Applied Art Collection (page 7)

A rare and important Momoyama period Christian folding lectern (shokendai) (wood)
1766603 A rare and important Momoyama period Christian folding lectern (shokendai) (wood) by Japanese School, (16th century); 36

A large circular lacquer box and cover decorated in iroe hiramakie
1766579 A large circular lacquer box and cover decorated in iroe hiramakie, ishime-ji and stained mother of pearl inlays with lotus flowers

A Hukin & Heath electroplated Tantalus with ebonised bar handle, 1879
1764769 A Hukin & Heath electroplated Tantalus with ebonised bar handle, 1879 by Dresser, Christopher (1834-1904); 28 high cm; Private Collection; (add.info)

A famille rose Butterfly vase, 1875-1908 (ceramic)
1764941 A famille rose Butterfly vase, 1875-1908 (ceramic) by Chinese School (19th century); Private Collection; (add.info.: A famille rose Butterfly vase)

Detail from a magnificent famille rose nine-peach globular bottle vase
1764852 Detail from a magnificent famille rose nine-peach globular bottle vase, 1735-1795 (porcelain) by Chinese School (18th century); 52.1 high cm; Private Collection; (add.info)

A 17th century Ottoman Tekfur ceramic tile (ceramic)
1766431 A 17th century Ottoman Tekfur ceramic tile (ceramic) by Ottoman School, (17th century); 24.5x24.5 cm; Private Collection; (add.info.: A 17th century Ottoman Tekfur ceramic tile)

Two 17th century Ottoman Syria ceramic tile Fragments (ceramic)
1766430 Two 17th century Ottoman Syria ceramic tile Fragments (ceramic) by Ottoman School, (17th century); Private Collection; (add.info)

An Italian specimen marble table top (marble)
1764796 An Italian specimen marble table top (marble) by Italian School; 106 diameter cm; Private Collection; (add.info.: An Italian specimen marble table top)

A Giltwood Mirror, designed by Dagobert Peche (1887-1923)
1764763 A Giltwood Mirror, designed by Dagobert Peche (1887-1923), carved with overlapping stylised leaf foliate, c.1925 (giltwood) by Peche

A low round twin level table with rosewood veneer, inlaid with ivory (rosewood, ivory)
1764743 A low round twin level table with rosewood veneer, inlaid with ivory (rosewood, ivory) by Ruhlmann, Emile-Jacques (1879-1933); Private Collection; (add.info)

Salon des Cent, 1896 (lithograph in colours)
1766908 Salon des Cent, 1896 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 63x44 cm; Private Collection; (add.info.: Salon des Cent. Alphonse Mucha (1860-1939). Lithograph in colours

A Meissen pipe-bowl modelled as a seated pug-dog, c. 1745 (porcelain)
1766872 A Meissen pipe-bowl modelled as a seated pug-dog, c.1745 (porcelain) by German School, (18th century); Private Collection; (add.info)

Concord Makes Server, (watercolour, pen and ink, , pencil)
985720 Concord Makes Server, (watercolour, pen and ink, , pencil) by Cruikshank, George (1792-1878); 27x22.5 cm; Private Collection; (add.info.: Concord Makes Server. George Cruikshank (1792-1878)

A book-jacket design for La Guerre est Morte by Louis Delluc, 1919 (gouache
985587 A book-jacket design for La Guerre est Morte by Louis Delluc, 1919 (gouache, with gilt-cut mount) by Wegener, Gerda Marie Frederike (1885-1940); 18x27 cm; Private Collection; (add.info)

Co Kerry, Derrynane, Ring Of Kerry

Austria, Vienna, Museum for Applied Arts, MAK, buildling interior

Allegory of Hope, Faith and Love, Pieter Serwouters

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"Exploring the Beauty of Applied Art: A Journey Through Time and Craftsmanship" Step into history as we witness Her Majesty Queen Victoria's grand entrance into Brighton in October, a moment captured through the intricate artistry of tapestry table carpet from Amsterdam. Made with a blend of wool and silk, this masterpiece transports us to an era filled with elegance and regality. In another stroke of artistic brilliance, "Tulips in a Staffordshire Jug" comes alive on canvas, showcasing the mastery of oil painting. The vibrant colors and delicate brushstrokes bring forth the beauty of nature in its most captivating form. Moving forward, we encounter a Hukin and Heath two-handled bowl with a hinged cover from 1879. This exquisite piece exemplifies the fusion between functionality and aesthetics that characterizes applied art. Its timeless design speaks volumes about craftsmanship that withstands the test of time. Continuing our journey through commemorative pieces, we discover a pair of Wedgwood mugs celebrating the coronation of Her Majesty Queen Elizabeth II. These mugs serve as tokens honoring significant events while displaying exceptional ceramic artistry. The allure intensifies as we admire Florentine pietra dura panels depicting birds. Each stone intricately placed by skilled hands tells stories beyond words can convey – tales woven within each fragment creating breathtaking visuals for generations to cherish. Delving deeper into craftsmanship techniques, we explore an enamel cartouche adorning a magnificent Imperial gold artifact. The makers' mark etched beneath showcases attention to detail even in hidden places – testament to artisans who leave no corner untouched by their creativity. Stepping outside individual creations, Austria's Museum for Applied Arts (MAK) beckons us inside its architectural marvels where innovation meets tradition seamlessly. Here lies inspiration for artists seeking new horizons or visitors simply captivated by extraordinary spaces crafted for appreciation. Art transcends borders as "Bretonnes" takes us to the French countryside through oil on canvas.