Anguish Collection (page 22)

Road to Calvary (tempera and gold leaf on panel)
XIR62311 Road to Calvary (tempera and gold leaf on panel) by Martini, Simone (1284-1344); 30x20.5 cm; Louvre, Paris, France; Italian, out of copyright

Christ alive on the cross at Calvary, 1631 (oil on canvas)
XIR498149 Christ alive on the cross at Calvary, 1631 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 100x57 cm; Prado, Madrid

The Crucifixion, detail of Mary Magdalene and the Virgin between St. John and a female saint, c
XIR444255 The Crucifixion, detail of Mary Magdalene and the Virgin between St. John and a female saint, c.1303-05 (fresco) by Giotto di Bondone (c.1266-1337); Scrovegni (Arena) Chapel, Padua

Pieta, engraved by Giulio Sanuto (engraving)
XJF417371 Pieta, engraved by Giulio Sanuto (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Giulio Sanuto (fl.1540-88); ); Italian, out of copyright

Front cover of The Echo (colour litho)
BAL41373 Front cover of The Echo (colour litho) by Bradley, William (fl.1872-89); Plaket Museum, Essen, Germany; American, out of copyright

The Temptation of St. Anthony (oil on canvas)
XIR409215 The Temptation of St. Anthony (oil on canvas) by Millet, Jean-Francois (1814-75); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: La Tentation de Saint Antoine; ); French

Dante and Virgil in Hell, illustration from The Divine Comedy, 1861 (engraving)
XJF394293 Dante and Virgil in Hell, illustration from The Divine Comedy, 1861 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info)

The Death of Cato (oil on canvas)
XIR39165 The Death of Cato (oil on canvas) by Loth, Johann Karl (1632-98); 129x158 cm; Musee Crozatier, Le Puy-en-Velay, France; (add.info.: La Mort de Caton d Utique; ); German, out of copyright

Prometheus (oil on canvas)
XBP335621 Prometheus (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid, Spain; (add.info.: son of Iapetos and Klymene; ); Photo eBoltin Picture Library; Spanish

The Russians in 1812, 1855 (oil on canvas)
BAL322429 The Russians in 1812, 1855 (oil on canvas) by Przhceslavski, Konstantin (1828-1908); Borodino, Mozhaysky, Moscow Oblast, Russia; (add.info.: French invasion of Russia; ); Polish

Satan, illustration from Paradise Lost by John Milton, fourth edition 1688
XJF396638 Satan, illustration from Paradise Lost by John Milton, fourth edition 1688 (engraving) by Medina, John Baptist de (1659-1710); Private Collection; (add.info)

The Prodigal Son (oil on canvas)
XIR426253 The Prodigal Son (oil on canvas) by Couture, Thomas (1815-79); Musee des Beaux-Arts Andre Malraux, Le Havre, France; (add.info.: L Enfant Prodigue; ); French, out of copyright

A Little Boy Lost, plate 42 from Songs of Experience, 1794 (colour
XYC285516 A Little Boy Lost, plate 42 from Songs of Experience, 1794 (colour printed relief etching with w/c) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art

Death comes for the Child, from Der Todten Tanz, published Basel, 1843 (litho)
KW278047 Death comes for the Child, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Death of The Emperor Theodore, from Cassells Illustrated History of England
XJF265819 Death of The Emperor Theodore, from Cassells Illustrated History of England, (engraving) (b/w photo) by English School

Sketch for The Reading of a Will, c. 1820 (oil on board)
XYC265058 Sketch for The Reading of a Will, c.1820 (oil on board) by Wilkie, David (1785-1841); 19.1x25.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish, out of copyright

Love Fleeing, 1881 (bronze)
XIR26236 Love Fleeing, 1881 (bronze) by Rodin, Auguste (1840-1917); height: 38.8 cm; Musee d Orsay, Paris, France; French, out of copyright

Death of Orpheus (oil on canvas)
XIR26184 Death of Orpheus (oil on canvas) by Dagnan-Bouveret, Pascal Adolphe Jean (1852-1929); Musee des Beaux-Arts, Mulhouse

A naked man crouched in flames, with his hands behind his head, plate 21
XYC256907 A naked man crouched in flames, with his hands behind his head, plate 21 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

12: Los howld in a dismal stupor... plate 10 from The First Book of Urizen
XYC256361 12: Los howld in a dismal stupor... plate 10 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Mignon, 1877 (oil on canvas)
XKH234234 Mignon, 1877 (oil on canvas) by Kray, Wilhelm (1828-89); 76x44 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Last Judgement, from the Sistine Chapel, 1538-41 (fresco)
BAL183088 Last Judgement, from the Sistine Chapel, 1538-41 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Head of Mary Magdalene Crying, from the Crucifixion (fresco)
XAL187187 Head of Mary Magdalene Crying, from the Crucifixion (fresco) by Roberti, Ercole de (c.1453-96); 28x24 cm; Pinacoteca Nazionale, Bologna

