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Alfred William Amandus Plate Collection

"Capturing the Essence of Colonial Ceylon

Background imageAlfred William Amandus Plate Collection: Tamil Ladies with Far and Toe Ornaments, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Ladies with Far and Toe Ornaments, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Ladies with Far and Toe Ornaments, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Banyan Tree at Kalutara, c1890, (1910). Artist: Alfred William Amandus Plate

Banyan Tree at Kalutara, c1890, (1910). Artist: Alfred William Amandus Plate
Banyan Tree at Kalutara. c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Rickshaw and Racing Hackery, c1890, (1910). Artist: Alfred William Amandus Plate

Rickshaw and Racing Hackery, c1890, (1910). Artist: Alfred William Amandus Plate
Rickshaw and Racing Hackery, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Typical Pearl Drivers, c1890, (1910). Artist: Alfred William Amandus Plate

Typical Pearl Drivers, c1890, (1910). Artist: Alfred William Amandus Plate
Typical Pearl Drivers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910)

Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910). Artist: Alfred William Amandus Plate
Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). Artist: Alfred William Amandus Plate

Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). Artist: Alfred William Amandus Plate
Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Attempting to Rescue the Bound Cow, c1890, (1910). Artist: Alfred William Amandus Plate

Attempting to Rescue the Bound Cow, c1890, (1910). Artist: Alfred William Amandus Plate
Attempting to Rescue the Bound Cow, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). Artist: Alfred William Amandus Plate

Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Elephant Kraaling in Ceylon - Noosed, c1890, (1910). Artist: Alfred William Amandus Plate

Elephant Kraaling in Ceylon - Noosed, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon - Noosed, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910)

Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910)

Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Tamil Estate Children, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Estate Children, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Estate Children, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Sinhalese Village Beauty, c1890, (1910). Artist: Alfred William Amandus Plate

Sinhalese Village Beauty, c1890, (1910). Artist: Alfred William Amandus Plate
Sinhalese Village Beauty, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate

A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate
A Ceylon Shave, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Pluckers on Tea Estate, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate

Pluckers on Tea Estate, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
Pluckers on Tea Estate, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Simple Life, c1890, (1910). Artist: Alfred William Amandus Plate

The Simple Life, c1890, (1910). Artist: Alfred William Amandus Plate
The Simple Life, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Ceylon Bullock Cart, c1890, (1910). Artist: Alfred William Amandus Plate

A Ceylon Bullock Cart, c1890, (1910). Artist: Alfred William Amandus Plate
A Ceylon Bullock Cart, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Snake Charmers, c1890, (1910). Artist: Alfred William Amandus Plate

Snake Charmers, c1890, (1910). Artist: Alfred William Amandus Plate
Snake Charmers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Village Idleness, c1890, (1910). Artist: Alfred William Amandus Plate

Village Idleness, c1890, (1910). Artist: Alfred William Amandus Plate
Village Idleness, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Buffaloes Ploughing Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate

Buffaloes Ploughing Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate
Buffaloes Ploughing Paddy Fields, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Fisherman, c1890, (1910). Artist: Alfred William Amandus Plate

Fisherman, c1890, (1910). Artist: Alfred William Amandus Plate
Fisherman, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Toddy Drawers, c1890, (1910). Artist: Alfred William Amandus Plate

Toddy Drawers, c1890, (1910). Artist: Alfred William Amandus Plate
Toddy Drawers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Mohammedan Fakir or Conjurer, c1890, (1910). Artist: Alfred William Amandus Plate

A Mohammedan Fakir or Conjurer, c1890, (1910). Artist: Alfred William Amandus Plate
A Mohammedan Fakir or Conjurer, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Hindu Sanywassi or Religious Ascetic, c1890, (1910). Artist: Alfred William Amandus Plate

A Hindu Sanywassi or Religious Ascetic, c1890, (1910). Artist: Alfred William Amandus Plate
A Hindu Sanywassi or Religious Ascetic, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Mendicant, c1890, (1910). Artist: Alfred William Amandus Plate

Mendicant, c1890, (1910). Artist: Alfred William Amandus Plate
Mendicant, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Pingo Carrier, c1890, (1910). Artist: Alfred William Amandus Plate

