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Agostino De Musi Collection

Agostino de Musi, also known as Agostino Veneziano, was a renowned Italian engraver and printmaker during the Renaissance period

Background imageAgostino De Musi Collection: St. John, seated and holding a writing instrument to a tablet, an eagle with outstre

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano

Background imageAgostino De Musi Collection: Saint Matthew, dated 1518. Creator: Agostino Veneziano

Saint Matthew, dated 1518. Creator: Agostino Veneziano
Saint Matthew, dated 1518

Background imageAgostino De Musi Collection: Saint Luke, 1518. Creator: Agostino Veneziano

Saint Luke, 1518. Creator: Agostino Veneziano
Saint Luke, 1518

Background imageAgostino De Musi Collection: Saint Mark, dated 1518. Creator: Agostino Veneziano

Saint Mark, dated 1518. Creator: Agostino Veneziano
Saint Mark, dated 1518

Background imageAgostino De Musi Collection: Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makes... ca

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makes... ca. 1530-50. Creator: Anon
Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them, ca. 1530-50

Background imageAgostino De Musi Collection: St. Luke, seated on a cloud with an open book in both hands, a bull lying at his fee

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Background imageAgostino De Musi Collection: St. Mark, seated with an unfurled scroll in his hands, a winged lions head and fore

St. Mark, seated with an unfurled scroll in his hands, a winged lions head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano

Background imageAgostino De Musi Collection: St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518-20

Background imageAgostino De Musi Collection: The Body of Christ Supported by Three Angels, 1516. Creator: Agostino Veneziano

The Body of Christ Supported by Three Angels, 1516. Creator: Agostino Veneziano
The Body of Christ Supported by Three Angels, 1516

Background imageAgostino De Musi Collection: Lycaon Transformed into a Wolf, dated 1524. Creator: Agostino Veneziano

Lycaon Transformed into a Wolf, dated 1524. Creator: Agostino Veneziano
Lycaon Transformed into a Wolf, dated 1524

Background imageAgostino De Musi Collection: Saint Michael, ca. 1514-16. Creator: Agostino Veneziano

Saint Michael, ca. 1514-16. Creator: Agostino Veneziano
Saint Michael, ca. 1514-16

Background imageAgostino De Musi Collection: Ornamental Panel, ca. 1514-1600. ca. 1514-1600. Creator: Anon

Ornamental Panel, ca. 1514-1600. ca. 1514-1600. Creator: Anon
Ornamental Panel, ca. 1514-1600

Background imageAgostino De Musi Collection: Soldier Attaching His Breeches to His Breast plate, dated 1517. dated 1517. Creator: Anon

Soldier Attaching His Breeches to His Breast plate, dated 1517. dated 1517. Creator: Anon
Soldier Attaching His Breeches to His Breast plate, dated 1517

Background imageAgostino De Musi Collection: Venus and Eros, ca. 1514-36. ca. 1514-36. Creator: Anon

Venus and Eros, ca. 1514-36. ca. 1514-36. Creator: Anon
Venus and Eros, ca. 1514-36

Background imageAgostino De Musi Collection: St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll

Background imageAgostino De Musi Collection: Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche repr

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520-36

Background imageAgostino De Musi Collection: Portrait of Barbarossa, 1535. Creator: Agostino Veneziano

Portrait of Barbarossa, 1535. Creator: Agostino Veneziano
Portrait of Barbarossa, 1535

Background imageAgostino De Musi Collection: The Group from Raphaels School of Athens, dated 1523. Creator: Agostino Veneziano

The Group from Raphaels School of Athens, dated 1523. Creator: Agostino Veneziano
The Group from Raphaels School of Athens, dated 1523

Background imageAgostino De Musi Collection: Francois I, King of France, dated 1536. Creator: Agostino Veneziano

Francois I, King of France, dated 1536. Creator: Agostino Veneziano
Francois I, King of France, dated 1536

