Angiolo Collection

An Allegory with Venus and Cupid, c1523-1568. Artist: Agnolo Bronzino
An Allegory with Venus and Cupid, c1523-1568. The picture is likely to be that mentioned in Vasaris Life of Bronzino of 1568. From the collection of the National Gallery, London

Portrait of a Young Man, 1530s. Creator: Agnolo Bronzino
Portrait of a Young Man, 1530s

Venus and Cupid, mid 16th century. Artist: Agnolo Bronzino
Venus and Cupid, mid 16th century. Venus has taken Cupids bow. In the bottom right is a pair of doves, birds of love. From the Uffizi Gallery, Florence

Apollo holding pipes in his right hand accompanied by Pegasus, 1556-60

Cosimo I de Medici (1519-1574). Creator: Workshop of Bronzino (Italian, Monticelli
Cosimo I de Medici (1519-1574)

Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown
Plaster ornaments, France, 17th and 18th centuries, (1898). Fig 1: Panel decorations at door and window niches in the throne room of the Castle at Fontainebleau, style of Louis XIV [c1643-1715]

Eleonora di Toledo, c1562-1572, (1930). Creator: Agnolo Bronzino
Eleonora di Toledo, c1562-1572, (1930). Portrait of Spanish noblewoman Eleanor of Toledo (1522-1562), Grand Duchess of Tuscany, wife of Cosimo dei Medici, First Grand Duke

Self-Portrait with Palette. Creator: D Andrea, Angiolo
Self-Portrait with Palette. Private Collection

Allegory (The Launch). Creator: D Andrea, Angiolo
Allegory (The Launch). Private Collection

Eleonora di Toledo, c1559. Artist: Agnolo Bronzino
Eleonora di Toledo, c1559. Eleonora of Toledo (1522-1562) Grand Duchess of Tuscany, Wife of Cosimo Dei Medici, First Grand Duke. Painting held in The Wallace Collection, London

Studies, 1913. Artist: Agnolo Bronzino
Studies, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

The Holy Family with the young John the Baptist, 1540. Artist: Agnolo Bronzino
The Holy Family with the young John the Baptist, 1540. Bronzino, Agnolo (1503-1572). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Lucrezia Panchiatichi, c1540. Artist: Agnolo Bronzino
Lucrezia Panchiatichi, c1540. From the collection of the Galleria degli Uffizi, Florence, Italy

The Panciatichi Holy Family, 1530-1532. Artist: Agnolo Bronzino
The Panciatichi Holy Family, 1530-1532. From the collection of the Galleria degli Uffizi, Florence, Italy

The Deposition from the Cross, 1443-1445. Artist: Agnolo Bronzino
The Deposition from the Cross, 1443-1445. The Virgin Mary, surrounded by supporters, cradles the body of Christ in her lap. The crown of thorns has fallen from his head and lies on the ground (left)

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"Angiolo: A Master of Allegory and Portraits" Step into the captivating world of Angiolo, a renowned artist whose works spanned from the 16th to the 18th century. Known for his intricate attention to detail and skillful execution, Angiolo's artistry continues to mesmerize audiences today. One of his notable pieces is "An Allegory with Venus and Cupid, " a masterpiece that showcases his ability to intertwine mythology with human emotions. The delicate brushstrokes bring life to Venus' enchanting beauty while Cupid's mischievous gaze captures our hearts. In "Portrait of a Young Man, " Angiolo demonstrates his talent in capturing the essence of youthfulness. The subject's piercing eyes reveal a depth beyond his years, leaving us intrigued by the stories untold. Another remarkable creation is "Apollo holding pipes in his right hand accompanied by Pegasus. " This composition exudes grace as Apollo stands tall, radiating divine energy while Pegasus soars above him, symbolizing freedom and inspiration. It also ventured into portraiture, immortalizing influential figures like Cosimo I de Medici. Through meticulous brushwork, he portrays power and authority emanating from this prominent figure who shaped history. Delving further into portraiture, Eleonora di Toledo becomes an ethereal presence in Angiolo's work. Her regal attire reflects her status as she gazes confidently at us through time, reminding us of her influence during her lifetime. Not limited to painting alone, Angiolo showcased versatility through plaster ornaments created in France during the 17th and 18th centuries. These ornate designs adorned grand palaces and continue to fascinate admirers with their intricate details even today. Self-portraits allow artists like Angiolo to reveal their inner selves on canvas.