Andre Lejard Collection

St. Mark from the Godescalc Gospel Lectionary, 781-783 (1947). Artist: Godescalc
St. Mark from the Godescalc Gospel Lectionary, 781-783 (1947). The Godescalc Evangelistary, Godescalc Sacramentary, Godescalc Gospels

Faust, Wagner and Barbet, 1828 (1947). Artist: Eugene Delacroix
Faust, Wagner and Barbet, 1828 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Mosaic binding signed by Le Monnier and bearing the monogram of Maria Josepha of Saxony, c1750 (19 Artist: Le Monnier)
Mosaic binding signed by Le Monnier and bearing the monogram of Maria Josepha of Saxony, c1750 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Binding with arms of Henry III, c1585 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Astronomique Discours, 1557 (1947). A copy dedicated to Catherine de Medici bearing the monogram of Henry II and Catherine de Medici. From The Art of the French Book, edited by Andre Lejard

Chants et chansons populaires de France, 1843 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Les Cent et un Robert Macaire, 1840 (1947). Artist: Honore Daumier
Les Cent et un Robert Macaire, 1840 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Another world. Transformations, visions, incarnations, ascensions, locomotions?, metamorphoses
Another world. Transformations, visions, incarnations, ascensions, locomotions, metamorphoses, apotheoses and some other things, 1844 (1947). From The Art of the French Book, edited by Andre Lejard

De Philologia, c1530 (1947). Artist: Guillaume Bude
De Philologia, c1530 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

De la genealogie des dieux, 1498-1499 (1947). Artist: Giovanni di Boccace
De la genealogie des dieux, 1498-1499 (1947). The Genealogy of the Gods 1498-1499. From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Rennes Missal, 1492 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

L Ordinaire des Crestiens, 1494 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Les livres du gouvernement des roys et des princes, 14th century (1947). Artist: Giles of Rome
Les livres du gouvernement des roys et des princes, 14th century (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

The Life of the Antichrist, 15th century (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

La vie et miracles de monseigneur saint Martin, 1496 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

The Saint-Sever Beatus, also known as the Apocalypse of Saint-Sever, 11th century (1947). Saint-Sever Beatus is a French Romanesque illuminated Apocalypse manuscript from the 11th century

Breviari d Amor, 15th century (1947). Artist: Matfre Ermengau
Breviari d Amor, 15th century (1947). Circular diagram of the Six Ages of the World. From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Le Livre du Roy Modus, 1486 (1947)
Le Livre du roy Modus, 1486 (1947). The Book of King Modus, 1486. From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

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"Andre Lejard: A Master of Artistic Transformations and Timeless Creations Step into the world of Andre Lejard, a visionary artist whose works span centuries and genres. From ancient religious manuscripts to modern-day illustrations, Lejard's talent knows no bounds. One of his notable creations is the stunning portrayal of St. Mark from the Godescalc Gospel Lectionary, crafted between 781-783. With meticulous attention to detail, Lejard brings this biblical figure to life, capturing his essence in every stroke. In another masterpiece titled "Faust, Wagner and Barbet, " painted in 1828 by Eugene Delacroix but reimagined by Lejard in 1947, we witness a fusion of classical literature with contemporary artistry. The result is a captivating depiction that transcends time. Le Monnier's mosaic binding bearing Maria Josepha of Saxony's monogram showcases yet another facet of Lejard's expertise. Crafted around 1750, this exquisite piece reflects both elegance and craftsmanship at its finest. Henry III's coat-of-arms adorns a binding dating back to approximately 1585—a testament to Lejard's ability to breathe new life into historical artifacts while preserving their original grandeur. But it doesn't stop there; astronomy enthusiasts will marvel at "Astronomique Discours" from 1557—an intricate work where scientific knowledge intertwines with artistic brilliance under the skilled hand of Andre Lejard. Lejard also delves into French culture through his illustration for "Chants et chansons populaires de France" published in 1843. Through vibrant imagery and delicate brushstrokes, he captures the spirit and charm of traditional folk songs that have resonated throughout generations. Honore Daumier's iconic "Les Cent et un Robert Macaire" receives an imaginative twist when reinterpreted by Andre Lejard in 1947.