Background imageAgostino De Musi Collection: Suleiman II, 1535. 1535. Creator: Suleiman II

Suleiman II, 1535. 1535. Creator: Suleiman II
Suleiman II, 1535

Background imageAgostino De Musi Collection: The Bearing of the Cross, 1517. Creator: Agostino Veneziano

The Bearing of the Cross, 1517. Creator: Agostino Veneziano
The Bearing of the Cross, 1517

Background imageAgostino De Musi Collection: Pope Paul III, Bareheaded, dated 1534. Creator: Agostino Veneziano

Pope Paul III, Bareheaded, dated 1534. Creator: Agostino Veneziano
Pope Paul III, Bareheaded, dated 1534

Background imageAgostino De Musi Collection: The Archbishop of Brindisi, dated 1536. Creator: Agostino Veneziano

The Archbishop of Brindisi, dated 1536. Creator: Agostino Veneziano
The Archbishop of Brindisi, dated 1536

Background imageAgostino De Musi Collection: Saint Peters Basilica, dated 1517. Creator: Agostino Veneziano

Saint Peters Basilica, dated 1517. Creator: Agostino Veneziano
Saint Peters Basilica, dated 1517

Background imageAgostino De Musi Collection: Pope Paul III in a Skullcap, ca. 1514-36. Creator: Agostino Veneziano

Pope Paul III in a Skullcap, ca. 1514-36. Creator: Agostino Veneziano
Pope Paul III in a Skullcap, ca. 1514-36

Background imageAgostino De Musi Collection: Speculum Romanae Magnificentiae: Laocoon, 1561. 1561. Creator: Sisto Badalocchio

Speculum Romanae Magnificentiae: Laocoon, 1561. 1561. Creator: Sisto Badalocchio
Speculum Romanae Magnificentiae: Laocoon, 1561

Background imageAgostino De Musi Collection: Saint John, dated 1518. Creator: Agostino Veneziano

Saint John, dated 1518. Creator: Agostino Veneziano
Saint John, dated 1518

Background imageAgostino De Musi Collection: The three holy women going to the sepulchre, ca. 1514-36. Creator: Agostino Veneziano

The three holy women going to the sepulchre, ca. 1514-36. Creator: Agostino Veneziano
The three holy women going to the sepulchre, ca. 1514-36

Background imageAgostino De Musi Collection: The Entombment of Christ, ca. 1514-36. Creator: Agostino Veneziano

The Entombment of Christ, ca. 1514-36. Creator: Agostino Veneziano
The Entombment of Christ, ca. 1514-36

Background imageAgostino De Musi Collection: The Climbers, dated 1524. Creator: Agostino Veneziano

The Climbers, dated 1524. Creator: Agostino Veneziano
The Climbers, dated 1524

Background imageAgostino De Musi Collection: Isaac Blessing Jacob, 1524. Creator: Agostino Veneziano

Isaac Blessing Jacob, 1524. Creator: Agostino Veneziano
Isaac Blessing Jacob, 1524

Background imageAgostino De Musi Collection: Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apulei

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Background imageAgostino De Musi Collection: Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apu

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Background imageAgostino De Musi Collection: Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515-25

Background imageAgostino De Musi Collection: Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seate

Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seated nearby; in the upper right an angel expelling them from Paradise, ca. 1530-50

Background imageAgostino De Musi Collection: Baccio Bandinelli in his studio holding a statuette of Venus

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531

Background imageAgostino De Musi Collection: Cleopatra, dated 1515. Creator: Agostino Veneziano

Cleopatra, dated 1515. Creator: Agostino Veneziano
Cleopatra, dated 1515

Background imageAgostino De Musi Collection: Man with a Flag, ca. 1514-36. Creator: Agostino Veneziano

Man with a Flag, ca. 1514-36. Creator: Agostino Veneziano
Man with a Flag, ca. 1514-36

Background imageAgostino De Musi Collection: The Bark, ca. 1514-36. Creator: Agostino Veneziano

