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Appearance Collection (page 6)

"Captivating Appearances

Background imageAppearance Collection: Advert for the appearance of Sea Lions and Lionesses at Cremorne Gardens, London in 1848 (engraving)

Advert for the appearance of Sea Lions and Lionesses at Cremorne Gardens, London in 1848 (engraving)
584614 Advert for the appearance of Sea Lions and Lionesses at Cremorne Gardens, London in 1848 (engraving) by English School

Background imageAppearance Collection: Advert for an appearance of Don Francisco Hidalgo (engraving)

Advert for an appearance of Don Francisco Hidalgo (engraving)
608622 Advert for an appearance of Don Francisco Hidalgo (engraving) by English School, (19th century); Private Collection; (add.info.: Advert for an appearance of Don Francisco Hidalgo)

Background imageAppearance Collection: Kimberley: Appearance of the Mine in 1880 (engraving)

Kimberley: Appearance of the Mine in 1880 (engraving)
663933 Kimberley: Appearance of the Mine in 1880 (engraving) by English School, (19th century); Private Collection; (add.info.: Kimberley: Appearance of the Mine in 1880)

Background imageAppearance Collection: Appearance of the Fairy of the Desert (colour litho)

Appearance of the Fairy of the Desert (colour litho)
2812738 Appearance of the Fairy of the Desert (colour litho) by Crane, Walter (1845-1915) (after); Private Collection; (add.info.: Appearance of the Fairy of the Desert)

Background imageAppearance Collection: 'Good-bye!'(engraving)

"Good-bye!"(engraving)
2777110 " Good-bye!" (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: " Good-bye!" Cartoon, 30 January 1875)

Background imageAppearance Collection: 'A boy made his appearance bearing a signal of danger, a woodcocks feather'(engraving)

"A boy made his appearance bearing a signal of danger, a woodcocks feather"(engraving)
2792734 " A boy made his appearance bearing a signal of danger, a woodcocks feather" (engraving) by English School

Background imageAppearance Collection: The Atlantic Cable (engraving)

The Atlantic Cable (engraving)
2785728 The Atlantic Cable (engraving) by English School, (19th century); Private Collection; (add.info.: The Atlantic Cable)

Background imageAppearance Collection: Comic postcard, Woman with dress improvers the wrong way round

Comic postcard, Woman with dress improvers the wrong way round, as pointed out by her maid Date: early 20th century

Background imageAppearance Collection: Comic postcard, Woman at her dressing table, improving her appearance with makeup

Comic postcard, Woman at her dressing table, improving her appearance with makeup Date: early 20th century

Background imageAppearance Collection: The dream of Scipio (chromolitho)

The dream of Scipio (chromolitho)
3100688 The dream of Scipio (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: The dream of Scipio)

Background imageAppearance Collection: Advertisement for Everitt trouser presses complete with new comfort screws

Advertisement for Everitt trouser presses complete with new comfort screws, greatly improved appearance, and an all steel black finish. Splendid for ensuring razor sharp creases in your trousers

Background imageAppearance Collection: New Somerset Hospital, Cape Town (b / w photo)

New Somerset Hospital, Cape Town (b / w photo)
3092336 New Somerset Hospital, Cape Town (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: New Somerset Hospital, Cape Town)

Background imageAppearance Collection: Elk Hunting in India (engraving)

Elk Hunting in India (engraving)
1616508 Elk Hunting in India (engraving) by English School, (19th century); Private Collection; (add.info.: Elk Hunting in India)

Background imageAppearance Collection: Maruja, by Bret Harte (engraving)

Maruja, by Bret Harte (engraving)
1591165 Maruja, by Bret Harte (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Maruja, by Bret Harte)

Background imageAppearance Collection: Advertisement for Elizabeth Arden claiming to turn an appearance gone to pieces into

Advertisement for Elizabeth Arden claiming to turn an appearance gone to pieces into loveliness. Date: 1939

Background imageAppearance Collection: Great Astronomical Discoveries (engraving)

Great Astronomical Discoveries (engraving)
1594351 Great Astronomical Discoveries (engraving) by English School, (19th century); Private Collection; (add.info.: Great Astronomical Discoveries)

