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Amos Collection (page 2)

"Amos: A Multifaceted Name with Intriguing Stories" Members of the Nevill Golf Club: Amos, a name that resonates within the prestigious walls of the Nevill Golf Club

Background imageAmos Collection: The Face at the Window by L. Vernon Wyrall

The Face at the Window by L. Vernon Wyrall. For the R. Amos Jones Co. touring to Royal West London Theatre. A play with this title by F

Background imageAmos Collection: The Leaders of the Leicester Unemployed Pilgrimage to London

The Leaders of the Leicester Unemployed Pilgrimage to London (Mr George White, Rev F Lewis Donaldson and Mr Amos Sheriff)

Background imageAmos Collection: Amos Cottle

Amos Cottle
AMOS COTTLE English poet who translated much Icelandic verse, not especially well, but it is to his credit that he did it at all. Date: 1768 - 1800

Background imageAmos Collection: Jan Amos Comenius

Jan Amos Comenius
JAN AMOS COMENIUS (Komensky) Moravian educator and author. Date: 1592 - 1670

Background imageAmos Collection: COMENIUS: ORBIS SENSUALIUM. A page showing the method of teaching in an early edition

COMENIUS: ORBIS SENSUALIUM. A page showing the method of teaching in an early edition of John Amos Comeniuss Orbis Sensualium Pictus

Background imageAmos Collection: POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

Background imageAmos Collection: BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium

BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium
BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius " Orbis sensualium pictus"

Background imageAmos Collection: COMENIUS: ORBIS SENSUALIUM. The first lesson page of an early edition of John Amos

COMENIUS: ORBIS SENSUALIUM. The first lesson page of an early edition of John Amos Comenius Orbis Sensualium Pictus

Background imageAmos Collection: Source Size = 3985 x 2856

Source Size = 3985 x 2856
The International Exhibition: Centrifugal Pump by Easton, Amos, and Co. 1862

Background imageAmos Collection: AMOS THE PROPHET, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for the Bible

AMOS THE PROPHET, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, holy book, religion, religious, christianity, christian, romanticism, colour, color engraving

Background imageAmos Collection: To his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence

To his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounapartes threat, is most humbly inscribed, by E

Background imageAmos Collection: Draft for The Redemption (oil on canvas)

Draft for The Redemption (oil on canvas)
XIR157962 Draft for The Redemption (oil on canvas) by Doze, Jean-Marie Melchior (1827-1913); Musee des Beaux-Arts, Nimes, France; French, out of copyright

Background imageAmos Collection: Amos and Three Goats

Amos and Three Goats; Unknown; Therouanne ?, France (formerly Flanders), Europe; fourth quarter of 13th century (after 1277); Tempera colors, pen and ink, gold leaf

Background imageAmos Collection: The Prophet Amos

The Prophet Amos; Unknown; England, Europe; about 1250 - 1260; Pen-and-ink drawings tinted with body color and translucent washes on parchment; Leaf: 21 x 15.7 cm (8 1/4 x 6 3/16 in.)

Background imageAmos Collection: AMOS WHITNEY (1832-1920). American manufacturer

AMOS WHITNEY (1832-1920). American manufacturer

Background imageAmos Collection: GIOVANNI BOCCACCIO (1313-1375). Italian writer

GIOVANNI BOCCACCIO (1313-1375). Italian writer. Boccaccio telling a story to his friends gathered at Fiesole during an outbreak of plague in nearby Florence

Background imageAmos Collection: SPECTACLE MAKER, 1659. A spectacle maker

SPECTACLE MAKER, 1659. A spectacle maker. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

Background imageAmos Collection: ROPER & CORDWAINER, 1659. A roper and cordwainer

ROPER & CORDWAINER, 1659. A roper and cordwainer. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

Background imageAmos Collection: SHOEMAKER, 1659. A shoemaker. Woodcut from the 1659 English edition of Comenius

SHOEMAKER, 1659. A shoemaker. Woodcut from the 1659 English edition of Comenius Orbis sensualium pictus

Background imageAmos Collection: BATTLE OF LAKE ERIE, 1813. Brother Jonathan Administering a Salutary Cordial to John Bull

BATTLE OF LAKE ERIE, 1813. Brother Jonathan Administering a Salutary Cordial to John Bull. Contemporary American cartoon by Amos Doolittle depicting the British being forced to drink Perry

