Anthonie Collection

Interior Conversation
A group portrait painting of some gentlemen and a lady, conversing at a table with a red cloth. Date: circa 1600s

Head and tail of the dodo by various artists
Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr

Images of a male Rodrigues solitaire, Pezophaps solitaria, from Francois Lequats Voyages, 1708. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans Dodo Studies, Amsterdam, Johannes Muller, 1917

White dodos by Johann Walther and Jacob Hoefnagel
White dodo by Johann Walther, female, 1657 (27) and white dodo by Jacob Hoefnagel, young male, 1609 (28). Heliotype by Van Leer from Dr

White dodo heads by Cornelis Saftleven and Jan Goeimare
White dodo head by Cornelis Saftleven, male, 1637, after a painting in the Museum Boijmans of Rotterdam (25), and white dodo head by Jan Goeimare, male, 1853 (26). Heliotype by Van Leer from Dr

White dodo and duck by Pieter Withoos
White dodo I by Pieter Withoos, female, Illustrated London News, 1856 (23) and white dodo II by Pieter Withoos, female, Transactions of the Zoological Society of London, 1863 (24)

White dodo II by Pieter Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans Dodo Studies, Amsterdam, Johannes Muller, 1917

White dodo I by Pieter II Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans Dodo Studies, Amsterdam, Johannes Muller, 1917

Copies of the white dodo by Salomon Savery, male: Michiel de Groot, 1682 (17), Gijsbert de Groot, 1724 (18), Isaak van der Putte, 1733 (19) and Jan Morterre, 1757 (20). Heliotype by Van Leer from Dr

17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16)

Dodos by Adriaen van de Venne and Gillis de Hondecoeter
Dodo by Adriaen van de Venne, male, 1626 (8) and dodo by Gillis de Hondecoeter (Honderkoeter), male, 1626 (9). Heliotype by Van Leer from Dr

Dodo of Iohan Theodor and Iohan Israel de Bry, female, 1601, and copy in the Florence Codex, female, circa 1703. Heliotype by Van Leer from Dr

Dodos of Jacob Cornelisz van Neck and Carolus Clusius
Dodo of Jacob Cornelisz van Neck, female, 1601 (4) and Dodo of Carolus Clusius, female, 1605 (5). Heliotype by Van Leer from Dr

Dodo of the Scotch House, Veere, 1561, and dodo from the Florence Codex, circa 1703. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans Dodo Studies, Amsterdam, Johannes Muller, 1917

Dodo statue on the Scotch House in Veere
Dodo statue on the facade of the Scotch House in Veere, the Netherlands, 1561. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans Dodo Studies, Amsterdam, Johannes Muller, 1917

A Cottage on a Hill. Creator: Anthonie Waterloo
A Cottage on a Hill

Venus and Adonis. Creator: Anthonie Waterloo
Venus and Adonis

Perfectionis Ascensio, from The Life of Saint John of the Cross, 1622-24

Venus and Adonis, from the series The Story of Adonis, ca. 1579. ca. 1579
Venus and Adonis, from the series The Story of Adonis, ca. 1579

A Walking Musketeer, seen from behind, 17th century. Creator: Anthonie Palamedesz
A Walking Musketeer, seen from behind, 17th century

A House near a Bridge, 17th century. Creator: Anthonie Waterloo
A House near a Bridge, 17th century

Landscape with Windmill, late 18th century. Creator: Anthonie Erkelens
Landscape with Windmill, late 18th century

Lots Flight from Sodom, 1582. 1582. Creator: Hendrik Goltzius
Lots Flight from Sodom, 1582

Christ and the Woman of Canaan, c1577-1579. Creator: Philip Galle
Christ and the Woman of Canaan, c1577-1579. Depiction of the exorcism of the Syrophoenician womans daughter, or the healing of a Canaanite womans daughter

Amorosa Inebriatio from The Life of Saint John of the Cross, 1622-24

Anthonie Blocklandt van Montfoort (1533 / 1534-1583) Dutch pai
Anthonie Blocklandt van Montfoort (1533/1534-1583) Dutch painter. Aphrodite disarms Eros. Nationale Gallery Prague. Czech Republic

Drawings Prints, Print, Porter, Artist, Anthonie Waterloo, Dutch, Lille 1609-1690 Utrecht
Drawings and Prints, Print, The Porter, Artist, Anthonie Waterloo, Dutch, Lille 1609-1690 Utrecht, Waterloo, Anthonie, Dutch, 1609, 1690, 1629, 1690

Drawings Prints, Drawing, Boy Holding Sword, Standing Table Interior, verso, Various
Drawings and Prints, Drawing, Boy Holding a Sword, Standing near a Table in an Interior; verso: Various Sketches of Figures and Ornamental Forms, Artist, Former Attribution, Anonymous, Dutch

Drawings Prints, Print, Triple Cascade, Artist, Anthonie Waterloo, Dutch, Lille 1609-1690 Utrecht
Drawings and Prints, Print, Triple Cascade, Artist, Anthonie Waterloo, Dutch, Lille 1609-1690 Utrecht, Waterloo, Anthonie, Dutch, 1609, 1690, 1629, 1690

Anthonie van Borssom, Dutch (1629-1630-1677), Landscape, pen and brown ink with brown wash

Johannes Ruisscher (reworked by Anthonie Waterloo) (Dutch, c. 1625 - after 1675), Village beside a Canal, second half 17th century, engraving on laid paper

Interior of the Laurenskerk at Rotterdam; Anthonie De Lorme, Dutch, 1610 - 1673, with figures attributed to Ludolf de Jongh, Dutch

Anthonie Waterloo (Dutch, 1609-1610-1690), Cottage on a Hill, etching

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

16th century codes
Anthony Babingtons acknowledgement of ciphers used with Mary Queen of Scots, September 1586 Date: 1586

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Anthonie Blocklandt van Montfoort, a renowned Dutch painter from the 16th century, was known for his exceptional talent in capturing the essence of various subjects. His interior conversations were brought to life on canvas with meticulous attention to detail and vibrant colors. While Anthonie's works encompassed a wide range of themes, one that stood out was his fascination with extinct species. Among these captivating pieces are depictions of the head and tail of the dodo bird by different artists. The dodo, once found on Mauritius Island, became extinct in the late 17th century due to human activities. Intriguingly, it also portrayed other extinct birds such as the male Rodrigues solitaire and Pezophaps. These paintings showcased his ability to recreate these lost creatures with remarkable accuracy. One cannot help but be captivated by Anthonie's portrayal of white dodos in collaboration with Johann Walther, Jacob Hoefnagel, Cornelis Saftleven, Jan Goeimare, Pieter Withoos, Pieter Holsteyn (both female versions), and Salomon Savery. Each artist added their unique touch while preserving the enigmatic allure surrounding this mysterious creature. The copies created by Salomon Savery further immortalized Anthonie's vision of the white dodo during the 17th century. These replicas served as a testament to both artists' dedication to preserving natural history through art. Not limited solely to avian subjects, it also depicted dodos alongside other animals like ducks in collaboration with Pieter Withoos. This imaginative combination showcased his creativity and ability to bring together diverse elements seamlessly. Other notable contributions include Adriaen van de Venne and Gillis de Hondecoeter's interpretations of dodos within their own artistic styles. Through their brushstrokes and compositions inspired by nature itself; they paid homage to Anthonie's legacy.