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Angas Collection

Background imageAngas Collection: A Tiki at Raroera Pah, New Zealand

A Tiki at Raroera Pah, New Zealand. Plate from The New Zealanders illustrated by George French Angas (1822-1886). Date: 1847

Background imageAngas Collection: View of the Umnonoti River in Natal by George G Angas

View of the Umnonoti River in Natal by George G Angas
DGA519962 View of the Umnonoti River in Natal by George G Angas; (add.info.: View of the Umnonoti River in Natal by George G. Angas, South Africa 19th century)

Background imageAngas Collection: Five Maori Tombs - New Zealand

Five Maori Tombs - New Zealand

Background imageAngas Collection: Monument to Te Whero Whero's daughter, Raroera Pah

Monument to Te Whero Whero's daughter, Raroera Pah
Monument made of carved wood to Te Whero Whero's favourite daughter at Raroera Pah. Plate from The New Zealanders illustrated by George French Angas (1822-1886). Date: 1847

Background imageAngas Collection: Te Maro - Te Amotutu - Ko Tariu - Maoris

Te Maro - Te Amotutu - Ko Tariu - Maoris
Te Maro, a boy of Waikato (top left), Te Amotutu, a young chief of the Nga-Ti-Pou tribe (top right), and Ko Tariu, a chief of Taupo, with his wife (below) - Maoris

Background imageAngas Collection: Maori Weapons and Implements of War

Maori Weapons and Implements of War, with Warriors preparing for a fight. Plate from The New Zealanders illustrated by George French Angas (1822-1886). Date: 1847

Background imageAngas Collection: Scene in a New Zealand Forest

Scene in a New Zealand Forest, showing varieties of ferns including Cyathea medullaris and the Cyathia dealbata

Background imageAngas Collection: Whatas or Patukas - Maori Food Storehouses

Whatas or Patukas - Maori Food Storehouses. They are elevated from the ground by posts, to protect their contents from rats. Top left is an ordinary patuka for holding seeds

Background imageAngas Collection: Te Whero-Whero - Te Waro & Te Pakaru - Maori Chieftains

Te Whero-Whero - Te Waro & Te Pakaru - Maori Chieftains
Te Whero-Whero or Patuatu, the principal chief of all Waikato (left), and Te Waro and Te Pakaru (right)

Background imageAngas Collection: New Zealand Maori Ornaments and Decorations

New Zealand Maori Ornaments and Decorations

Background imageAngas Collection: Zulu blacksmiths at work, 1849. Artist: George French Angas

Zulu blacksmiths at work, 1849. Artist: George French Angas
Zulu blacksmiths at work, 1849. Plate 23 from The Kafirs Illustrated by George French Angas

Background imageAngas Collection: Zulu kraal at Umlazi with huts and screens, 1849. Artist: George French Angas

Zulu kraal at Umlazi with huts and screens, 1849. Artist: George French Angas
Zulu kraal at Umlazi with huts and screens, 1849. Plate 21 from The Kafirs Illustrated by George French Angas

Background imageAngas Collection: Umpanda Reviewing his Troops at Nonduengi, 1849. Artist: George French Angas

Umpanda Reviewing his Troops at Nonduengi, 1849. Artist: George French Angas
Umpanda Reviewing his Troops at Nonduengi, 1849. Mpande was king of the Zulu from 1840 until his death in 1872. Plate 12 from The Kafirs Illustrated by George French Angas

Background imageAngas Collection: Zulu warrior, Utimuni, nephew of Chaka the late Zulu king, 1849

Zulu warrior, Utimuni, nephew of Chaka the late Zulu king, 1849. Plate 13 from The Kafirs Illustrated by George French Angas

Background imageAngas Collection: Umpanda the King of the Amazulu, 1849. Artist: George French Angas

Umpanda the King of the Amazulu, 1849. Artist: George French Angas
Umpanda the King of the Amazulu, 1849. Mpande was king of the Zulu from 1840 until his death in 1872. Plate 11 from The Kafirs Illustrated by George French Angas