Background imageAmos Collection: PAPERMAKERS, 1659. Papermakers at work

PAPERMAKERS, 1659. Papermakers at work. Woodcut from the 1659 English edition of Jan Amos Comenius, Orbis sensualium pictus

Background imageAmos Collection: BOOKBINDER, 1659. Woodcut from the 1659 English edition of John Amos Comenius

BOOKBINDER, 1659. Woodcut from the 1659 English edition of John Amos Comenius, Orbis sensualium pictus

Background imageAmos Collection: POTTER, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis

POTTER, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis sensualium pictus

Background imageAmos Collection: BLACKSMITH, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium

BLACKSMITH, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium pictus

Background imageAmos Collection: COMENIUS: ORBIS SENSUALIUM. The first lesson page of an early edition of John Amos

COMENIUS: ORBIS SENSUALIUM. The first lesson page of an early edition of John Amos Comenius Orbis Sensualium Pictus

Background imageAmos Collection: TAILOR, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis

TAILOR, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis sensualium pictus

Background imageAmos Collection: CIVIL WAR ENVELOPE, c1862. Envelope addressed to Mr

CIVIL WAR ENVELOPE, c1862. Envelope addressed to Mr. Amos Hower showing a Union soldier trampling the Confederate flag, c1862. Envelope, 1862

Background imageAmos Collection: WAR OF 1812: CARTOON. The Hornet and Peacock, or, John Bull in Distress

WAR OF 1812: CARTOON. The Hornet and Peacock, or, John Bull in Distress. American cartoon by Amos Doolittle, 1813

Background imageAmos Collection: SIOUX NATIVE AMERICAN, c1900. Amos Two Bulls, a Sioux Native American from Buffalo

SIOUX NATIVE AMERICAN, c1900. Amos Two Bulls, a Sioux Native American from Buffalo Bills Wild West Show. Photographed by Gertrude Kasebier, c1900

Background imageAmos Collection: Amos

Amos. circa 18th century

Background imageAmos Collection: A page showing the method of teaching in an early edition of John Amos Comeniuss Orbis Sensualium

A page showing the method of teaching in an early edition of John Amos Comeniuss Orbis Sensualium Pictus
COMENIUS: ORBIS SENSUALIUM. A page showing the method of teaching in an early edition of John Amos Comeniuss Orbis Sensualium Pictus

Background imageAmos Collection: Two pages from a 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for

Two pages from a 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for the Order
VON STEUBEN DRILL MANUAL. Two pages from a 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for the Order and Discipline of the Troops of the United States

Background imageAmos Collection: Two pages from the 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for

Two pages from the 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for the Order
VON STEUBEN DRILL MANUAL. Two pages from the 1794 edition of Baron Friedrich von Steubens army drill manual Regulations for the Order and Discipline of the Troops of the United States

Background imageAmos Collection: Amos Barton at his wifes deathbed. Illustration by Robert Barnes for George

Amos Barton at his wifes deathbed. Illustration by Robert Barnes for George Eliot Scenes of Clerical Life, London, 1883 (first published 1857)

Background imageAmos Collection: Battle of Little Big Horn 25-26 June 1876. Retreat of US 7th Cavalry battalions under

Battle of Little Big Horn 25-26 June 1876. Retreat of US 7th Cavalry battalions under Major Marcus Reno. Painting by Amos Bad Heart Buffalo (Sioux) c 1900

Background imageAmos Collection: Beginning of the Battle of Little Big Horn River, Montana, 25 June 1876. Plains Indians and U

Beginning of the Battle of Little Big Horn River, Montana, 25 June 1876. Plains Indians and U.S. Cavalry. From painting by Sioux Indian Amos Bad Heart Buffalo

Background imageAmos Collection: The End of the Battle. Sioux warriors leading away captured horses after defeating

The End of the Battle. Sioux warriors leading away captured horses after defeating the American army under George Armstrong Custer (1839-1876) at the Battle of ittle Bighorn, Montana

Background imageAmos Collection: Amos Eaton (1776-1842) American botanist, geologist, lawyer and public lecturer. Engraving, 1896

Amos Eaton (1776-1842) American botanist, geologist, lawyer and public lecturer. Engraving, 1896. Scientist

Background imageAmos Collection: Amos the Prophet, by Gustave Dorafaa

Amos the Prophet, by Gustave Dorafaa
Amos the Prophet, by Gustave Dorafa

Background imageAmos Collection: Easton and Amos Centrifugal Pump

Easton and Amos Centrifugal Pump
Illustration of the pumping machine built by Easton Amos and Sons exhibited in operation at the London International Exhibition of 1861