Background imageAppearance Collection: The Maori Football Team, First Match at Richmond, 3 October, against the Surrey Club (engraving)

The Maori Football Team, First Match at Richmond, 3 October, against the Surrey Club (engraving)
1595711 The Maori Football Team, First Match at Richmond, 3 October, against the Surrey Club (engraving) by Wollen, William Barnes (1857-1936) (after); Private Collection; (add.info)

Background imageAppearance Collection: Window depicting the Resurrection: Appearance to Magdalene (stained glass)

Window depicting the Resurrection: Appearance to Magdalene (stained glass)
1278090 Window depicting the Resurrection: Appearance to Magdalene (stained glass) by French School, (16th century); Sainte-Chapelle, Champigny-sur-Veude, France; (add.info.: Champigny-sur-Veude)

Background imageAppearance Collection: The Grand Vizier, from the Recueil d Estampes sur les Costumes du Levant

The Grand Vizier, from the Recueil d Estampes sur les Costumes du Levant
CHT237173 The Grand Vizier, from the Recueil d Estampes sur les Costumes du Levant, engraved by Gerard Jean Baptiste Scotin (1671-1716) 1707-08 (coloured engraving) by French School

Background imageAppearance Collection: Advert, Mulsified Coconut Oil Shampoo

Advert, Mulsified Coconut Oil Shampoo -- Your Whole Appearance Depends upon Your Hair. 1926

Background imageAppearance Collection: Andrew Robinson Bowes Esq. as he appeared in the Court of the King

Andrew Robinson Bowes Esq. as he appeared in the Court of the King
NCO193431 Andrew Robinson Bowes Esq. as he appeared in the Court of the Kings Bench on Tuesday 28th November 1786, to answer the articles exhibited against him by his wife the Countess of Strathmore

Background imageAppearance Collection: Peasants from the Paris Region, from Encylopedie des Voyages

Peasants from the Paris Region, from Encylopedie des Voyages
CHT179938 Peasants from the Paris Region, from Encylopedie des Voyages by Jules Grasset de Saint-Sauveur (1757-1810) 1796 (coloured engraving) by Labrousse, L.F

Background imageAppearance Collection: The Gauls and the Iberians, illustration from Histoire de France

The Gauls and the Iberians, illustration from Histoire de France
CHT177841 The Gauls and the Iberians, illustration from Histoire de France by Jules Michelet (1798-1874) c.1900 (colour litho) by Bombled

Background imageAppearance Collection: Christ on the Road to Emmaus (mosaic) (b / w photo)

Christ on the Road to Emmaus (mosaic) (b / w photo)
ALI224385 Christ on the Road to Emmaus (mosaic) (b/w photo) by Byzantine School, (6th century); Sant Apollinare Nuovo, Ravenna, Italy; Alinari

Background imageAppearance Collection: Glaucus and Scylla, 1581 (painting)

Glaucus and Scylla, 1581 (painting)
AIS5384231 Glaucus and Scylla, 1581 (painting) by Spranger, Bartholomaeus (1546-1611); Kunsthistorisches Museum, Vienna, Austria; (add.info)

Background imageAppearance Collection: The Russian tsar Peter I the Great (1672-1725) promulgated a reform in 1722 which

The Russian tsar Peter I the Great (1672-1725) promulgated a reform in 1722 which
JLJ4657261 The Russian tsar Peter I the Great (1672-1725) promulgated a reform in 1722 which required cutting the beard. Engraving of the 18th century Paris, B.N

Background imageAppearance Collection: The second miraculous sin: the apparition of Christ to the apostles on Lake Tiberiad

The second miraculous sin: the apparition of Christ to the apostles on Lake Tiberiad
LRI4571923 The second miraculous sin: the apparition of Christ to the apostles on Lake Tiberiad, 1308 (tempera on panel) by Duccio di Buoninsegna

Background imageAppearance Collection: Cycle des Medicis: 'the king of France Henry IV (1553-1610

