Agnolo Collection

An Allegory with Venus and Cupid, c1523-1568. Artist: Agnolo Bronzino
An Allegory with Venus and Cupid, c1523-1568. The picture is likely to be that mentioned in Vasaris Life of Bronzino of 1568. From the collection of the National Gallery, London

Portrait of a Young Man, 1530s. Creator: Agnolo Bronzino
Portrait of a Young Man, 1530s

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca
Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dantes Inferno, Canto XXVV, ca. 1825-27

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995604 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1838 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995608 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

Il Bronzino (engraving)
815654 Il Bronzino (engraving) by English School, (19th century); Private Collection; (add.info.: Il Bronzino. 17 November 1503 - 23 November 1572)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995615 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827-38 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995600 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

The Corrupt Judge, 1565-73. Creator: Battista del Moro
The Corrupt Judge, 1565-73

The Holy Family, 1535-73. 1535-73. Creator: Battista del Moro
The Holy Family, 1535-73

A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

Four women surrounding a seated figure, a bird above them, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

Bust of a woman in profile facing right, set within an elaborate frame with putti, ca. 1540-80. Formerly attributed to Andrea Schiavone

Saint Roch, 1535-73. Creator: Battista del Moro
Saint Roch, 1535-73

Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, ca. 1540-80. Formerly attributed to Andrea Schiavone

A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame, ca. 1540-80

Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

Cosimo I de Medici (1519-1574). Creator: Workshop of Bronzino (Italian, Monticelli
Cosimo I de Medici (1519-1574)

Studies of heads, c1320-1366, (1943). Creators: Taddeo Gaddi, Agnolo Gaddi
Studies of heads, c1320-1366, (1943). Page of sketches: the heads of monks and a lamb. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart

Eleonora di Toledo, c1562-1572, (1930). Creator: Agnolo Bronzino
Eleonora di Toledo, c1562-1572, (1930). Portrait of Spanish noblewoman Eleanor of Toledo (1522-1562), Grand Duchess of Tuscany, wife of Cosimo dei Medici, First Grand Duke

Eleonora di Toledo, c1559. Artist: Agnolo Bronzino
Eleonora di Toledo, c1559. Eleonora of Toledo (1522-1562) Grand Duchess of Tuscany, Wife of Cosimo Dei Medici, First Grand Duke. Painting held in The Wallace Collection, London

Venus and Cupid, mid 16th century. Artist: Agnolo Bronzino
Venus and Cupid, mid 16th century. Venus has taken Cupids bow. In the bottom right is a pair of doves, birds of love. From the Uffizi Gallery, Florence

Angnolo Bronzino (1503-1572). Italian Mannerist artist. Portrait of Eleonora di Garzia di Toledo (1553-1576) wife of Don Pietro de Medici, 1539. National Gallery. Prague. Czech Republic

Triptych, 1388, by Agnolo Gaddi (1369-1396)
Agnolo Gaddi (1369-1396). Italian painter. Triptych, 1388. Gemaldegalerie. Berlin. Germany

BRONZINO, Agnolo di Cosimo di Mariano, also called Il (1502-1572). Portrait of Eleonora di Toledo with her Son Giovanni. ca. 1545. Wife and son of Cosimo I de Medici. Mannerism art. Oil on wood

Agnolo Di Cosimo, 1503 A

Studies, 1913. Artist: Agnolo Bronzino
Studies, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

The Holy Family with the young John the Baptist, 1540. Artist: Agnolo Bronzino
The Holy Family with the young John the Baptist, 1540. Bronzino, Agnolo (1503-1572). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Portrait of Maddalena Doni, 1506. Artist: Raphael
Portrait of Maddalena Doni, 1506. This is the companion piece of the portrait of Agnolo Doni

Lucrezia Panchiatichi, c1540. Artist: Agnolo Bronzino
Lucrezia Panchiatichi, c1540. From the collection of the Galleria degli Uffizi, Florence, Italy