Background imageAmos Collection: QUIJADA Y MUщZ, Amos (19th century). Spanish

QUIJADA Y MUщZ, Amos (19th century). Spanish
QUIJADA Y MUщ Z, Amos (19th century). Spanish military man. Spain. Third Carlist War. Amos Quijada. Engraving. SPAIN. Madrid. National Library

Background imageAmos Collection: View of Concord as the British troops enter, 19 April 1775. Line engraving by Amos Doolittle, 1775

View of Concord as the British troops enter, 19 April 1775. Line engraving by Amos Doolittle, 1775
BATTLE OF CONCORD, 1775. View of Concord as the British troops enter, 19 April 1775. Line engraving by Amos Doolittle, 1775

Background imageAmos Collection: The British harrassed on their return to Boston, Massachusetts, following the Battle of Lexington

The British harrassed on their return to Boston, Massachusetts, following the Battle of Lexington, 19 April 1775
BATTLE OF LEXINGTON, 1775. The British harrassed on their return to Boston, Massachusetts, following the Battle of Lexington, 19 April 1775. Line engraving by Amos Doolittle, 1775

Background imageAmos Collection: A view of Concord as the British troops enter, 19 April 1775: line engraving, 1775

A view of Concord as the British troops enter, 19 April 1775: line engraving, 1775, by Amos Doolittle
THE BATTLE OF CONCORD, 1775. A view of Concord as the British troops enter, 19 April 1775: line engraving, 1775, by Amos Doolittle

Background imageAmos Collection: The Battle of Lexington at the beginning of combat, 19 April 1775

The Battle of Lexington at the beginning of combat, 19 April 1775. Line engraving by Amos Doolittle, 1775
BATTLE OF LEXINGTON, 1775. The Battle of Lexington at the beginning of combat, 19 April 1775. Line engraving by Amos Doolittle, 1775

Background imageAmos Collection: The engagement at the North Bridge, 19 April 1775. Line engraving, 1775, by Amos Doolittle

The engagement at the North Bridge, 19 April 1775. Line engraving, 1775, by Amos Doolittle
BATTLE OF CONCORD, 1775. The engagement at the North Bridge, 19 April 1775. Line engraving, 1775, by Amos Doolittle

Background imageAmos Collection: Second President of the United States. A New Display of the United States

Second President of the United States. A New Display of the United States
JOHN ADAMS (1735-1826). Second President of the United States. A New Display of the United States (President Adams surrounded by the seals of the first sixteen states). Wood engraving

Background imageAmos Collection: Third President of the United States. Portrait of gold on glass, attributed to Amos Doolittle, c1803

Third President of the United States. Portrait of gold on glass, attributed to Amos Doolittle, c1803
THOMAS JEFFERSON (1743-1826). Third President of the United States. Portrait of gold on glass, attributed to Amos Doolittle, c1803



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"Amos: A Multifaceted Name with Intriguing Stories" Members of the Nevill Golf Club: Amos, a name that resonates within the prestigious walls of the Nevill Golf Club, where skilled players gather to test their mettle on the lush greens. DISTILLERY, 1844: Step back in time to 1844 when whispers echoed through Salem about a distillery allegedly operated by church deacon Amos Giles. Unveiling a dark tale from history's shadows, this wood engraving depicts demons at work and reveals a controversial chapter in Salem's past. Amos - Barnsley Football Club Mascot (sport): In the vibrant world of sports, meet Amos – the beloved mascot of Barnsley Football Club. With boundless energy and infectious spirit, he rallies fans and brings joy to every matchday experience. Art Deco postcard - Macedonia Cigarettes - Amos Scorzon: Transport yourself to an era of elegance with an Art Deco postcard featuring Macedonia Cigarettes adorned by none other than Amos Scorzon himself. This captivating design captures both sophistication and allure. MAP: WESTERN RESERVE: Charting new territories in America's early days was no small feat; enter Amos Doolittle, whose expert engravings brought life to maps like this one showcasing Connecticut Western Reserve on Lake Erie – soon becoming part of Ohio's northeastern landscape. The Prophet Amos and the European Sibyl, 1492-1495 (Picture No. 10862970): Delve into artistry as we explore "The Prophet Amos and the European Sibyl, " a mesmerizing piece created between 1492-1495 that intertwines religious symbolism with mythical elements – inviting viewers into an enchanting realm. Blind Italian soldier - WWI.