Cycle des Medicis: "the king of France Henry IV (1553-1610
JLJ4574188 Cycle des Medicis: " the king of France Henry IV (1553-1610) receives the portrait of Marie de Medicis (1573-1642)" Painting by Pierre Paul (Pierre-Paul)

Background imageAppearance Collection: Figure number 29 representing the face of a woman in 'Il Lavater portatile

Figure number 29 representing the face of a woman in "Il Lavater portatile
GIA4795307 Figure number 29 representing the face of a woman in " Il Lavater portatile: o Sia compendio dell arte di riconoscere gli Uomini dai Tratti del Volto" (or " Pocket washing)

Background imageAppearance Collection: Figure number 20 representing the face of a woman in 'Il Lavater portatile

Figure number 20 representing the face of a woman in "Il Lavater portatile
GIA4795312 Figure number 20 representing the face of a woman in " Il Lavater portatile: o Sia compendio dell arte di riconoscere gli Uomini dai Tratti del Volto" (or " Pocket washing)

Background imageAppearance Collection: The saying: 'He who does not consume, does not renew himself'

The saying: "He who does not consume, does not renew himself"
GIA4786441 The saying: " He who does not consume, does not renew himself" Illustration from a collection of proverbs from the 18th century by Unknown artist

Background imageAppearance Collection: Pygmalion seeing his animated statue Painting by Francois Le Moyne (1688-1737). 1729

Pygmalion seeing his animated statue Painting by Francois Le Moyne (1688-1737). 1729
JLJ4642767 Pygmalion seeing his animated statue Painting by Francois Le Moyne (1688-1737). 1729. Dim 2, 12 x 1, 68 m Tours, Musee des Beaux Arts by Lemoyne

Background imageAppearance Collection: Physiognomy - Physiognomony - Several philosophers who observe

Physiognomy - Physiognomony - Several philosophers who observe
XEE4152613 Physiognomy - Physiognomony - Several philosophers who observe and seek to penetrer different physiognomies - engraving from 1808 in " The art of knowing men through physiognomy"

Background imageAppearance Collection: Cuthbert Cholmondeley surprised by the appearance of a mysterious figure in the dungeon adjoining

Cuthbert Cholmondeley surprised by the appearance of a mysterious figure in the dungeon adjoining the Devilin Tower
5224979 Cuthbert Cholmondeley surprised by the appearance of a mysterious figure in the dungeon adjoining the Devilin Tower (engraving) by Cruikshank

Background imageAppearance Collection: Hotel Martin, Ninth Street and University Place, Unpretentious in Appearance

Hotel Martin, Ninth Street and University Place, Unpretentious in Appearance, but Famed for its Cuisine (b / w photo)
5215205 Hotel Martin, Ninth Street and University Place, Unpretentious in Appearance, but Famed for its Cuisine (b/w photo) by American Photographer

Background imageAppearance Collection: Christs Appearance after his Resurrection (engraving)

Christs Appearance after his Resurrection (engraving)
5223866 Christs Appearance after his Resurrection (engraving) by Titian (Tiziano Vecelli) (c.1488-1576) (after); Private Collection; (add.info.: Christs Appearance after his Resurrection)

Background imageAppearance Collection: XII Siecle, Geoffroi-le-Bel dit Plantagenet (engraving)

XII Siecle, Geoffroi-le-Bel dit Plantagenet (engraving)
5220251 XII Siecle, Geoffroi-le-Bel dit Plantagenet (engraving) by French School, (19th century); Private Collection; (add.info.: XII Siecle, Geoffroi-le-Bel dit Plantagenet)

Background imageAppearance Collection: XI Siecle, Un Guerrier (engraving)

XI Siecle, Un Guerrier (engraving)
5220249 XI Siecle, Un Guerrier (engraving) by French School, (19th century); Private Collection; (add.info.: XI Siecle, Un Guerrier)

Background imageAppearance Collection: X Siecle, Funerailles d Un Eveque (engraving)

X Siecle, Funerailles d Un Eveque (engraving)
5220228 X Siecle, Funerailles d Un Eveque (engraving) by French School, (19th century); Private Collection; (add.info.: X Siecle, Funerailles d Un Eveque)

