Agostino Carracci Collection

Omnia Vincit Amor, 1599. Creator: Agostino Carracci
Omnia Vincit Amor, 1599

Agostino Carracci, Italian painter
5893286 Agostino Carracci, Italian painter.; (add.info.: Portrait of Agostino Carracci, Italian painter, printmaker, tapestry designer, and art teacher 1557-1602. Augustin Carrache)

Nudity with man and woman; Intercourse scene, 1572-1602. Creator: Agostino Carracci
Nudity with man and woman; Intercourse scene, 1572-1602

Nudity with man and woman; Intercourse scene, 1572-1602. Creator: Agostino Carracci
Nudity with man and woman; Intercourse scene, 1572-1602

Saint Paul Preaching. Creator: Agostino Carracci
Saint Paul Preaching

Seated Male Nude [recto], 1600/1602. Creator: Agostino Carracci
Seated Male Nude [recto], 1600/1602

Head of a Faun in a Concave Roundel, probably c. 1595. Creator: Agostino Carracci
Head of a Faun in a Concave Roundel, probably c. 1595

Landscape with Two Washerwomen, 1580s. Creator: Agostino Carracci
Landscape with Two Washerwomen, 1580s

Apotheosis of a Hero, n.d. Creators: Domenico Mondo, Sir James Thornhill, Agostino Carracci
Apotheosis of a Hero, n.d

Adoration of the Shepherds, n.d. Creators: Carlo Bononi, Agostino Carracci, Annibale Carracci, Michel Ange Corneille
Adoration of the Shepherds, n.d

Last Supper, c.1685. Creator: Luca Giordano
Last Supper, c.1685

Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How... n.d. Creator: Luca Ciamberlano
Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation), n.d

Saint Jerome, c.1595. Creator: Unknown
Saint Jerome, c.1595

Portrait of Agostino Carracci (1557-1602). Creator: Maratta, Carlo (1625-1713)
Portrait of Agostino Carracci (1557-1602). Found in the Collection of the Musee Carnavalet, Paris

Five Legs and Three Feet, 17th century. 17th century. Creator: Luca Ciamberlano
Five Legs and Three Feet, 17th century

Plate 2: the Assumption of the Virgin, 1678. Creator: Giuseppe Maria Mitelli
Plate 2: the Assumption of the Virgin, 1678. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore

The Last Communion of Saint Jerome, 1584-1650. Creator: Francois Perrier
The Last Communion of Saint Jerome, 1584-1650

Conviction of Achan, Agostino Carracci, Joshua vii (engraving)
2781755 Conviction of Achan, Agostino Carracci, Joshua vii (engraving) by English School, (19th century); Private Collection; (add.info.: Conviction of Achan, Agostino Carracci, Joshua vii)

Joshua and the Angel, Agostino Carracci, Joshua v (engraving)
2781754 Joshua and the Angel, Agostino Carracci, Joshua v (engraving) by English School, (19th century); Private Collection; (add.info.: Joshua and the Angel, Agostino Carracci, Joshua v)

The Oath of Rahab and the Spies, Agostino Carracci, Joshua ii (engraving)
2781753 The Oath of Rahab and the Spies, Agostino Carracci, Joshua ii (engraving) by English School, (19th century); Private Collection; (add.info.: The Oath of Rahab and the Spies)

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, 1599

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, ca. 1590-95

The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, 1585

Pieta; Christ supported by the Virgin and an angel at the right, 1582

Allegory of the Psalm of David; Misericordia seated to the left feeding four children with milk from her breast, Truth seated to the right holding an open book in her left hand

Ecce Homo, 1587. Creator: Agostino Carracci
Ecce Homo, 1587

The Crucifixion, 1582. Creator: Agostino Carracci
The Crucifixion, 1582

Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, 1583

The Fan (LEventail ), c. 1589-1595. Creator: Agostino Carracci (Italian, 1557-1602)
The Fan (LEventail ), c. 1589-1595

St. Francis Receiving the Stigmata, 1586. Creator: Agostino Carracci (Italian, 1557-1602)
St. Francis Receiving the Stigmata, 1586

Study of Heads (recto), 2nd half 1500s. Creator: Agostino Carracci (Italian, 1557-1602)
Study of Heads (recto), 2nd half 1500s

