Accessories Collection (page 8)

Letter P: This way the exit. Engraving of "The soldier's alphabet". E.R
DUV4209443 Letter P: This way the exit. Engraving of "The soldier's alphabet". E.R. Stop! , publisher, Paris, circa 1916

Soldier indien - Indian sepoy (soldier) of the Bengal Army in helmet, jacket with epaulettes, shorts and slippers
FLO4723636 Soldier indien - Indian sepoy (soldier) of the Bengal Army in helmet, jacket with epaulettes, shorts and slippers

Aault Onival: a family laying on pebbles at the foot of the cliffs of Onival, 1910
LUX4727605 Aault Onival: a family laying on pebbles at the foot of the cliffs of Onival, 1910; (add.info.: Aault Onival: a family laying on pebbles at the foot of the cliffs of Onival)

A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas
FLO4717990 A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas, Jack Tar dies of grievance in the lobspound (prison)

Section of a fort during World War One, with its extemporised accessories, from The History of the Great War
3502813 Section of a fort during World War One, with its extemporised accessories, from The History of the Great War, pub.c.1919; (add.info.: Section of a fort during World War One)

Itinerant Tinker and his boy assistant: Woman brings utensil for repair. Leather tool bag doubles as bellows creating
531765 Itinerant Tinker and his boy assistant: Woman brings utensil for repair. Leather tool bag doubles as bellows creating draught for little forge. Piemonte (Piedmont) district, Northwest Italy

With Some of the 'Bag' after a Day's Pig-Sticking (b/w photo)
8630661 With Some of the 'Bag' after a Day's Pig-Sticking (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

French fashion: 1829-1830, Charles X (colour litho)
8636079 French fashion: 1829-1830, Charles X (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1829-1830, Charles X)

French fashion: 1866, Napoleon III (colour litho)
8636164 French fashion: 1866, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1866, Napoleon III)

French fashion: 1863, Napoleon III (colour litho)
8636163 French fashion: 1863, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1863, Napoleon III)

French fashion: 1864, Napoleon III (colour litho)
8636159 French fashion: 1864, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1864, Napoleon III)

French fashion: 1861, Napoleon III (colour litho)
8636153 French fashion: 1861, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1861, Napoleon III)

French fashion: 1856, Napoleon III (colour litho)
8636145 French fashion: 1856, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1856, Napoleon III)

French fashion: 1853, Napoleon III (colour litho)
8636139 French fashion: 1853, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1853, Napoleon III)

French fashion: 1852, 2e Republique (colour litho)
8636138 French fashion: 1852, 2e Republique (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1852, 2e Republique)

French fashion: 1844, Louis-Philippe (colour litho)
8636119 French fashion: 1844, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1844, Louis-Philippe)

French fashion: 1842, Louis-Philippe (colour litho)
8636115 French fashion: 1842, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1842, Louis-Philippe)

French fashion: 1841, Louis-Philippe (colour litho)
8636114 French fashion: 1841, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1841, Louis-Philippe)

French fashion: 1838, Louis-Philippe (colour litho)
8636105 French fashion: 1838, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1838, Louis-Philippe)

French fashion: 1837, Louis-Philippe (colour litho)
8636102 French fashion: 1837, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1837, Louis-Philippe)

French fashion: 1837, Louis-Philippe (colour litho)
8636100 French fashion: 1837, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1837, Louis-Philippe)

French fashion: 1835, Louis-Philippe (colour litho)
8636094 French fashion: 1835, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1835, Louis-Philippe)

French fashion: 1833, Louis-Philippe (colour litho)
8636091 French fashion: 1833, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1833, Louis-Philippe)

French fashion: 1832, Louis-Philippe (colour litho)
8636087 French fashion: 1832, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1832, Louis-Philippe)

French fashion: 1829-1830, Charles X (colour litho)
8636078 French fashion: 1829-1830, Charles X (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1829-1830, Charles X)

Diamond aigrette or tiara, c.1900 (gold, silver & diamonds)
8677817 Diamond aigrette or tiara, c.1900 (gold, silver & diamonds) by European School; height: 10, circumference: 21 cm; Private Collection; (add.info.: Old- and rose-cut diamonds, silver and gold)

Two ladies of Barbados, early 19th century (watercolour)
7341860 Two ladies of Barbados, early 19th century (watercolour) by Brenton, Edward Pelham (1774-1839); 20.6x13 cm; National Maritime Museum, London

Purse; belonged to a crew member of Franklins arctic expedition 1845, c.1845 (silk, metal, glass)
7295501 Purse; belonged to a crew member of Franklins arctic expedition 1845, c.1845 (silk, metal, glass); National Maritime Museum, London, UK; (add.info.: A beaded silk purse sewn to a metal frame)