Pingo Carrier, c1890, (1910). Artist: Alfred William Amandus Plate
Pingo Carrier, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Nauch Dancing Girl, c1890, (1910). Artist: Alfred William Amandus Plate

Nauch Dancing Girl, c1890, (1910). Artist: Alfred William Amandus Plate
Nauch Dancing Girl, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Veddahs or Wild Men, c1890, (1910). Artist: Alfred William Amandus Plate

Veddahs or Wild Men, c1890, (1910). Artist: Alfred William Amandus Plate
Veddahs or Wild Men, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: High Caste Tamil Lady, c1890, (1910). Artist: Alfred William Amandus Plate

High Caste Tamil Lady, c1890, (1910). Artist: Alfred William Amandus Plate
High Caste Tamil Lady, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Path Through Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate

A Path Through Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate
A Path Through Paddy Fields, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Road Beside the Kelaniya River, c1890, (1910). Artist: Alfred William Amandus Plate

Road Beside the Kelaniya River, c1890, (1910). Artist: Alfred William Amandus Plate
Road Beside the Kelaniya River, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Tamil Lady in Rickshaw, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Lady in Rickshaw, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Lady in Rickshaw, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910)

The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910)

The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910). Artist: Alfred William Amandus Plate
The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Rangiri Rock Temple, Dambulla, c1890, (1910). Artist: Alfred William Amandus Plate

Rangiri Rock Temple, Dambulla, c1890, (1910). Artist: Alfred William Amandus Plate
Rangiri Rock Temple, Dambulla, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910)

The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). Artist: Alfred William Amandus Plate
The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Laxapana Falls, c1890, (1910). Artist: Alfred William Amandus Plate

Laxapana Falls, c1890, (1910). Artist: Alfred William Amandus Plate
Laxapana Falls, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: 18th Hole and Club House, Golf Links, Nuwara Eliya, Elevation 6, 200 Feet, c1890, (1910)

18th Hole and Club House, Golf Links, Nuwara Eliya, Elevation 6, 200 Feet, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Grand Hotel, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Grand Hotel, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Grand Hotel, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910)

On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). Artist: Alfred William Amandus Plate
On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910)

Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate

A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate
A Corner of Nuwara Eliya Lake, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: The Moon Plains, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Moon Plains, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Moon Plains, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
General View of Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Plate Collection: A Scene on the Up-Country Railway. Passing a Tea Estate at Nanu Oya, c1890, (1910)

A Scene on the Up-Country Railway. Passing a Tea Estate at Nanu Oya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]



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"Capturing the Essence of Colonial Ceylon: The Artistry of Alfred William Amandus Plate" Step back in time to colonial Ceylon with the captivating artwork of Alfred William Amandus Plate. Through his brushstrokes, Plate beautifully captures the vibrant culture and picturesque landscapes of this bygone era. In "Tamil Ladies with Far and Toe Ornaments, " c1890, (1910), we are transported to a world where Tamil women adorn themselves with intricate jewelry, showcasing their rich heritage. The attention to detail in their attire is simply mesmerizing. Plate's "Banyan Tree at Kalutara" takes us on a journey beneath the shade of this majestic tree. Its sprawling branches seem to whisper stories from centuries past, inviting us to immerse ourselves in its tranquil beauty. The hustle and bustle of everyday life comes alive in "Rickshaw and Racing Hackery. " We witness the energy and excitement as these modes of transportation navigate through bustling streets, capturing a snapshot of urban life during that period. With "Typical Pearl Drivers, " we catch a glimpse into an industry that shaped coastal communities. These hardworking men brave the depths in search of precious pearls, their resilience evident even amidst challenging conditions. As day turns into night, "Pearling Fleet Coming Back to Anchorage at Sunset" paints a breathtaking scene against the backdrop of a fiery sky. The silhouettes of boats returning home evoke feelings of tranquility and fulfillment after a long day's work. Plate skillfully captures another stunning sunset in "Sunset on the Pearling Banks, Marrichikaddi. " The warm hues blend seamlessly across the canvas, transporting viewers to this serene coastal setting where nature's beauty unfolds before our eyes. In one poignant piece titled "Attempting to Rescue the Bound Cow, " we witness humanity's compassion towards animals as locals strive to free an innocent creature from captivity. This painting serves as a reminder of our responsibility to protect and care for all living beings.