Study of Heads (recto); Crenelated Fortress (verso), 2nd half 1500s. Creator: Agostino Carracci
Study of Heads (recto); Crenelated Fortress (verso), 2nd half 1500s

Crenelated Fortress (verso), 2nd half 1500s. Creator: Agostino Carracci (Italian, 1557-1602)
Crenelated Fortress (verso), 2nd half 1500s

Aeneas and His Family Fleeing Troy, 1595. Creator: Agostino Carracci (Italian, 1557-1602)
Aeneas and His Family Fleeing Troy, 1595. Created at the end of the 1500s, this print stylistically marks the end of Renaissance art

Group Shepherds Studies Agostino Carracci Italian
A Group of Shepherds, and Other Studies; Agostino Carracci (Italian, 1557 - 1602); Italy; about 1598 - 1600; Pen and brown ink; 40.5 x 30.8 cm (15 15, 16 x 12 1, 8 in.)

Study Heads recto Crenelated Fortress verso 2nd half 1500s
Study of Heads (recto); Crenelated Fortress (verso), 2nd half 1500s. Agostino Carracci (Italian, 1557-1602). Pen and brown ink; framing lines in brown ink; sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Crenelated Fortress verso 2nd half 1500s Agostino Carracci
Crenelated Fortress (verso), 2nd half 1500s. Agostino Carracci (Italian, 1557-1602). Pen and brown ink; sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Study Heads recto 2nd half 1500s Agostino Carracci
Study of Heads (recto), 2nd half 1500s. Agostino Carracci (Italian, 1557-1602). Pen and brown ink; framing lines in brown ink; sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Fan L Eventail 1589-1595 Agostino Carracci Italian
The Fan (L Eventail ), c. 1589-1595. Agostino Carracci (Italian, 1557-1602). Etching

Coat of Arms of a Cardinal of the Sampieri Family, 1590-95. Creator: Agostino Carracci
Coat of Arms of a Cardinal of the Sampieri Family, 1590-95

Coat Arms Cardinal Sampieri Family 1590-95
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Bust Old Man ca 1583 Engraving 4 5 / 16 x 3 7 / 8
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Studies Sketches Figures Standing Male Nude Frontal View
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Satyr whipping nymph shown bound tree second satyr bearing
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Seated, Nude, Male Figure, recto, Ornamental Designs, Foliage, Grotesque Head, Leg
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci (Italian, Bologna 1557-1602 Parma), ca. 1590-93

Collection Etchings Engravings Imitation Drawings
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Aeneas family fleeing Troy 1595 Engraving Sheet
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Agostino Carracci, a renowned Italian artist of the late 16th century, left an indelible mark on the art world with his exquisite creations. One of his notable works is "Omnia Vincit Amor" (Love Conquers All), completed in 1599. In this masterpiece, Carracci beautifully captures the power and triumph of love. Another intriguing piece from the 17th century is "Five Legs and Three Feet, " crafted by Luca Ciamberlano. This enigmatic artwork sparks curiosity as it challenges traditional notions of human anatomy. Giuseppe Maria Mitelli's "Plate 2: The Assumption of the Virgin" transports viewers to a celestial realm where divine grace and beauty intertwine harmoniously. "The Last Communion of Saint Jerome, " created by Francois Perrier, showcases a poignant moment in religious history. Perrier skillfully depicts Saint Jerome receiving his final sacrament before departing from this earthly realm. Carracci's talent shines through once again in his engraving titled "Conviction of Achan. " Inspired by Joshua vi, this powerful image conveys themes of justice and consequences for one's actions. In another captivating work called "Venus and Mars, " found within Sala dell'Amore's vault, Carracci explores themes of passion and desire through fresco painting techniques dating back to c. 1601. Continuing with biblical narratives, Carracci presents us with "Joshua and the Angel" as well as "The Oath of Rahab and the Spies. " These engravings depict pivotal moments from Joshua v and ii respectively, showcasing Carracci's ability to bring ancient stories to life through intricate details. Moving away from biblical tales but staying true to his fascination with love, Carracci portrays Amor engaging in a struggle with a satyr in an artwork aptly named "Love Conquers All. " This composition exudes energy while symbolizing the triumph of love over adversity.