Background imageAngas Collection: Zulu Soldiers of King Pandas Army, 1849. Artist: George French Angas

Zulu Soldiers of King Pandas Army, 1849. Artist: George French Angas
Zulu Soldiers of King Pandas Army, 1849. Plate 20 from The Kafirs Illustrated, 1849

Background imageAngas Collection: Zulu Hunting Dance near the Engooi Mountains, 1849. Artist: George French Angas

Zulu Hunting Dance near the Engooi Mountains, 1849. Artist: George French Angas
Zulu Hunting Dance near the Engooi Mountains, 1849. Plate 14 from The Kafirs Illustrated, 1849

Background imageAngas Collection: Zulu Kraal near Umlazi, Natal, 1849. Artist: George French Angas

Zulu Kraal near Umlazi, Natal, 1849. Artist: George French Angas
Zulu Kraal near Umlazi, Natal, 1849. Plate 27 from The Kafirs Illustrated, 1849

Background imageAngas Collection: Portraits of Five Maoris - New Zealand

Portraits of Five Maoris - New Zealand

Background imageAngas Collection: Native Feast / Throwing the Spear - Maori, New Zealand

Native Feast / Throwing the Spear - Maori, New Zealand
A Native Feast at Mata-Ta, with Mount Edgecumbe in the distance (above) and Throwing the Spear, the Mode of Salutation (below) - Maori, New Zealand

Background imageAngas Collection: Maori Ornamental Wooden Carvings - New Zealand

Maori Ornamental Wooden Carvings - New Zealand

Background imageAngas Collection: Ornamental Maori wood carvings, New Zealand

Ornamental Maori wood carvings, New Zealand. Plate from The New Zealanders illustrated by George French Angas (1822-1886). Date: 1847

Background imageAngas Collection: E Wai - Na Horua - Tuarau - Maori Group, New Zealand

E Wai - Na Horua - Tuarau - Maori Group, New Zealand
Na Horua (Tom Street), the elder brother of Raupapaha, his wife E Wai and his son Tuarau (Kopai), pictured at Kapotea near Porirua, New Zealand

Background imageAngas Collection: AUSTRALIA: GOLD RUSH, 1851. Gold Diggers Encampment

AUSTRALIA: GOLD RUSH, 1851. Gold Diggers Encampment, Summer Hill, New South Wales, Australia. Lithograph by the English artist George French Angas, 1851


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EDITORS COMMENTS

"Exploring the Rich Cultural Heritage of Angas: From Maori Tombs to Zulu Warriors" Immerse yourself in the vibrant world of Angas, as we embark on a journey through diverse cultures and captivating history. Starting at Raroera Pah in New Zealand, a Tiki stands tall, representing the ancestral spirits that watch over this sacred place. Venturing further into New Zealand's past, we encounter five Maori tombs - silent witnesses to ancient traditions and customs. Among them is the monument dedicated to Te Whero Whero's daughter, an emblem of love and remembrance within Raroera Pah. Delving deeper into Maori culture, we discover Te Maro, Te Amotutu, Ko Tariu - names etched in history as legendary warriors who defended their land with honor. Their weapons and implements of war tell tales of bravery and resilience. Moving across continents to South Australia Illustrated by Adelaide's Hindley Street Plate 41 captures our attention. Here lies a glimpse into another facet of Angas' artistic prowess - showcasing intricate ornaments and decorations crafted by New Zealand Maoris. But let us not forget George French Angas' remarkable depictions of Zulu life during his travels. Witnessing Zulu blacksmiths at work reveals their skillful craftsmanship passed down through generations. The bustling kraal at Umlazi unveils huts adorned with screens that protect against both natural elements and prying eyes. Intriguingly enough, Umpanda Reviewing his Troops at Nonduengi showcases leadership amidst conflict – a testament to the strength ingrained within Zulu society. Utimuni emerges from Chaka's lineage as a formidable warrior himself; his presence immortalized by Angas' brushstrokes. Angas takes us on an extraordinary voyage where cultural heritage intertwines with artistry across oceans.

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