorn, it is associated with Joseph of Arimathea and the arrival of Christianity in Britain

Entombment Christ chest grasped Joseph Arimathea
Artokoloro

Descent cross Holbein 1640 Etching state 7 3 / 4 x 6 7 / 8
Artokoloro

Lamentation ca 1450 Oil wood Overall 10 1 / 8 x 14
Artokoloro

Descent Cross Saint Francis Another Friar 1619
Artokoloro

Lamentation Christ ca 1467 Oil tempera oak panel
Artokoloro

Virgin Child 1516 Oil spruce 11 x 7 3 / 8 27. 9 18. 7 cm
Artokoloro

Altarpiece with a pieta and donors in centre panel; St. Andrew and St. John on the side panel, c
BAL32263 Altarpiece with a pieta and donors in centre panel; St. Andrew and St. John on the side panel, c.1480-90 (oak) by Master of the Life of Virgin Mary

Ramla, from The Holy Land, engraved by Louis Haghe (1806-85), 1839 (colour
XCF266051 Ramla, from The Holy Land, engraved by Louis Haghe (1806-85), 1839 (colour litho) by Roberts, David (1796-1864) (after); Private Collection; English, out of copyright

Lamentation, Pieter van der Heyden, Hieronymus Cock

Entombment of Christ, Lambertus Antonius Claessens, Peter Paul Rubens, c. 1808 - c. 1815

Entombment of Christ, Guillaume Duvivier (17e eeuw), c. 1660 - c. 1670

Entombment, Jan Harmensz. Muller, 1613 - 1622

Entombment of Christ, Cornelis Cort, 1568

Joseph of Arimathea Before Pilate; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint

Glastonbury Thorn
At Glastonbury Joseph of Arimathea throws himself down to rest & thrusts his hawthorn staff into the ground where it miraculously takes root & becomes the Glastonbury thorn

Joseph of Arimathea
JOSEPH OF ARIMATHEA supposed wealthy follower of Jesus who requested his body after the crucifixion : the subject of many pious legends

Jesuss Body Taken
Jesuss body is taken away by Joseph of Arimathea, and placed in the tomb

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"Arimathea: Unveiling the Enigmatic Legacy" Step into the realm of mystery and devotion as we explore the captivating tale of Arimathea, a figure intricately woven into religious history. From ancient artifacts to breathtaking sculptures, this enigmatic character continues to fascinate. In Glastonbury, an icon of St. Joseph stands tall, depicting him alongside the Holy Grail and his miraculous flowering staff. This symbolizes his role in safeguarding these sacred relics with unwavering faith. Journeying to Jerusalem's Church of the Holy Sepulchre reveals another glimpse into Arimathea's story. Inside its hallowed walls lies an enthralling sculpture portraying the poignant moment of Christ's descent from the cross - a scene where Arimathea played a crucial part. The Eglise Saint-Jean-Baptiste in Chaource houses yet another remarkable piece: an entombment sculpture that pays homage to both Jesus and his devoted follower. Here, their bond is immortalized through intricate craftsmanship. Rogier van der Weyden's Tryptich of the Virgin showcases a heart-wrenching Pieta scene, wherein Joseph tenderly supports Mary as she mourns her son's passing. Their shared sorrow transcends time and touches our souls. Venturing further to Spain's La Rioja region brings us to Casalarreina's Monastery of Our Lady of Merc. Within its walls lies a testament to faith - Calvary de Hio - where Joseph plays an integral role in Christ’s crucifixion narrative. Once again returning to Chaource, we encounter another entombment sculpture that captures our imagination with its profound symbolism and artistic brilliance. It serves as a reminder that even after death, Joseph remains eternally connected with Jesus' final moments on Earth. Delving deeper into history leads us back centuries ago when King Philip II of Spain commissioned a facsimile of the Breviary.