Alfred William Collection

Poplars in the Thames Valley, c19th century, (1938). Artist: Alfred William Parsons
Poplars in the Thames Valley. Painting held in the Aberdeen Art Gallery & Museum. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Leafy June, 1879. Creator: Alfred William Hunt
Leafy June, 1879

Whitby Scaur, Yorkshire, 1896. Creator: Alfred William Hunt
Whitby Scaur, Yorkshire, 1896

A Norwegian Midnight, 1878-79. Creator: Alfred William Hunt
A Norwegian Midnight, 1878-79

Dog Rose, c1890-1908, (1944). Creator: Alfred William Parsons
Dog Rose, c1890-1908, (1944). Botanical illustration from " The Genus Rosa" by Ellen Willmott. [1910-1914]. Published in " Wild Flowers in Britain", by Geoffrey Grigson

Sign Board from the White Hart, Witley, Surrey, c1750, (1943). Creator: Unknown
Sign Board from the White Hart, Witley, Surrey, c1750, (1943). Wooden sign made c1750, from The White Hart pub which dates from the 16th century

Poplars in the Thames Valley, late 19th century, (1935). Creator: Alfred William Parsons
Poplars in the Thames Valley, late 19th century, (1935). Painting in the Aberdeen Art Gallery & Museums, Scotland. From " Modern Masterpieces", Part 18. [George Newnes Ltd, London, 1935]

A. W. Hunt, R. W. S, (1830-1896), (c1900). Creator: Unknown
A.W.Hunt, R.W.S, (1830-1896), (c1900). Portrait print of British artist Alfred William Hunt after a mid-19th century photograph by Julia Margaret Cameron

Thun, Evening, c1870, (c1900). Creator: Unknown
Thun, Evening, c1870, (c1900). View of the town of Thun near Bern in Switzerland, where the River Aare flows out of Lake Thun. Print after a painting by Alfred William Hunt

The Farmyard, c1915. Artist: Alfred William Rich
The Farmyard, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Lemberg, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Bayardo, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Among the Welsh Hills, 19th century, (1935). Artist: Alfred William Hunt
Among the Welsh Hills, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Study of Trees, c1880. Artist: Alfred William Rich
Study of Trees, c1880. From The Studio Volume 66. [London Offices of the Studio, London, 1915-16]

Ludlow Castle, c1880. Artist: Alfred William Rich
Ludlow Castle, c1880. From The Studio Volume 66. [London Offices of the Studio, London, 1915-16]

On the Thames, c1876-1903, (1903). Artist: Alfred William Rich
On the Thames. After a water colour by Alfred William Rich (1856-1921). From The Studio Volume 28 [London Offices of the Studio, London, 1903.]

Greenwich, c1897. Artist: Alfred William Rich
Greenwich, c1897. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Purple Loosestrife, c1891. Artist: Alfred William Parsons
Purple Loosestrife, c1891. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Windsor Castle, 1889, (1912). Artist: Alfred William Hunt
Windsor Castle, 1889, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

`When Nature Painted all Things Gay, 1887, (1912). Artist: Alfred William Parsons
`When Nature Painted all Things Gay, 1887, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

All products are expertly crafted, using premium materials, tailored to your specifications and promptly shipped

"Alfred William: A Master of Capturing Nature's Beauty" Step into the enchanting world of Alfred William, a renowned artist whose brushstrokes brought to life the picturesque landscapes and delicate flora of the 19th century. With his keen eye for detail and impeccable technique, he captured scenes that transport us back in time. In "Poplars in the Thames Valley, " we are transported to a serene countryside where majestic trees sway gently along the riverbank. The c19th-century masterpiece (1938) showcases Parsons' ability to convey tranquility through his art. Another gem from William's collection is "Leafy June" (1879), painted by Alfred William Hunt. This vibrant depiction of nature bursting with life reminds us of warm summer days filled with sunshine and joy. Traveling north, we encounter "Whitby Scaur, Yorkshire" (1896) by Alfred William Hunt. Here, rugged cliffs meet crashing waves as seagulls soar above, capturing the untamed beauty of this coastal town. Venturing further afield, we find ourselves immersed in an ethereal Norwegian landscape under a midnight sky in "A Norwegian Midnight" (1878-79). Hunt masterfully captures the mystical atmosphere that envelops this northern wonderland. Shifting gears slightly, we delve into Parsons' work with botanical illustrations such as "Dog Rose. " Created between c1890-1908 but published later in 1944, it showcases his meticulous attention to detail while highlighting nature's intricate patterns and delicate colors. Stepping away from paintings momentarily brings us face-to-face with history through an intriguing relic – a signboard from White Hart Inn dating back to c1750. Although its creator remains unknown (1943), it serves as a testament to our fascination with preserving fragments from times gone by. Returning once more to Parsons' mastery of landscapes is "Poplars in the Thames Valley" late 19th century (1935).