Andreani Collection

Sheet 1: Soldiers carrying banners, from The Triumph of Julius Caesar, 1599. Private Collection

Sheet 2: A triumphal chariot, from The Triumph of Julius Caesar, 1599. Private Collection

Sheet 7: Procession, from The Triumph of Julius Caesar, 1599. Private Collection

Sheet 8: procession of Musicians and others holding standards, from The Triumph of Julius Caesar, 1599. Private Collection

Christ is being led away, soldiers stand at the right (right side of sheet), 1585

Section H: Saint Christopher carrying the Christ Child, from The Triumph of Christ, 1836

Section B: Isaac, Noah and other figures, from The Triumph of Christ, 1836

Section A: an angel holding a cross at upper left, Adam and Eve below, from The Triumph of Christ, 1836

Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center, 1588

Section F: Saints holding crosses, books, and weapons, from The Triumph of Christ, 1836

Pilate at the left washing his hands (left side of sheet), 1585. Creator: Andrea Andreani
Pilate at the left washing his hands (left side of sheet), 1585

Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

Section D: angels sounding trumpets etc, from The Triumph of Christ, 1836

Section E: Christ riding on a triumphal cart, from The Triumph of Christ, 1836

Sheet 7: procession, from The Triumph of Julius Caesar, 1599. Creator: Bernardo Malpizzi
Sheet 7: procession, from The Triumph of Julius Caesar, 1599

Sheet 5: Elephants, from The Triumph of Julius Caesar, 1599. Creator: Bernardo Malpizzi
Sheet 5: Elephants, from The Triumph of Julius Caesar, 1599

Sheet 3: Trophies of war, from The Triumph of Julius Caesar, 1599. 1599
Sheet 3: Trophies of war, from The Triumph of Julius Caesar, 1599

Sheet 4: Men carrying trophies at left, trumpeters at right, from The Triumph of Julius Caesar, 1599

Sheet 7: procession of Musicians and others holding standards, from The Triumph of Julius Caesar, 1599

Sheet 9: Julius Caesar in his horse-drawn chariot, from The Triumph of Julius Caesar, 1599

Sheet 2: A triumphal chariot, from The Triumph of Julius Caesar, 1599

Sheet 1: Soldiers carrying banners depicting Julius Caesars triumphant military exploits, from The Triumph of Julius Caesar, 1599

The crossing of the red sea, Moses stands at the left pointing to the army being submerged, after Titian, 1589

The Entombment, Andreani, Andrea, Approximately 1560-1623, Date Created 1585, Chiaroscuro Woodcut, 7 Cm X 6 Cm

The Holy Family With St. Margaret And A Bishop, Trento, Antonio Da, Approximately 1508-approximately 1550, Artist, Vicentino, Giuseppe Niccolo, Approximately 1510-, Parmigianino, 1503-1540

The Virgin, Child, And Saints, Andreani, Andrea, Approximately 1560-1623

Eve After The Fall, Andreani, Andrea, Approximately 1560-1623

Circe, Dating From Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540. Andreani, Andrea, Approximately 1560-1623

Nymphs Bathing / Aa [monogram Of Andrea Andreani], Between 1500 And 1530, Printed 1605. Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540

Mutius Scaevola, Between 1584 And 1610, Andreani, Andrea, Approximately 1560-1623

St. Cecilia / Aa [monogram Of Andrea Andreani], Between 1530 And 1550. Trento, Antonio Da, Approximately 1508-approximately 1550, Artist, Parmigianino, 1503-1540

Ritual In Honor Of Psyche / Aa [monogram Of Andrea Andreani] In Mantoua 1602. Vicentino, Giuseppe Niccolo, Approximately 1510-, Artist, Salviati, Francesco, 1510-1563

Jason Returning With The Golden Fleece / Aa [monogram Of Andrea Andreani, Approximately 1560-1623] In Mantoua 160, Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540

Temperance / Aa [monogram Of Andrea Andreani], Between 1540 And 1560. Vicentino, Giuseppe Niccolo, Approximately 1510-, Artist, Parmigianino, 1503-1540. Andreani, Andrea, Approximately 1560-1623

Christ Carrying The Cross, Andreani, Andrea, Approximately 1560-1623

Veni, vidi, vici. Triunphus Caesaris (The triumph of Julius Caesar). Private Collection

The triumph of Julius Caesar, Andrea Andreani (1540-1623) Italian wood engraver. Plate 4 from his Triumphus Caesari c1598, after Andrea Mantegna (1431-1506) Italian artist

The Adoration Of The Magi / Aa [monogram Of Andrea Andreani] Mdcv. Vicentino, Giuseppe Niccolo, Approximately 1510-, Artist, Parmigianino, 1503-1540. Andreani, Andrea, Approximately 1560-1623

Virtue, 1585, Andreani, Andrea, Approximately 1560-1623

The Blessed Virgin, Andreani, Andrea, Approximately 1560-1623, Vanni, Francesco, 1563-1610, Between 1590 And 1610, Chiaroscuro Woodcut, Print Showing The Blessed Virgin Mary With The Infant Jesus

Adreanis balloon launch, Milan, Italy
Paolo Adreanis balloon ascending over a square in Milan, watched by a crowd of spectators. His first ascent was on 25 February 1784; this ascent took place the following month. 13 March 1784

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"Andreani: A Masterful Depiction of Triumph and Tragedy in Art" In the year 1585, Italian artist Andrea Andreani skillfully captured a pivotal moment in history with his artwork titled "Christ being led away. " The scene unfolds as Christ, burdened by the weight of his destiny, is led away by soldiers. On the right side of the sheet, these soldiers stand tall and resolute, symbolizing the forces that seek to suppress truth. Andreani's artistic prowess shines through in another masterpiece from "The Triumph of Christ" series created in 1836. In section H, we witness Saint Christopher carrying the Christ Child on his shoulders. This powerful image showcases devotion and selflessness as Christopher bears this divine responsibility. Moving to section B, Andreani presents us with an intriguing composition featuring Isaac, Noah, and other figures from "The Triumph of Christ. " These biblical characters represent humanity's journey towards redemption amidst chaos and destruction. Section A introduces us to an angel holding a cross at upper left while Adam and Eve are depicted below. Here we witness the eternal struggle between good and evil - a theme recurrent throughout Andreani's work. Virtue takes center stage in one captivating piece where she stands surrounded by four figures representing love and error. Through this juxtaposition, Andreani reminds us that virtue can guide our path even when faced with temptation or deceit. However, not all scenes depict triumph; some delve into darker aspects of human existence. In his creation titled "Rape of a Sabine Woman, " completed in 1584, Andreani confronts viewers with a harrowing depiction that explores themes of violence and power dynamics within society. "The Triumph of Death" offers yet another thought-provoking tableau where three fates hover above an architectural frame enclosing a wheel of fortune. This allegorical representation serves as a reminder that death ultimately comes for all living beings regardless of their station or fortune. Section F showcases saints holding crosses, books, and weapons.