The Conscience or, The Eye Watching Cain, from La Legende des Siecle by Victor Hugo
XIR184054 The Conscience or, The Eye Watching Cain, from La Legende des Siecle by Victor Hugo (1802-85) (engraving) (b/w photo) by Joliet, Auguste (19th century); Bibliotheque Nationale, Paris

Study of St. Sebastian, 1480-81 (pen & ink over pencil on paper)
XKH179010 Study of St. Sebastian, 1480-81 (pen & ink over pencil on paper) by Vinci, Leonardo da (1452-1519); 17.4x6.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

Job Being Scolded by his Wife, c. 1790 (oil on canvas)
XIR171845 Job Being Scolded by his Wife, c.1790 (oil on canvas) by Vincent, Francois Andre (1746-1816); Musee d Art Thomas Henry, Cherbourg

Ode to Adversity, design 37 from The Poems of Thomas Gray, 1797-98 (w / c with pen
XYC225763 Ode to Adversity, design 37 from The Poems of Thomas Gray, 1797-98 (w/c with pen and black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Death and the Abbotess, from The Dance of Death, engraved by Hans Lutzelburger, c
XJF143271 Death and the Abbotess, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German

Death Taking a Child, from the Dance of Death series, engraved by Hans Lutzelburger, c
XJF138399 Death Taking a Child, from the Dance of Death series, engraved by Hans Lutzelburger, c.1526-8 (woodcut) (b/w photo) by Holbein the Younger

The Prodigal Son, from The History and Life of Our Blessed Lord and Saviour Jesus Christ
KW134070 The Prodigal Son, from The History and Life of Our Blessed Lord and Saviour Jesus Christ, by Reverend J. Milner, published by B

Studies of heads, 1508-12d(red chalk on paper) (verso)
BAL192513 Studies of heads, 1508-12d(red chalk on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London

La Madeleine, or La Douleur, c. 1869 (oil on canvas)
XIR160598 La Madeleine, or La Douleur, c.1869 (oil on canvas) by Cezanne, Paul (1839-1906); 165x255 cm; Musee d Orsay, Paris, France; (add.info.: The Magdalene, or The Pain; ); French

The Abyss, 1899 (oil on canvas)
XIR160255 The Abyss, 1899 (oil on canvas) by Mucha, Alphonse Marie (1860-1939); 129x100 cm; Musee d Orsay, Paris, France; Czech, out of copyright

the Romantic Adventures of a Milkmaid : the Attitude Bespoke Anguish, 1883
" the Romantic Adventures of a Milkmaid" : the Attitude Bespoke Anguish, 1883

Woman suffering headache lying in bed (B&W)

Girl looks longingly at her unobtainable hearts desire
A girl looks longingly and very sadly at her unobtainable hearts desire, sadly buried in a prickly thistle. Date: 1906

The Women of Gaul (1851) an episode during the Roman invasion of Gaul showing the women and children look on in anguish as their men are slaughtered by the Romans on the battlefield

Anguish. Illustration shows a sheep labeled The Law standing over a lamb labeled Consumer that has collapsed in the snow and is either dead or dying; a large cluster of ravens labeled Tariff Graft

Grief. Conceptual artwork of a tearful eye and a candle, representing grief and remembrance

Despair. Artwork depicting a person reaching into the air. This could represent reaching for help; anguish or despair; or a yearning for love and attention

Prayer, Tuscany, Italy, Europe

Woman praying on a bench, Chambery, Savoie, France, Europe

Woman praying, France, Europe

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In the etching "Beggar seated on a bank, 1630, " anguish is palpable as the destitute figure's eyes reflect a lifetime of struggle and despair. Anne Louis Girodet de Roucy-Trioson's oil painting, "Deluge scene, " captures the overwhelming anguish of humanity amidst chaos and destruction, reminding us of our vulnerability in the face of nature's wrath. With an engraving depicting Tom's deep hoarse voice saying, "It is coming, Maggie. " while clasping her tightly, we witness their shared anguish as they brace themselves for an impending catastrophe. The marble sculpture of Laocoon with his extended arm portrays agony frozen in time, evoking empathy for his suffering and highlighting the universal experience of pain throughout history. Wellington's rallying cry to his troops at the Battle of Waterloo echoes with determination but also reveals underlying anguish as he leads them into a fierce conflict that will forever change lives. In an engraving from The Taming of the Shrew performance at Clapham, music and discord intertwine to depict emotional turmoil within relationships - a vivid portrayal of inner strife and torment. The lithograph titled "Douleur de Marie-Madeleine" conveys Mary Magdalene's grief with raw intensity; her anguished expression speaks volumes about loss and sorrow that transcends time. Maxwell Gordon Lightfoot's portrait study captures a young girl lost in thought. Her pensive gaze hints at hidden depths within her soul where untold stories may reside - perhaps ones filled with personal anguish or longing. Giulio Sanuto's engraved depiction of Tantalus reflects eternal torment. Forever reaching for unattainable desires just out of reach serves as a metaphor for perpetual suffering and frustration endured by mankind. In Richard Coeur de Lion’s wife Berengaria’s alarmed expression captured in oil on canvas from 1850, we see profound distress over her husband's safety, showcasing the anguish of love and fear for a cherished partner.