Amy Robsart Collection

"Amy Robsart: A Tragic Tale of Love and Betrayal in 19th Century France" In 1827, a beautiful piece of furnishing fabric was created in France

Amy Robsart Collection: Amy Robsart at the foot of the queen, between 1890 and 1891. Creator: Tony Robert-Fleury

Amy Robsart at the foot of the queen, between 1890 and 1891. Creator: Tony Robert-Fleury
Amy Robsart at the foot of the queen, between 1890 and 1891

Amy Robsart Collection: Furnishing Fabric, France, 1827/40. Creator: Unknown

Furnishing Fabric, France, 1827/40. Creator: Unknown
Furnishing Fabric, France, 1827/40. Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]

Amy Robsart Collection: Amy Dudley (1532-1560), née Robsart, 1830. Creator: Dawe, Henry Edward (1790-1848)

Amy Dudley (1532-1560), née Robsart, 1830. Creator: Dawe, Henry Edward (1790-1848)
Amy Dudley (1532-1560), nee Robsart, 1830. Private Collection

Furnishing Fabric, France, 1827 / 40. Creator: Unknown
Furnishing Fabric, France, 1827/40. Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]

Amy Robsart Collection: Amy Robsart kneels to her Sovereign (engraving)

Amy Robsart kneels to her Sovereign (engraving)
2792739 Amy Robsart kneels to her Sovereign (engraving) by English School, (20th century); Private Collection; (add.info.: Amy Robsart kneels to her Sovereign. Illustration for Chatterbox (1900)

Amy Robsart Collection: The Pardon Refused (from Sir Walter Scotts 'Kenilworth'), ca. 1826-29

The Pardon Refused (from Sir Walter Scotts "Kenilworth"), ca. 1826-29
The Pardon Refused (from Sir Walter Scotts " Kenilworth" ), ca. 1826-29

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"Amy Robsart: A Tragic Tale of Love and Betrayal in 19th Century France" In 1827, a beautiful piece of furnishing fabric was created in France. Little did anyone know that this fabric would become entwined with the tragic story of Amy Robsart. The creator remains unknown, just like the mysterious circumstances surrounding her life. Engravings depict Amy Robsart kneeling before her sovereign, showcasing her loyalty and devotion. Edmund Tressilian implores her to return to her father, highlighting the conflicts she faced between love and duty. Another engraving captures Amy's somber expression as she gazes into the distance, perhaps contemplating her uncertain future. The funeral in 1560 is depicted in an Oxford Pageant lithograph from 1907, symbolizing the lasting impact of her untimely demise. An oil painting from the late 19th century shows Amy looking at a portrait of Leicester, hinting at their complicated relationship. The fate of Varney unfolds on stage at Drury-Lane Theatre in engravings inspired by "Amy Robsart. " The scenes portray both drama and intrigue as audiences are captivated by this tale filled with twists and turns. A glimpse into history is offered through a photo capturing Kenilworth's Banqueting Hall where lavish events once took place. It serves as a backdrop for one chapter in Amy's life when she refused pardon according to Sir Walter Scott's "Kenilworth. " Colorful lithographs showcase decorative items associated with this captivating story - objects that may have adorned Amy's surroundings or held sentimental value. Amy Robsart's name has become synonymous with tragedy and mystery. Her story continues to fascinate us centuries later, reminding us that even within grand historical narratives lie personal tales filled with love, betrayal, and ultimately unanswered questions.