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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Albumen Print From Wet Collodion Negative Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 116 pictures in our Albumen Print From Wet Collodion Negative collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Temple of Ramesses II, Abu Simbel, c. 1860s. Creator: Antonio Beato (British, c. 1825-1903) Featured Print

Temple of Ramesses II, Abu Simbel, c. 1860s. Creator: Antonio Beato (British, c. 1825-1903)

Temple of Ramesses II, Abu Simbel, c. 1860s. Du Camp was the first photographer to depict the marvels of ancient Egypt. In 1849 a scholarly association commissioned the young writer to document Egyptian monuments and their hieroglyphics. He learned to photograph shortly before embarking for Egypt in the company of the young novelist Gustave Flaubert. In 1852 Du Camp published an album of photographs of Egypt, Nubia, Palestine, and Syria, which brought him widespread recognition. Just as Du Camp followed in the footsteps of earlier painters and scholars,later photographers like Beato often echoed his choices of subject matter

© Heritage Art/Heritage Images

The Miners Bridge, on the Llugwy, North Wales, 1857. Creator: Roger Fenton (British, 1819-1869) Featured Print

The Miners Bridge, on the Llugwy, North Wales, 1857. Creator: Roger Fenton (British, 1819-1869)

The Miners Bridge, on the Llugwy, North Wales, 1857. Roger Fenton was a versatile and prolific artist who abruptly ended his brief, 12-year career as a professional photographer to return to the practice of law. Nevertheless, his architectural and landscape photographs have brought him recognition as the greatest British photographer of the 1850s. In this picturesque scene, Fenton focused on a single figure ascending a precarious wooden bridge that hangs suspended between two craggy surfaces. He often included people in his photographs to indicate scale and to enliven the composition. Fenton's wet collodion negative rendered the texture of the riverbed in minute detail, transforming the dark tones of the rocks and the random pattern of the light-coloured lichens into a lively, abstract design. The slow speed of the negative, relative to the swift movement of the stream, turned the rushing water into a dense, white cloud

© Heritage Art/Heritage Images

Sand Dunes, Carson Desert, Nevada, 1867. Creator: Timothy H. O'Sullivan (American, 1840-1882) Featured Print

Sand Dunes, Carson Desert, Nevada, 1867. Creator: Timothy H. O'Sullivan (American, 1840-1882)

Sand Dunes, Carson Desert, Nevada, 1867. Timothy H. OSullivan's Civil War experiences prepared him for the hardship of serving from 1867 to 1869 as photographer for the Geological Exploration of the Fortieth Parallel. Led by geologist Clarence King, the expedition's goal was to map and describe a strip of land along the 40th parallel in California, Nevada, Utah, Idaho, and Wyoming. This territory coincided roughly with the route of the railroad that would link the east and west coasts in 1869. Here, OSullivan recorded the elusive shifting dunes near Sand Springs, Nevada, including the mule-drawn ambulance he used to transport water necessary for his darkroom. OSullivan's work was less picturesque than that of his contemporaries, using light to define form rather than for dramatic effect. Most significantly, he compressed space by focusing on the textures in both the foreground and background, which resulted in a unified visual whole

© Heritage Art/Heritage Images