Antichrist Collection

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

The figure of the Antichrist
5311815 The figure of the Antichrist; (add.info.: Woodcut engraving depicting the figure of the Antichrist as conceived by Lucas Cranach the Elder)

The figure of Antichrist
3479443 The figure of Antichrist; (add.info.: The figure of Antichrist as conceived by Lucas Cranach. From Hartmann Schedel Liber chronicarum (Nuremberg Chronicle), Nuremberg

A figure of the Antichrist, 1521 (engraving)
3331100 A figure of the Antichrist, 1521 (engraving); (add.info.: Engraving depicting a figure of the Antichrist by Lucas Cranach the Elder (1472-1553)

The Destruction of Leviathan (after Gustave Doré), 1866. Creator: Pisan, Héliodore (1822-1890)
The Destruction of Leviathan (after Gustave Dore), 1866. Private Collection

Saint Michael, 1450-1500. Creator: Master of Belmonte
Saint Michael, 1450-1500

Cartoon, The Antichrist, WW1
Cartoon, The Antichrist will lose his crown and will die in solitude and madness (quotation from a prophecy of Brother Johannes), showing Kaiser Wilhelm II running mad with blood on his hands

Millennium predictions
Those who support Antichrist will get their comeuppance early in the 20th century when the Angel of the First Vial pours liquid death on them Date: 1891

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926542 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 156x259 cm; Chateau d'Angers

Preaching and the facts of the Antichrist, detail, detail, 1500-02 (fresco)
6262775 Preaching and the facts of the Antichrist, detail, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Preaching and the facts of the Antichrist, 1500-12 (fresco)
6262772 Preaching and the facts of the Antichrist, 1500-12 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Preaching and the facts of the Antichrist, detail, 1500-02 (fresco)
6262773 Preaching and the facts of the Antichrist, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

He reached the altar where the crown lay: lifting it he placed it upon his head
STC232156 He reached the altar where the crown lay: lifting it he placed it upon his head, illustration from A History of Germany by H.E. Marshall, 1913 (colour litho) by Michael, Arthur C

Le Regne de l Antechrist, par Luca Signorelli, Cathedrale d Orvieto (engraving)
5199903 Le Regne de l Antechrist, par Luca Signorelli, Cathedrale d Orvieto (engraving) by Italian School, (19th century); Private Collection; (add.info.: Le Regne de l Antechrist)

Ms 50 Fol. 1v The Copyist Presents his Book to St. Michael
XIR166594 Ms 50 Fol.1v The Copyist Presents his Book to St. Michael, from the Recognitiones by Saint Clement (vellum) by French School, (11th century); Bibliotheque Municipale, Avranches

Atheist
LLM455780 Atheist by English School, (19th century); Private Collection; (add.info.: Atheist. Illustration from Pilgrims Progress and other works by John Bunyan (James Sangster, c 1860)

The Inferno, after the Fresco in the Camposanto of Pisa, c. 1480 / 1500. Creator: Unknown
The Inferno, after the Fresco in the Camposanto of Pisa, c. 1480/1500

The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

The Life of the Antichrist, 15th century (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

The Reign Of Antichrist. After An Engraving By Michael Volgemuth In Liber Chronicarum Dated 1493. From Science And Literature In The Middle Ages By Paul Lacroix Published London 1878

ORIGIN OF THE ANTICHRIST. The Origin and the Source of the Antichrist and of Monkery: German woodcut, c1564 from the workshop of Lucas Cranach the Younger (1515-1586)

St. Michael and his angels fighting the dragon, no. 36 from The Apocalypse of Angers
XIR83992 St. Michael and his angels fighting the dragon, no.36 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl)

The Antichrist with three heads (woodcut)
XJF466232 The Antichrist with three heads (woodcut) by French School, (17th century); Private Collection; (add.info.: main head wears the papal crown)

St. Michael Battling with the Dragon from the Apocalypse or The Revelations of St
XAM78003 St. Michael Battling with the Dragon from the Apocalypse or The Revelations of St. John the Divine, pub. 1498 (woodcut) by DAOErer or Duerer

The Pope selling Indulgences from Passional Christi und Antichristi by
XJF294027 The Pope selling Indulgences from Passional Christi und Antichristi by Philipp Melanchthon, published in 1521 (woodcut) (b/w photo) by Cranach

ANTICHRIST AND MICHAEL. Antichrist is defeated by Archangel Michael and dragged by devils toward hell near the Mount of Olives, outside Jerusalem. Woodcut, c1550

PROTESTANT REFORMATION. Antichrist Enthroned With Roman Clerics as Advisors: German woodcut, 1548, by Matthias Gerung (1500?-1569)

The Reign of Antichrist: woodcut by Michel Volgemuth for Hartmann Schedel Liber chronicarum mundi (Nuremberg Chronicle) Nuremberg 1493

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"Unveiling the Antichrist: A Journey through History, Art, and Prophecy" Step into a world where imagination meets reality as we explore the enigmatic concept of the Antichrist. From ancient tapestries to captivating frescoes, this captivating cartoon-like figure has intrigued humanity for centuries. Dating back to World War I, whispers of an impending doom circulated among those who believed in the prophecies of a coming Antichrist. Millennia-old predictions fueled speculation about this mysterious being's rise to power and his role in bringing forth an apocalyptic era. The Apocalypse Tapestry or Apocalypse of Angers, created between 1375-80, vividly depicts scenes from biblical narratives including Saint Michael's battle against evil forces. In these intricate tapestries lies hidden symbolism that hints at the presence of the Antichrist lurking amidst chaos and destruction. Moving forward in time, detailed frescoes like "Preaching and the facts of the Antichrist" (1500-02) offer visual narratives that delve deeper into this intriguing character's story. These masterpieces showcase how artists interpreted religious texts while capturing their own interpretations of what it means to confront such malevolence. Intriguingly, even literature played its part in shaping our understanding. H. E. Marshall's "A History of Germany" (1913) presents a gripping illustration depicting a pivotal moment when someone dares to don the crown reserved for none other than the Antichrist himself – an act laden with symbolic significance. Yet hope prevails throughout history as depicted by Hartmann Schedel's "God overthrows The Antichrist. " This page from Schedelsche Weltchronik showcases divine intervention triumphing over darkness—a testament to humanity's unwavering belief that good will ultimately prevail against evil incarnate.