Alexander Nasmyth Collection

Monument to Alexander Nasmyth (engraving)
5208992 Monument to Alexander Nasmyth (engraving) by English School, (19th century); Private Collection; (add.info.: Monument to Alexander Nasmyth)

The Old Tolbooth, Edinburgh (engraving)
5208976 The Old Tolbooth, Edinburgh (engraving) by English School, (19th century); Private Collection; (add.info.: The Old Tolbooth, Edinburgh)

Loch Doon, Ayrshire, before 1840 (oil on canvas)
5938233 Loch Doon, Ayrshire, before 1840 (oil on canvas) by Nasmyth, Alexander (1758-1840); 45.2x61 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Scottish, out of copyright

A View of Edinburgh from the West, 1822 to 1826. Creator: Alexander Nasmyth
A View of Edinburgh from the West, 1822 to 1826

View of the City of Edinburgh, ca. 1822. Creator: Alexander Nasmyth
View of the City of Edinburgh, ca. 1822

Stage Design for Heart of Midlothian; Deans Cottage, ca. 1819. Written by Sir Walter Scott

Hawthornden Castle, near Edinburgh, between 1820 and 1822. Creator: Alexander Nasmyth
Hawthornden Castle, near Edinburgh, between 1820 and 1822

Eleanor and Margaret Ross, between 1785 and 1790. Creator: Alexander Nasmyth
Eleanor and Margaret Ross, between 1785 and 1790

Loch Awe, Argyllshire, ca. 1785. Creator: Alexander Nasmyth
Loch Awe, Argyllshire, ca. 1785

Robert Burns, Scottish poet, 19th century (1894). Artist: William Walker
Robert Burns (1759-1796), Scottish poet, 19th century (1894)

A Woody Landscape, with Figures and Sheep, c1805. Artist: Alexander Nasmyth
A Woody Landscape, with Figures and Sheep, c1805. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

Robert Burns - Poet, 1840. Artist: John Rogers
Robert Burns - Poet, 1840. Robert Burns, Scottish poet. Burns (1759-1796) was a pioneer of the Romantic movement. After Alexander Nasmyth (1758-1840)

Robert Burns, Scottish poet (1759-1796), 1912
Robert Burns, Scottish poet. Burns (1759-1796) was a pioneer of the Romantic movement. This portrait is after Alexander Nasmyth (1758-1840). Taken from R. J

Robert Burns, taken from a series of cigarette cards, 1935
Robert Burns. From the painting by Alexander Nasmyth, at the National Portrait Gallery. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas Ltd, 1935

Robert Burns, Scottish poet, 19th century. Artist: W Holl
Robert Burns, Scottish poet, 19th century. Portrait of Burns (1759-1796)

Robert Burns, Scottish poet, late 18th century. At the centre left is the Bridge of Doon which features in his poem Tam o Shanter (1791)

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Alexander Nasmyth was a Scottish artist known for his stunning landscapes and portraits. His talent is evident in works such as the "Monument to Alexander Nasmyth, " an engraving that pays homage to his artistic legacy. Another notable engraving, "The Old Tolbooth, Edinburgh, " captures the historical charm of the city's iconic building. Nasmyth's love for nature shines through in his oil painting titled "Loch Doon, Ayrshire. " The serene beauty of this landscape transports viewers to a tranquil setting before 1840. Similarly, his masterpiece "A View of Edinburgh from the West" showcases his ability to capture the essence of Scotland's capital city during 1822-1826. In another depiction of Edinburgh, Nasmyth presents us with a captivating view in "View of the City of Edinburgh. " This artwork allows us to appreciate both its architectural grandeur and natural surroundings during approximately 1822. Not limited to landscapes and architecture alone, Nasmyth also excelled in stage design. One example is seen in his work for Heart of Midlothian; Deans Cottage around 1819. This intricate design adds depth and atmosphere to theatrical productions. "Hawthornden Castle, " painted between 1820 and 1822, showcases Nasmyth's ability to capture historic landmarks with remarkable detail. The castle stands proudly amidst lush greenery near Edinburgh. Nasmyth's talent extended beyond scenery; he also created beautiful portraits like "Eleanor and Margaret Ross. " Painted between 1785 and 1790, this piece immortalizes two elegant women with grace and finesse. Additionally, Nasmyth depicted Loch Awe in Argyllshire circa 1785—a testament to his versatility as an artist who could effortlessly transition from portraiture to landscapes. One cannot discuss Scottish art without mentioning Robert Burns—the celebrated poet whom Nasmyth portrayed in his painting from the 19th century.