Arabella Collection
"Arabella: A Glimpse into the Past" Step back in time with Arabella Stewart, a captivating figure of the 16th century
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"Arabella: A Glimpse into the Past" Step back in time with Arabella Stewart, a captivating figure of the 16th century. In Isaac Oliver's exquisite portrait from 1904, we see her delicate features and regal presence that once graced the courts. Her beauty is immortalized on canvas. Through a letter penned by Arabella herself to the Countess of Shrewsbury, we catch a glimpse of her eloquence and intelligence. Frederick George Netherclift's artistic rendering transports us to an era where correspondence was an art form. The front cover of The Graphic Christmas Number in 1921 showcases Arabella Original, a stunning costume design for Murray's Cabaret Club. It exemplifies her flair for fashion and desire to captivate audiences with her unique style. In another nod to her love for dogs, we find Fall, a long-haired Dachshund from 1954. This charming canine companion surely brought joy to Arabella's life as she strolled through autumn leaves. As we explore St. Saviours Southwark, we encounter Lady Arabella's grave effigy - a solemn reminder of her place in history as Countess Dowager. The intricacies carved into stone pay tribute to her noble lineage and enduring legacy. A parchment bearing Lady Arabella Stuart's name catches our attention; it whispers secrets from centuries past. Crafted with gold and glass elements around 1590-1615, this artifact symbolizes both elegance and fragility - much like its namesake. Engraved illustrations tell stories too - "The Story of a Latchkey" captures our imagination as it unfolds before our eyes. We can almost imagine Arabella holding that very key in hand, unlocking doors to hidden narratives within grand estates. And finally, Miss Wilmot desires nothing more than to walk alongside Arabella; an illustration from 'Fall/Dachshund/Long/1954' brings this desire to life.