Angst Collection (#6)

Irresolute Virtue (oil on canvas)
490412 Irresolute Virtue (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 48.5x39 cm; Private Collection; (add.info.: La Vertu Irresolue); Photo © Christies Images

Illustration for Bluebeard by Charles Perrault (1628-1703) 1893 (engraving)
PER190841 Illustration for Bluebeard by Charles Perrault (1628-1703) 1893 (engraving) by Dore, Gustave (1832-83) (after); Private Collection

British Officers tiger shooting in India, 1860s (colour litho)
PNP310574 British Officers tiger shooting in India, 1860s (colour litho) by English School, (19th century); Private Collection; Peter Newark Military Pictures

The Attempted Assassination of Emperor Napoleon III (1808-73) by Felice Orsini (1819-59) on the 14th January 1858
XIR170457 The Attempted Assassination of Emperor Napoleon III (1808-73) by Felice Orsini (1819-59) on the 14th January 1858, 1862 (oil on canvas) by Vittori Romano, H

The bag of Ravenna in 711 led by the Byzantine emperor Justinian II during which the archbishop Felix
ELD4849758 The bag of Ravenna in 711 led by the Byzantine emperor Justinian II during which the archbishop Felix (Justinian II byzantine emperor savages the city of Ravenna in 711)

La Reader, Oil Painting On Canvas by Charles von Steuben (1788-1856), Photography, KIM Youngtae, Nantes
YOU4419367 La Reader, Oil Painting On Canvas by Charles von Steuben (1788-1856), Photography, KIM Youngtae, Nantes, Musee des Beaux Arts de Nantes

The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898)
YOU4419153 The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898). Photography, KIM Youngtae, Paris, Musee Gustave Moreau

A frightened man. Detail of the Battle of Arbels (antiquite). Painting by Charles Lebrun (Le Brun) (1619-1690)
JLJ4598529 A frightened man. Detail of the Battle of Arbels (antiquite). Painting by Charles Lebrun (Le Brun) (1619-1690), 17th century

Hundred Years War - La Grande Jacquerie (1358) in France, his story told by G
XEE4137217 Hundred Years War - La Grande Jacquerie (1358) in France, his story told by G. Montorgueil, image by Job 1896 (engraving) by Job, pseudonym for Onfray de Breville

Rivalry. Illustration for Le Rire (colour litho)
2786215 Rivalry. Illustration for Le Rire (colour litho) by Poulbot, Francisque (1879-1946); Private Collection; (add.info.: Rivalry. Illustration for Le Rire, 9 December 1905.); © Look and Learn

Opposition of the medical profession in Great Britain to the health scheme proposals of Lloyd George in the National
KDC400210 Opposition of the medical profession in Great Britain to the health scheme proposals of Lloyd George in the National Insurance Act, 1911 (litho) by Partridge

The Feast vanished away, The Tempest Act III, Scene 3, illustration from Tales from Shakespeare by Charles
STC308579 The Feast vanished away, The Tempest Act III, Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

The Red Gaze, 1910 (oil on board)
PWI94160 The Red Gaze, 1910 (oil on board) by Schoenberg, Arnold (1874-1951); Stadtische Galerie im Lenbachhaus, Munich, Germany; © Peter Willi

Rumpelstilzchen (Dwarf Tracassin). Tale of the Grimm brothers (Jacob, 1785-1863 and Wilhelm Grimm, 1786-1859)
XEE4181699 Rumpelstilzchen (Dwarf Tracassin). Tale of the Grimm brothers (Jacob, 1785-1863 and Wilhelm Grimm, 1786-1859). Illustration of Vaccari

L Assiette au Beurre, number 183, Satirical in Colors, 1904_10_8
ICA4892969 L Assiette au Beurre, number 183, Satirical in Colors, 1904_10_8 by Camara, Leal de (1877-1948); (add.info.: Europe, China, Geographic Maps)

The bete d Orleans, variant of the "bete du Gevaudan", this image presents a huge and terrifying wolf
PCT4294477 The bete d Orleans, variant of the " bete du Gevaudan", this image presents a huge and terrifying wolf, clawed and covered with scales

France in the Middle Ages: First Crusade: the siege and the capture of Jerusalem by the croises led by Godefroy de
XEE4170798 France in the Middle Ages: First Crusade: the siege and the capture of Jerusalem by the croises led by Godefroy de Bouillon (1058-1100) in 1099

