Aegidius Sadeler Ii Collection (page 4)

Aegidius Sadeler II after Pieter Stevens (Flemish, c. 1570 - 1629), Nocturnal Landscape with River Fishermen outside City Walls, engraving and etching

Aegidius Sadeler II after Roelandt Savery (Flemish, c. 1570 - 1629), Draughtsman on a Stone before a Bridge, probably c. 1609, engraving

Aegidius Sadeler II after Albrecht DaOErer, Virgin and Child in a Landscape, Flemish, c. 1570 - 1629, engraving on laid paper

Aegidius Sadeler II after Pieter Stevens, Rocky Landscape in Bohemia, Flemish, c. 1570 - 1629, engraving on laid paper

Aegidius Sadeler II after Paul Bril (Flemish, c. 1570-1629), January and February, 1615, engraving on laid paper

Aegidius Sadeler II (Flemish, c. 1570-1629), The Martyrdom of Saint Sebastian, c. 1620, engraving on laid paper

Aegidius Sadeler II after Hans von Aachen (Flemish, c. 1570-1629), Rudolph II, 1603, engraving on laid paper

Aegidius Sadeler II after Bartholomaeus Spranger (Flemish, c. 1570-1629), Pieter Brueghel, the Younger, 1606, engraving

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Aegidius Sadeler II, a renowned artist from the 17th century, left behind a rich legacy of captivating artworks. One such masterpiece is his "Family Tree of the House of Habsburg, 1629, " which intricately depicts the lineage of this influential dynasty. With meticulous detail and precision, Sadeler captures the grandeur and complexity of this noble family's history. In another enchanting piece titled "Woodland scene with marshy banks, " Sadeler transports us to a serene natural setting. A man holding a staff sits on a tree trunk while two goats graze nearby. The tranquility emanating from this artwork is palpable as we immerse ourselves in its peaceful ambiance. Sadeler's talent for capturing architectural marvels shines through in his depiction of a ruined aqueduct spilling water into a stream below. Beyond lies an expanse of sea dotted with ships, creating an awe-inspiring vista that showcases both nature's beauty and mankind's ingenuity. The artist also delves into biblical themes with his reduced and reversed copy after Aegidius Sadeler's "Massacre of the Innocents. " This haunting portrayal serves as a reminder of humanity's capacity for cruelty but also highlights the importance of empathy and compassion. Sadeler takes us on virtual journeys through time and space with his detailed views captured in plates like "Column of Trajan" or "Church San Bartolomeo all Isola on Tiber Island, Rome. " These meticulously crafted images allow us to witness historical landmarks firsthand, evoking feelings akin to being transported back in time. The Baths of Caracalla come alive under Sadeler's skilled hand as he indicates various points within these ancient ruins using inscribed letters. Through this artwork, we gain insight into Roman society at its height—a testament to both their engineering prowess and appreciation for leisurely pursuits. In addition to grand landscapes and historical scenes, Sadeler also explores the human experience.