Andrew Best Leloir Collection

Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private and Public Life of Animals, ca. 1837-47

Friends, the wise one places his glory in eating well from Scenes from the Private and Public Life of Animals, ca. 1837-47

He tells us: don t cry, Act! from Scenes from the Private and Public Life of Animals, ca. 1837-47

After, in came the body of guards armed with terrible stings from Scenes from the Private and Public Life of Animals, ca. 1837-47

A very well put insect and beautiful dancer from Scenes from the Private and Public Life of Animals, ca. 1837-47

What do you say about the butterfly hunt? from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Beautiful World of the Tuileries from Scenes from the Private and Public Life of Animals, ca. 1837-47

Wood engraving after painting by Delacroix of Hamlet and Horatio, December 1837

Le Diable a Paris... Paris et Les Parisiens, Vol. II, 1846. Creator: Andrew Best Leloir
Le Diable a Paris... Paris et Les Parisiens, Vol. II, 1846. [Sideshow]

I saw a wolf standing guard from Scenes from the Private and Public Life of Animals, ca. 1837-47

Here is one who mends by nicely biting from Scenes from the Private and Public Life of Animals, ca. 1837-47

He had only his beautiful colors... from Scenes from the Private and Public Life of Animals, ca. 1837-47

To pay the landlord, a very harsh man, whose name was M. Vautour from Scenes from the Private and Public Life of Animals, ca. 1837-47

The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim from Scenes from the Private and Public Life of Animals, ca. 1837-47

Only his belly was remarkable from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Proprietor from Scenes from the Private and Public Life of Animals, ca. 1837-47

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"Andrew Best Leloir: A Captivating Glimpse into the Private and Public Life" In the world of art, Andrew Best Leloir's creations transport us to captivating scenes filled with wonder and intrigue. His works, such as "Scenes from the Private and Public Life of Animals, " offer a unique perspective on nature's beauty. Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private. Leloir's attention to detail is evident in every stroke of his brush or engraving tool. Friends, the wise one places his glory in eating well from Scenes from the Private; he reminds us to savor life's simple pleasures. With each piece, Leloir tells us: don't cry, Act. He encourages action over despair through his artistry. After all, in came the body of guards armed with terrible stings from Scenes from the P - a reminder that strength can be found even in vulnerability. Leloir captures not only animals but also insects with equal finesse. A very well put insect and beautiful dancer emerge gracefully through his artwork. What do you say about the butterfly hunt? It becomes an enchanting adventure under Leloir's skillful hand. The Beautiful World of Tuileries comes alive through Leloir's interpretation. With delicate strokes and vibrant colors, he transports us to Parisian gardens brimming with life and joy. Wood engravings after paintings by Delacroix further showcase Leloir's talent for capturing emotion on paper. Le Diable à Paris. . Paris et Les Parisiens reveals another facet of Leloir's artistic prowess. As creator of Volume II in 1846, he showcases his ability to depict both cityscapes and its inhabitants' essence. From majestic wolves standing guard to creatures mending by nicely biting – here is one who mends by nicely biting – Leloir's artistry knows no bounds.