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Afro Collection (page 3)

"Embracing the Afro: A Symbol of Identity, Power, and Beauty" The iconic Arthur Ashe, with his afro proudly on display

Background imageAfro Collection: The tricolor paradise: Seewen 1918

The tricolor paradise: Seewen 1918
JLJ4622682 The tricolor paradise: Seewen 1918 by Waltz, Jean-Jacques (Hansi) (1873-1951); Private Collection; (add.info.: The tricolor paradise by Uncle Hansi by Jean Jacques Waltz dit Hansi)

Background imageAfro Collection: Faith

Faith
Jan Slotboom

Background imageAfro Collection: Wood hair comb from Ghana, 1950s. Creator: Unknown

Wood hair comb from Ghana, 1950s. Creator: Unknown
It had been assumed that the afro comb was invented in the 1970s when the afro hairstyle became popular in the West, along with the Black is beautiful movement

Background imageAfro Collection: Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst

Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst
ICA4894615 Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst...!, 1898-5-7 - New Gargantua - Colonization Colonialism Colonization Colonies, America USA, Spain, Imperialism

Background imageAfro Collection: Jamaican immigrants arriving in Britain

Jamaican immigrants arriving in Britain in the 1950s. Date: 1954

Background imageAfro Collection: Caffree and Booshuana men

Caffree and Booshuana men
Caffree (Afro-Indian) and Booshuana men (from the Botswana area of southern Africa). 1839

Background imageAfro Collection: A Pupil in Pleasant Green School - Pocahontas County, West Virginia 1921 (photo)

A Pupil in Pleasant Green School - Pocahontas County, West Virginia 1921 (photo)
684742 A Pupil in Pleasant Green School - Pocahontas County, West Virginia 1921 (photo) by Hine, Lewis Wickes (1874-1940); (add.info.: African American student in Pleasant Green School; Location)

Background imageAfro Collection: Natives of New Guinea, 1826 (colour litho)

Natives of New Guinea, 1826 (colour litho)
468725 Natives of New Guinea, 1826 (colour litho) by French School, (19th century); Private Collection; (add.info.: Illustration from Louis Isidore Duperreys Voyage autour du monde)

Background imageAfro Collection: Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931

Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931
JLJ4640387 Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - George Washington with the army of General Edward Braddock (ca)

Background imageAfro Collection: Illustration of A Barrere (1874-1931) for the Cover of Le Rire

Illustration of A Barrere (1874-1931) for the Cover of Le Rire
ICA4943138 Illustration of A Barrere (1874-1931) for the Cover of Le Rire, 21/03/14 - Georges Carpentier (1894-1975) vs Joe Jeannette (1879-1958) - Sport, Boxing - Carpentier

Background imageAfro Collection: Pullman dining carriage of the Pacific Railways in 1869 - inside a wagon hotel

Pullman dining carriage of the Pacific Railways in 1869 - inside a wagon hotel
XEE4161451 Pullman dining carriage of the Pacific Railways in 1869 - inside a wagon hotel on the Pacific Railway - by Unknown Artist

Background imageAfro Collection: The commitment of Chocolat by the director of the Nouveau Cirque de Paris- clowns duo of

The commitment of Chocolat by the director of the Nouveau Cirque de Paris- clowns duo of
PCT4290584 The commitment of Chocolat by the director of the Nouveau Cirque de Paris- clowns duo of George Footitt (sometimes wrote FootIT or Footitt, his real name Tudor Hall, white clown)

Background imageAfro Collection: Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire, No

Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire, No
ICA4863017 Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire, No. 312, 23/01/09 - America USA USA - William Howard Taft (1857-1930), President by Leandre

Background imageAfro Collection: Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst

Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst
ICA4894817 Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst...!, 1898-5-28 - American Armee - America USA USA, Armee, Spain, Imperialism - Black, General Generaux by Caran D Ache

Background imageAfro Collection: A Dream Dancing

A Dream Dancing
Jay Satriani

Background imageAfro Collection: 1174016

1174016

Background imageAfro Collection: My grandfather

My grandfather
Gabriel Ramón

Background imageAfro Collection: Victoria

Victoria
portrait of a beautiful black woman with art make up. Alexandr Sutula

Background imageAfro Collection: A thousands thoughts

A thousands thoughts
Giacomo Bruno

Background imageAfro Collection: Emmanuel

Emmanuel
Giacomo Bruno

Background imageAfro Collection: Stephane

Stephane
Giacomo Bruno

Background imageAfro Collection: Singer Gladys Knight seen here at the Inn on the Park hotel, London 21st April 1976

Singer Gladys Knight seen here at the Inn on the Park hotel, London 21st April 1976

Background imageAfro Collection: Joan Armatrading singer and songwriter performs to a reported 85

Joan Armatrading singer and songwriter performs to a reported 85, 000 audience at London Hyde Park. Joan is on the bill with Don McLean who is headlining the concert. Picture taken 31st May 1975

Background imageAfro Collection: The Sunday Sun Jack Of Clubs Roadshow at The Coxlodge and Gosforth Social Club 30 May

The Sunday Sun Jack Of Clubs Roadshow at The Coxlodge and Gosforth Social Club 30 May 1976. - It was a full house for a glittering night of clubland showbiz at its best - Singing duo Girlie

Background imageAfro Collection: The Rolling Stones. September 1973 73-7359-019

The Rolling Stones. September 1973 73-7359-019

Background imageAfro Collection: Reading Pop Festival. A festival goer walking bare foot through the mud at

Reading Pop Festival. A festival goer walking bare foot through the mud at the camp site. 26th June 1971

Background imageAfro Collection: Actor Richard Rowntree September 1978 Off to South Africa to begin shooting

Actor Richard Rowntree September 1978 Off to South Africa to begin shooting a film © Mirrorpix.com