The Mouse, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho)
829035 The Mouse, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho) by Barbier

Grandeur Dechue, (oil on canvas)
658491 Grandeur Dechue, (oil on canvas) by Leroy, Jules (1833-1865); 46.3x55.9 cm; Private Collection; (add.info.: Grandeur Dechue. Jules Le Roy (1833-1865). Oil on canvas

The slough of despond, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638223 The slough of despond, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

The world and what it fears
909060 The world and what it fears by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; (add.info.: Pippa Passes and Men and Women published by Chatto & Windus 1908)

French Revolution: "Colonel Charles Eugene de Lorraine, Prince of Lambesc (1754-1825)
JLJ4646764 French Revolution: " Colonel Charles Eugene de Lorraine, Prince of Lambesc (1754-1825) entered the Tuileries on 12/07/1789, with a detachment from his royal regiment

The Temptation of St. Anthony, c. 1530 (oil on wood)
BAL351663 The Temptation of St. Anthony, c.1530 (oil on wood) by Savoldo, Giovanni Girolamo (c.1480-p.1548); Pushkin Museum, Moscow, Russia

Letter U (Urn, Uniform). A little girl looks horrified at the debris of a vase she just broke. 1908 (chromolithograph)
DUV4202258 Letter U (Urn, Uniform). A little girl looks horrified at the debris of a vase she just broke. 1908 (chromolithograph) by Bigot-Valentin (fl)

Hop o My Thumb, illustration from Blackies Childrens Annual, 1924 (colour litho)
IL274576 Hop o My Thumb, illustration from Blackies Childrens Annual, 1924 (colour litho) by Rountree, Harry (Herbert R.) (1878-1950); Private Collection

The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)
LRI4606089 The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812) by Julia, Asensio (el Pescadoret) (1760-1832); Prado, Madrid

Berlingues trunk - Lithography, from Theatre des marionnettes du jardin des Tuileries
LSE4088934 Berlingues trunk - Lithography, from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863 by Duranty

L Assiette au Beurre, number 127, Satirical in Colours, 1903_9_5
ICA4883725 L Assiette au Beurre, number 127, Satirical in Colours, 1903_9_5 by Camara, Leal de (1877-1948); (add.info.: Marriage, Adultere)

Illustration for Three Blind Mice (colour litho)
5998547 Illustration for Three Blind Mice (colour litho) by Caldwell, Edmund G. (1852-1930); Private Collection; (add.info.: Illustration for The Diverting History of Three Blind Mice)

The Babes in the Wood, c. 1900 (w / c, pen & ink on paper) (detail of 244428)
LIS244429 The Babes in the Wood, c.1900 (w/c, pen & ink on paper) (detail of 244428) by Hassall, John (1868-1948); Private Collection; (add.info)

The Babes in the wood, c. 1900 (w / c & pen & ink on paper)
LIS244428 The Babes in the wood, c.1900 (w/c & pen & ink on paper) by Hassall, John (1868-1948); 38.1x21.5 cm; Private Collection; (add.info)

Letter M Mechant. Engraving in "Album-Alphabet". A. Quinn, Printer-Publisher, 1885
DUV4207813 Letter M Mechant. Engraving in " Album-Alphabet". A. Quinn, Printer-Publisher, 1885. Illustrations by Baron Ernest de Liphart (1847-1934). 28 pages. Dim: 29x22, 5cm

The Agony in the Garden, 1926 (wood engraving)
1631659 The Agony in the Garden, 1926 (wood engraving) by Gill, Eric (1882-1940); Private Collection; (add.info.: Christ in the Garden of Gethsemane before his arrest.); The Stapleton Collection

Le tonneau - Lithography, from Theatre des marionnettes du jardin des Tuileries
LSE4088951 Le tonneau - Lithography, from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863 by Duranty

La Petite Lune, number 12, 1878_9_1 - Illustration by Louis Alexandre Gosset de Guines dit Gill (1840-1885)
ICA4936063 La Petite Lune, number 12, 1878_9_1 - Illustration by Louis Alexandre Gosset de Guines dit Gill (1840-1885): The hunt is open - Anticlericalism - Laicisation Laicite Laiques Lois - Rabbit