The Panciatichi Holy Family, 1530-1532. Artist: Agnolo Bronzino
The Panciatichi Holy Family, 1530-1532. From the collection of the Galleria degli Uffizi, Florence, Italy

The Deposition from the Cross, 1443-1445. Artist: Agnolo Bronzino
The Deposition from the Cross, 1443-1445. The Virgin Mary, surrounded by supporters, cradles the body of Christ in her lap. The crown of thorns has fallen from his head and lies on the ground (left)

Portrait of Isabella de Medici (1542-1576) by Agnolo
Isabella de Medici (1542-1576). Daughter of Cosimo I de Medici. Portrait by Agnolo Bronzino (1503-1572). National Museum. Stockholm. Sweden

Ugolino Martelli (1519-1592). 1536-1537. Portrait by Il Bron
Ugolino Martelli (1519-1592). Florentine aristocrat. Portrait, 1536-1537, by Il Bronzino (Agnolo di Cosimo) (1503-1572). Gemaldegalerie. Berlin. Germany

Agnolo Gaddi
AGNOLO GADDI Florentine artist Date: 1333 - 1396

SACRIFICE OF ISaC. Painting, 16th century, by Agnolo di Cosimo (Il Bronzino)

Isabella Romola de Medici (1542-1576) daughter of Cosimo I de Medici. Head and shoulders portrait by Agnolo de Cosimo (1503-1572) called Il Bronzino

Agnolo di Cosimo (1503 - 1572), known as Bronzino, was an Italian Mannerist painter from Florence. Venus, Cupid, Folly and Time Allegory of the Triumph of Venus 1540-45

BRONZINO, Agnolo di Cosimo di Mariano, also called Il (1502-1572). Pope Clement VII. 16th c. Mannerism art. Oil on canvas. ITALY. Florence. Galleria degli Uffizi (Uffizi Gallery)

BRONZINO, Agnolo di Cosimo di Mariano, also called Il (1502-1572). Portrait of Cosimo I Medicis. Renaissance art. Cinquecento

GADDI, Agnolo (1333-1396). Crucifixion. Renaissance art. Trecento. Florentine school. Tempera on wood

PIERO DE MEDICI (1414-1469). Florentine statesman and ruler. Steel engraving, 19th century, after a painting by Agnolo Bronzino

GADDI: MADONNA. Madonna of Humility with Adoring Angels. Panel attributed to Agnolo Gaddi

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Agnolo Bronzino, a renowned Italian Mannerist artist of the 16th century, left an indelible mark on the art world with his captivating works. One such masterpiece is "An Allegory with Venus and Cupid, " created between 1523 and 1568. In this painting, Bronzino skillfully portrays the mythological figures in a way that captivates viewers' imaginations. Another notable piece by Agnolo Bronzino is "Portrait of a Young Man" from the 1530s. This portrait showcases his ability to capture not only physical features but also the essence of his subjects' personalities. The young man's gaze reveals both confidence and vulnerability, leaving us intrigued by his story. Bronzino's talent extended beyond portraits as seen in "Eleonora di Toledo. " Painted around 1560, this oil-on-panel artwork depicts Eleonora di Toledo, showcasing her regal beauty and elegance. The attention to detail in her clothing and jewelry highlights Bronzino's meticulousness as an artist. "The Circle of Thieves: Agnolo Brunelleschi Attacked By a Six-Footed Serpent" takes us into another realm entirely – Inferno. This intriguing piece shows Bronzino's versatility as he delves into darker themes while maintaining his signature style. While Agnolo Gaddi may share a similar name with our featured artist, their styles differ greatly. Gaddi's "Triptych" from 1388 demonstrates intricate religious scenes painted on golden backgrounds—a testament to Gaddi's mastery during the Gothic period. In contrast to these religious depictions stands another work titled "Coronation of the Virgin and Saints. " Its detailed tempera on panel technique transports viewers back in time through its rich colors and exquisite craftsmanship. As we explore Il Bronzino's engravings, we witness yet another facet of his artistic prowess.