Background imageAfro Collection: Members of the Jackson Five pop group become the Jackson Six when the latest addition to

Members of the Jackson Five pop group become the Jackson Six when the latest addition to the family Randy Jackson joined the group

Background imageAfro Collection: Members of The Jackson Five pop group make their way through the arrivals hall as they

Members of The Jackson Five pop group make their way through the arrivals hall as they arrive in London for a UK tour. Singer Michael jackson shows of his hat as brothers point. 4th February 1979

Background imageAfro Collection: The jackson Five pop group in Hyde Park, London during their UK tour

The jackson Five pop group in Hyde Park, London during their UK tour. They are left to right: Randy, Michael, Marlon, Tito and Jackie. 19th May 1977

Background imageAfro Collection: Members of the Jackson Five pop group become the Jackson Six when the latest addition to

Members of the Jackson Five pop group become the Jackson Six when the latest addition to the family Randy Jackson joined the group

Background imageAfro Collection: Fashion scene from Woolworth s. An old man sitting on a park bench reading his

Fashion scene from Woolworth s. An old man sitting on a park bench reading his newspaper next to a model in bikini February 1975 75-01132-007

Background imageAfro Collection: Fashion scene from Woolworth s. An old man sitting on a park bench reading his

Fashion scene from Woolworth s. An old man sitting on a park bench reading his newspaper distracted by model in bikini February 1975 75-01132-008

Background imageAfro Collection: African-American Man Doctor Wearing White Coat And Stethoscope Writing Prescriptions

African-American Man Doctor Wearing White Coat And Stethoscope Writing Prescriptions
UNITED STATES - Circa 1950s: African-American Man Doctor Wearing White Coat And Stethoscope Writing Prescriptions

Background imageAfro Collection: Illustration from The Comedie of Terence, 19th century reprint. n. d

Illustration from The Comedie of Terence, 19th century reprint. n. d
Illustration from The Comedie of Terence, 19th century reprint.n.d

Background imageAfro Collection: Eunuchus, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer

Eunuchus, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer
Eunuchus, from The Comedie of Terence, 19th century reprint.n.d

Background imageAfro Collection: Andria, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer

Andria, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer
Andria, from The Comedie of Terence, 19th century reprint.n.d

Background imageAfro Collection: Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint. n. d

Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint. n. d
Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint.n.d

Background imageAfro Collection: Hecyra, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer

Hecyra, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer
Hecyra, from The Comedie of Terence, 19th century reprint.n.d

Background imageAfro Collection: Adelphi, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer

Adelphi, from The Comedie of Terence, 19th century reprint. n. d. Creator: Albrecht Durer
Adelphi, from The Comedie of Terence, 19th century reprint.n.d

Background imageAfro Collection: Westminster School - scene from 'The Andria'of Terence, 1845. Creator: Unknown

Westminster School - scene from "The Andria"of Terence, 1845. Creator: Unknown
Westminster School - scene from " The Andria" of Terence, 1845. Public school production of an ancient Roman comedy, Act IV, Scene 11: Of the costume...we must speak in the highest terms

Background imageAfro Collection: Two friends - A British Navy Sailor and a Pacific Islander

Two friends - A British Navy Sailor and a Pacific Islander. Date: circa 1930s

Background imageAfro Collection: George Duke, London, 1976. Artist: Brian O Connor

George Duke, London, 1976. Artist: Brian O Connor
George Duke, London, 1976

Background imageAfro Collection: Cleo Laine, London, 1971. Artist: Brian O Connor

Cleo Laine, London, 1971. Artist: Brian O Connor
Cleo Laine, London, 1971

Background imageAfro Collection: Thelma Houston, London, 1973. Artist: Brian O Connor

Thelma Houston, London, 1973. Artist: Brian O Connor
Thelma Houston, London, 1973

Background imageAfro Collection: Herbie Hancock, Ronnie Scotts, Soho, London, 1974. Artist: Brian O Connor

Herbie Hancock, Ronnie Scotts, Soho, London, 1974. Artist: Brian O Connor
Herbie Hancock, Ronnie Scott s, Soho, London, 1974



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"Embracing the Afro: A Symbol of Identity, Power, and Beauty" The iconic Arthur Ashe, with his afro proudly on display, captivated the world during his legendary match against Jimmy Connors at Wimbledon in 1975. His unruly mane became a symbol of African people's resilience and determination. Across continents, the afro has been cherished as a cultural statement. In Djibouti, a man meticulously prepares his hair for his wedding day - an ode to tradition and celebration. Meanwhile, in Sekondi, Gold Coast (now Ghana), a skilled stylist delicately dresses Fante Lady's hair with intricate braids and beads – showcasing the artistry behind this natural crown. Muhammad Ali's larger-than-life personality was perfectly complemented by his majestic afro. The boxing legend used it as a visual representation of black pride and defiance against societal norms. In Trinidad Carnival Band festivities come alive with vibrant colors and extravagant costumes adorned with towering afros, and is an explosion of culture where music fills the air alongside these magnificent hairstyles. From Swedenborg Square in Stepney to Callejon de Hamel in Havana, Cuba; collapsed houses or weekly rumba shows cannot overshadow the beauty that lies within individuals who embrace their roots through their afros. These resilient souls find strength amidst adversity while celebrating their heritage. Whether it be Maabena from Africa or your regular Joe from down the street – everyone can rock an afro. It transcends social status or gender; it unites us all under one common thread – our shared humanity. Just like Mother Nature herself dons different hues throughout seasons; so does the versatile afro crown its wearers with various shades of glory. From jet black coils to fiery red curls – each unique strand tells its own story. Let us celebrate this timeless hairstyle that crowns heads far and wide - The Afro: A testament to individuality, pride, and the enduring spirit of humanity.