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Americans Collection (page 18)

"Exploring the Multifaceted Identity of Americans

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Americans Collection: ZALD͖AR, Rafael (1834 - 1903). Presidente of El
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Americans Collection: QUESADA, Gonzalo Jim鮥z de (1509-1579). Spanish
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Americans Collection: ASPIAZڬAgust�(1826 - 1897). Bolivian writer
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Americans Collection: AVELLANEDA, Nicol᳠(1837-1885). Argentinian politician
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Americans Collection: VALUE
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Americans Collection: BRAZIL. Ouro Preto. Interior of the Church of St
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Americans Collection: ECUADOR. Quito. Convent of San Francisco. Detail
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Americans Collection: ECUADOR. Quito. Convent of San Francisco. Altarpiece
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Americans Collection: STORNI, Alfonsina (1892-1938). Latin-American poets
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Americans Collection: Machine gun Gatling-Colt, 10 barrels (1871). SPAIN
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Americans Collection: VALUE
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Americans Collection: ALBARRAN Y DOM͎GEZ, Joaqu�(1860 - 1912). Cuban
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Americans Collection: VIZCAINO, Sebastiᮠ(1548-1623). Conquistador whose
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Americans Collection: SANTOS DUMONT, Alberto (1873-1932). Brazilian aviator
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Americans Collection: Gold breastplate muisca. Proceeds from Chiquinquir
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Americans Collection: Figure. Pre-Columbian art. Sculpture in the round
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Americans Collection: Chimu Pendant. Chimu art. Jewelry. COLOMBIA. CUNDINAMARCA
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Americans Collection: Pinhead with mythological figure. Pre-Columbian
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Americans Collection: Gold breastplate with anthropomorphic figure. Quimbaya
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Americans Collection: Anthropomorphic gold figure decorated with a nose
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Americans Collection: Anthropomorphic figure of a man seated with nose
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Americans Collection: VERDI, Giuseppe (1813-1901). Performance of the
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Americans Collection: VALUE
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Americans Collection: United States (19th c. ). Indian people attack in
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Americans Collection: SUCRE, Antonio Jos頤e (1795-1830). Venezuelan military
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Americans Collection: The first World war (1918). North American soldiers
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Americans Collection: World War I. Join the Air Service
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Americans Collection: Saint John. Colonial baroque. Oil on canvas. BOLIVIA
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Americans Collection: San SebastiᮮFestival 2008. Tatiana Astengo
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Americans Collection: San SebastiᮮFestival 2005. Abel Ferrara
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Americans Collection: Peru. Lima. Engraving
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Americans Collection: Peru. Lima. Main Square
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Americans Collection: POST, Frans. Landscape of Pernambuco
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Americans Collection: Panama (18th c. )
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Americans Collection: Panama
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Americans Collection: Mexico. Uxmal. Maya city. Nunnery Quadrangle
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Americans Collection: Mexico. Zacatecas. Cathedral
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Americans Collection: Mexico. Veracruz. San Juan de ڬua
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Americans Collection: Mexico. Tula. Refinery
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Americans Collection: Mexico. Palenque. Temple of the Inscriptions
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Americans Collection: Mexico City. El Empedradillo
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Americans Collection: Mexico. Chichen Itza. Pyramid of Kukulcan
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Americans Collection: Mexico City. Autonomous University
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Americans Collection: New York (18th c. )
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Americans Collection: Guatemala. Tikal. Maya pyramid
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Americans Collection: Guatemala. Tikal. Tikal National Park
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Americans Collection: Guatemala. Tikal. Maya Art
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Americans Collection: Guatemala. QuiriguᮠMaya Zoomorph


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"Exploring the Multifaceted Identity of Americans: From Rivera's Art to Native American Legends" From Diego Rivera's captivating murals depicting the Totonaca Civilization to Geronimo, a revered figure in Native American history, they have a rich tapestry of cultural influences. Tango, originating in Argentina but embraced by Americans since 1912, showcases their love for diverse dance forms. The Codex Borgia offers insights into ritual and divinatory practices of Mesoamerican civilizations that continue to shape American spirituality. Meanwhile, Rocky Marciano's postcard symbolizes the indomitable spirit and resilience often associated with Americans. Tupac Amaru II's portrait serves as a reminder of America's struggle for independence and equality throughout its history. Mrs Kennedy and her deb daughters epitomize elegance and grace within high society circles. Lawrence Tibbett at Cap D Antibes highlights America's contribution to the world of opera while showcasing their global reach. In Diego Rivera's artwork on the Totonaca Civilization, we witness how ancient cultures influence modern-day perceptions. However, not all aspects are admirable; "Robbing and Scalping" represents dark chapters in American history that cannot be overlooked or forgotten. The image of an American society wedding taking place in London reflects the far-reaching impact of American culture beyond its borders. Lastly, a postcard from 1913 featuring a woman riding a bull captures both strength and audacity—an embodiment of the pioneering spirit often attributed to Americans. These hints offer glimpses into various facets—artistic expressions, historical figures, societal norms—that contribute to shaping what it means to be an American today: complex yet vibrant amalgamation rooted in diversity and perseverance.