Background imageAppearance Collection: XIII Siecle, Sergent de Pied (engraving)

XIII Siecle, Sergent de Pied (engraving)
5220217 XIII Siecle, Sergent de Pied (engraving) by French School, (19th century); Private Collection; (add.info.: XIII Siecle, Sergent de Pied)

Background imageAppearance Collection: XIV Siecle, Pierre Cardinal (engraving)

XIV Siecle, Pierre Cardinal (engraving)
5220211 XIV Siecle, Pierre Cardinal (engraving) by French School, (19th century); Private Collection; (add.info.: XIV Siecle, Pierre Cardinal)

Background imageAppearance Collection: XIV Siecle, Philippe, Comte d Evreux (engraving)

XIV Siecle, Philippe, Comte d Evreux (engraving)
5220210 XIV Siecle, Philippe, Comte d Evreux (engraving) by French School, (19th century); Private Collection; (add.info.: XIV Siecle, Philippe, Comte d Evreux)

Background imageAppearance Collection: XIII Siecle, Une Chasse (engraving)

XIII Siecle, Une Chasse (engraving)
5220208 XIII Siecle, Une Chasse (engraving) by French School, (19th century); Private Collection; (add.info.: XIII Siecle, Une Chasse)

Background imageAppearance Collection: XIV Siecle, Le Roi Jean Costume Militaire (engraving)

XIV Siecle, Le Roi Jean Costume Militaire (engraving)
5220190 XIV Siecle, Le Roi Jean Costume Militaire (engraving) by French School, (19th century); Private Collection; (add.info.: XIV Siecle, Le Roi Jean Costume Militaire)

Background imageAppearance Collection: XIV Siecle, Costume de Guerre du Roi Jean (engraving)

XIV Siecle, Costume de Guerre du Roi Jean (engraving)
5220184 XIV Siecle, Costume de Guerre du Roi Jean (engraving) by French School, (19th century); Private Collection; (add.info.: XIV Siecle, Costume de Guerre du Roi Jean)

Background imageAppearance Collection: XIV Siecle, Louis II, Duc de Bourbon, Comte de Clermont (engraving)

XIV Siecle, Louis II, Duc de Bourbon, Comte de Clermont (engraving)
5220179 XIV Siecle, Louis II, Duc de Bourbon, Comte de Clermont (engraving) by French School, (19th century); Private Collection; (add.info.: XIV Siecle, Louis II, Duc de Bourbon, Comte de Clermont)



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"Captivating Appearances: From Supper at Emmaus to Lassie" Step into the world of art and history as we explore the captivating appearances depicted in various masterpieces. In Rembrandt van Rijn's "Supper at Emmaus, " painted in 1648, we witness a scene where they are be deceiving. The expressions on the faces of those gathered around the table reveal astonishment and disbelief as they recognize Jesus Christ before them. Moving from religious depictions to leisurely moments, imagine yourself amidst Riviera holiday makers on the piste. Their stylish attire and radiant smiles showcase their joyous appearance while enjoying a sun-kissed vacation. JMW Turner's "The Angel Standing in the Sun, " created in 1846, captures an ethereal figure standing amidst vibrant rays of light. This heavenly appearance evokes a sense of awe and wonder. Saint John of the Cross is immortalized through an engraving colored with precision. His humble yet serene appearance reflects his devotion to spirituality during his lifetime from 1542-1591. Shifting our gaze towards celestial wonders, Halleys Comet made its mesmerizing appearance in 1910. Its luminous tail illuminates the night sky, leaving spectators awestruck by this astronomical phenomenon. Delving into ancient Egyptian culture, we encounter Bes - a deity associated with protection and fertility. With his unique lion-like features and jovial expression, Bes' distinctive appearance stands out among other gods worshipped during that era. From mythology to literature, Samuel Weller from Charles Dickens' Pickwick Papers makes his memorable entrance. With his cheeky grin and sharp wit, Samuel Weller's charismatic appearance has left an indelible mark on readers for generations. Tragically captured forever is Captain Smith of RMS Titanic in what would become his last known photo. His stern but determined countenance hints at both responsibility and impending doom aboard the ill-fated ship.