The Bark, ca. 1514-36. Creator: Agostino Veneziano
The Bark, ca. 1514-36

Background imageAgostino De Musi Collection: Hercules from the 'The Hermae', dated 1536. Creator: Agostino Veneziano

Hercules from the "The Hermae", dated 1536. Creator: Agostino Veneziano
Hercules from the " The Hermae", dated 1536

Background imageAgostino De Musi Collection: A Young Hero near an Altar, ca. 1514-36. Creator: Agostino Veneziano

A Young Hero near an Altar, ca. 1514-36. Creator: Agostino Veneziano
A Young Hero near an Altar, ca. 1514-36

Background imageAgostino De Musi Collection: Woman Carring a Vase on Her Head, dated 1528. dated 1528. Creator: Agostino Veneziano

Woman Carring a Vase on Her Head, dated 1528. dated 1528. Creator: Agostino Veneziano
Woman Carring a Vase on Her Head, dated 1528

Background imageAgostino De Musi Collection: Hercules and Antaeus, dated 1533. dated 1533. Creator: Agostino Veneziano

Hercules and Antaeus, dated 1533. dated 1533. Creator: Agostino Veneziano
Hercules and Antaeus, dated 1533

Background imageAgostino De Musi Collection: Prudence, dated 1516. Creator: Agostino Veneziano

Prudence, dated 1516. Creator: Agostino Veneziano
Prudence, dated 1516

Background imageAgostino De Musi Collection: A Warrior, ca. 1514-36. Creator: Agostino Veneziano

A Warrior, ca. 1514-36. Creator: Agostino Veneziano
A Warrior, ca. 1514-36

Background imageAgostino De Musi Collection: Woman Standing near a Vase, ca. 1514-36. Creator: Agostino Veneziano

Woman Standing near a Vase, ca. 1514-36. Creator: Agostino Veneziano
Woman Standing near a Vase, ca. 1514-36

Background imageAgostino De Musi Collection: Battle with a Cutlass, 1530-31. Creator: Agostino Veneziano

Battle with a Cutlass, 1530-31. Creator: Agostino Veneziano
Battle with a Cutlass, 1530-31

Background imageAgostino De Musi Collection: Temperance, dated 1517. Creator: Agostino Veneziano

Temperance, dated 1517. Creator: Agostino Veneziano
Temperance, dated 1517



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Agostino de Musi, also known as Agostino Veneziano, was a renowned Italian engraver and printmaker during the Renaissance period. His exceptional talent is evident in his various works, including religious subjects and mythological scenes. One of his notable creations is the depiction of St. John, seated with utmost concentration, holding a writing instrument to a tablet. The attention to detail is remarkable as an eagle with outstretched wings stands beside him symbolizing divine inspiration. In another masterpiece dated 1518, Agostino portrays Saint Matthew in all his glory. The intricate lines and delicate shading bring this saint to life on paper. Similarly, Saint Luke's portrayal by Agostino in 1518 showcases the artist's mastery over capturing expressions and emotions through engravings. Saint Mark is not left behind as Agostino immortalizes him in yet another stunning artwork from 1518. The precision of each stroke highlights the artist's dedication to perfection. Agostino's skills extend beyond religious themes; he explores other subjects such as mythology and classical tales. One example is "Lycaon Transformed into a Wolf" from 1524 - a captivating representation of Greek mythology that demonstrates Agostino's versatility as an artist. "The Body of Christ Supported by Three Angels, " created in 1516, displays Agostino's ability to convey spiritual concepts through visual artistry. The ethereal scene depicts angels tenderly supporting Jesus' body while evoking profound emotions within viewers. Among his anonymous works lies an ornamental panel dating back to ca. 1514-1600—a testament to Agostino's influence even when uncredited for his artistic contributions. Another intriguing piece attributed anonymously but believed to be crafted by Agostino himself captures a soldier attaching his breeches to his breastplate—an illustration that reflects both military strength and attention to minute details prevalent throughout Renaissance artistry.