Sad presentiment - oil on canvas, 1862
LRI4572803 Sad presentiment - oil on canvas, 1862 by Induno, Gerolamo (1827-90); Pinacoteca di Brera, Milan, Italy; (add.info)

the lions dazzled by the flame of magnesium. Engraving by Pranishnikoff, to illustrate the story Comment j ai traverse
LSE4332368 the lions dazzled by the flame of magnesium. Engraving by Pranishnikoff, to illustrate the story Comment j ai traverse l Afrique, by Major Serpa Pinto, in 1877-1878

Sauve qui peut! Illustration for Le Pele-Mele, 1901 (colour litho)
3097216 Sauve qui peut! Illustration for Le Pele-Mele, 1901 (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: Sauve qui peut)

Ancient Perusians (Incas) in front of a moon eclipse - in "The Old and Modern Costume"by Jules Ferrario
LSE4096261 Ancient Perusians (Incas) in front of a moon eclipse - in " The Old and Modern Costume" by Jules Ferrario, 1819-1820 by Ferrario

Early Frightfulness, 118 BC (engraving)
2788185 Early Frightfulness, 118 BC (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Early Frightfulness, 118 BC)

Father time went flying out. from Italian Fairy Tales, by Lilia E. Romano
IL262846 Father time went flying out. from Italian Fairy Tales, by Lilia E. Romano, published by Raphael Tuck & Sons (colour litho) by Davie

Rue de l Ecole de Medecine, under Louis XIV. 19th century (Colour engraving)
LRI4676471 Rue de l Ecole de Medecine, under Louis XIV. 19th century (Colour engraving) by Albert, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

L epouvantail (colour litho)
3097830 L epouvantail (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: L epouvantail. Illustration for Le Pele-Mele, 4 December 1904.); © Look and Learn

Opposition of the medical profession in Great Britain to the health scheme proposals of Lloyd George in the 1911
KDC400214 Opposition of the medical profession in Great Britain to the health scheme proposals of Lloyd George in the 1911 National Insurance Act, 1912 (litho) by Partridge

She Gave a shriek
908988 She Gave a shriek by Appleton, Honor Charlotte (1879-1951); Private Collection; (add.info.: Josephines Pantomime published by Blackie circa 1940)

John Bulls Fireside (colour litho)
818335 John Bulls Fireside (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: John Bulls Fireside. Anti-free trade postcard.); Look and Learn / Elgar Collection

Porphyria, (oil on canvas)
657026 Porphyria, (oil on canvas) by Rothenstein, William (1872-1945); Private Collection; (add.info.: Porphyria. Sir William Rothenstein (1872-1945). Oil on canvas

Oriental supersititions in Rome (litho)
STC358063 Oriental supersititions in Rome (litho) by Dudley, Robert Ambrose (1867-1951); Private Collection; (add.info.: In 220 BC the consul had to personally beat down the door of the temple of)

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"Capturing the Essence of Angst: A Glimpse into Turmoil and Despair" In a deluge scene depicted by Anne Louis Girodet de Roucy-Trioson, the canvas comes alive with an overwhelming sense of angst. The dimly lit oil painting, measuring 4. 41 x 3. 41m, transports us to a world where emotions run deep and turmoil reigns supreme. Amidst this tempestuous setting, we witness Tom's desperate cry to Maggie as he abandons his oars and clasps her tightly. His voice resonates hoarsely, signaling impending doom or perhaps unspoken sorrows that have consumed him entirely. The haunting image of Laocoon in its pre-20th century restoration adds another layer to our understanding of anguish. With an extended arm frozen in marble, it symbolizes the physical manifestation of pain and struggle endured throughout history. Yet amidst these scenes of despair, there are glimpses of resilience and defiance. "Up, Guards, and at them. " cries Wellington at the Battle of Waterloo in a chromolitho artwork. Here we witness bravery amidst chaos—a testament to human spirit even in the face of adversity. Music intertwines with discord as Shakespeare's "The Taming of the Shrew" takes center stage in Clapham's engraving. It portrays a scene where passion clashes with societal expectations—an allegory for internal conflicts that often plague individuals caught between their desires and society's demands. "Douleur de Marie-Madeleine, " a lithograph depicting Mary Magdalene's grief encapsulates profound sorrow within its lines—reminding us that even biblical figures were not immune to emotional torment. From ancient tales like "Rape of Sabine Women" to El Cids Daughters' portrayal from Romance XLIV—the Tesoro de Romanceros—we encounter stories rife with distressing narratives woven into artistry.