Albert 1831 1910 Collection

Two sleeping girls on the stove bench, c.1895. Creator: Anker, Albert (1831-1910)
Two sleeping girls on the stove bench, c.1895. Private Collection

La Mariette aux fraises, 1884. Creator: Anker, Albert (1831-1910)
La Mariette aux fraises, 1884. Found in the collection of the Musee cantonal des Beaux-Arts, Lausanne

Baptism, 1864. Creator: Anker, Albert (1831-1910)
Baptism, 1864. Private Collection

At the creche I, 1890. Creator: Anker, Albert (1831-1910)
At the creche I, 1890. Found in the collection of Kunst Museum Winterthur

Self-Portrait, 1891. Creator: Anker, Albert (1831-1910)
Self-Portrait, 1891. Private Collection

Two sleeping girls on the stove bench, 1895. Found in the Collection of Kunsthaus Zü rich

The Sunday School Walk, 1872. Found in the Collection of Collection Christoph Blocher

Grandmother spooning the soup to her grandchild, 1868. Private Collection

Girl Knitting, c. 1886. Private Collection

Grandmother at a spinning wheel and a sleeping boy on an oven bench, 1883. Private Collection

Soup for the Poor, 1859. Private Collection

The Gymnastics Lesson, 1879. Private Collection

The Wine Festival, 1865. Private Collection

The school exam. Found in the Collection of Kunstmuseum Bern

Song of the Homeland, 1874. Artist: Anker, Albert (1831-1910)
Song of the Homeland, 1874. Private Collection

Knitting girl watching the toddler in a craddle. Private Collection

Elisa Rachel as Phedre. Artist: Anker, Albert (1831-1910)
Elisa Rachel as Phedre. Found in the collection of the Patrimoine comte Charles-Andre Colonna Walewski

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Albert (1831-1910): A Master of Capturing Everyday Life Step into the world of Albert, a talented artist who lived from 1831 to 1910. Baptized in 1864, he embarked on a journey that would forever shape his artistic career. Known as Anker, this creative genius left an indelible mark on the art world with his remarkable works. In "At the creche I" painted in 1890, Anker showcases his ability to capture innocence and tenderness. The scene depicts children at play, their joy radiating through every brushstroke, and is a testament to Anker's keen eye for detail and his ability to bring life onto canvas. Anker's self-portrait from 1891 reveals not only his physical appearance but also offers a glimpse into the artist's soul. With each stroke of paint, he captures the essence of introspection and vulnerability—a true reflection of himself as an artist. One cannot overlook Anker's talent for capturing intimate moments between loved ones. In "Two sleeping girls on the stove bench, " painted in 1895, he immortalizes the peaceful slumber of two young girls—perhaps sisters or friends—creating a sense of warmth and tranquility that resonates with viewers even today. Another masterpiece by Anker is "Grandmother spooning soup to her grandchild" from 1868. This heartwarming scene portrays love and care passed down through generations—an ode to familial bonds that transcend time. Anker's diverse range extends beyond family scenes; he also delves into everyday activities like knitting in "Girl Knitting" circa 1886. Through this painting, he celebrates craftsmanship while highlighting the beauty found within simplicity. The spinning wheel takes center stage in "Grandmother at a spinning wheel and a sleeping boy on an oven bench" created in 1883—a poignant reminder of traditional domesticity intertwined with the innocence of childhood.