A relic from the Expedition (1845-1848) by John Franklin (1786-1847): a mast hoop, marked with a large arrow
MMM5476564 A relic from the Expedition (1845-1848) by John Franklin (1786-1847): a mast hoop, marked with a large arrow, 1845 (steel); National Maritime Museum, London

Universal equinoxial ring dial, reverse, for all latitudes. Brass instrument, c.1715 (brass)
MMM5475138 Universal equinoxial ring dial, reverse, for all latitudes. Brass instrument, c.1715 (brass); National Maritime Museum, London, UK; (add.info.: Universal equinoxial ring dial, reverse)

Universal equinoxial dial for all latitudes, deployed. Brass instrument and enamel, c.1800-50 (brass)
MMM5475103 Universal equinoxial dial for all latitudes, deployed. Brass instrument and enamel, c.1800-50 (brass); National Maritime Museum, London

Universal equinoxial dial for Latitude 0, reverse Brass instrument, c.1675-1715, by Michael Butterfield (brass)
MMM5475096 Universal equinoxial dial for Latitude 0, reverse Brass instrument, c.1675-1715, by Michael Butterfield (brass); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, for latitude 0. Copper and silver instrument, 1682 (copper and silver)
MMM5474505 Sundial from Augsburg (Germany), deployed, for latitude 0. Copper and silver instrument, 1682 (copper and silver); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, for latitude 12 degrees. Brass instrument, 18th century (brass)
MMM5474454 Sundial from Augsburg (Germany), deployed, for latitude 12 degrees. Brass instrument, 18th century (brass); National Maritime Museum, London

Sundial and lunar in diptych, c.1850-1900 (varnished wood)
MMM5474421 Sundial and lunar in diptych, c.1850-1900 (varnished wood); National Maritime Museum, London, UK; (add.info.: Sundial and lunar in diptych, open)

Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver)
MMM5474073 Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver) by Rowley, John (1668-1728); National Maritime Museum, London

Diptych sundial for 49° latitude, with magnetic compass. Wooden instrument, first half of the 18th century
MMM5474050 Diptych sundial for 49° latitude, with magnetic compass. Wooden instrument, first half of the 18th century; National Maritime Museum, London

Diptych sundial, open, for latitude 41 degrees, 19th century (wood)
MMM5474041 Diptych sundial, open, for latitude 41 degrees, 19th century (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial, open, for latitude 41 degrees)

Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory)
MMM5474011 Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory); National Maritime Museum, London

Polyhedral sundial for latitude 20 degrees, with magnetic compass on its base, 18th century (brass and wood)
MMM5474000 Polyhedral sundial for latitude 20 degrees, with magnetic compass on its base, 18th century (brass and wood); National Maritime Museum, London

Diptych sundial (open) for Latitude 48, with magnetic compass. Ivory instrument, 1619 (ivory)
MMM5473337 Diptych sundial (open) for Latitude 48, with magnetic compass. Ivory instrument, 1619 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial (open) for Latitude 48

Latitude 46 degree sundial, with magnetic compass, 16th century (gold)
MMM5470214 Latitude 46 degree sundial, with magnetic compass, 16th century (gold); National Maritime Museum, London, UK; (add.info.: Latitude 46 degree sundial, with magnetic compass)

Walking Stick, Sailors' Craftwork, Artist Unknown, 1865
MMM5470195 Walking Stick, Sailors' Craftwork, Artist Unknown, 1865; National Maritime Museum, London, UK; (add.info.: A walking stick made from a shark's vertebrae threaded on a metal rod)

Universal equinoxial sundial for latitude 0-90 degrees. Brass instrument, c.1600 (brass)
MMM5470143 Universal equinoxial sundial for latitude 0-90 degrees. Brass instrument, c.1600 (brass); National Maritime Museum, London

Two sundials (reverse) for latitude 48 degrees. Silver and enamel objects, from 1750-1800
MMM5470055 Two sundials (reverse) for latitude 48 degrees. Silver and enamel objects, from 1750-1800, 1750-1800 (silver and enamel); National Maritime Museum, London

Magnetic compass dial for latitude 52 degrees, c.1910-1920 (copper and cardboard)
MMM5469103 Magnetic compass dial for latitude 52 degrees, c.1910-1920 (copper and cardboard); National Maritime Museum, London, UK; (add.info.: Magnetic compass dial for latitude 52 degrees)

Augsburg compass (Germany) and its 10-degree latitude dial, with its lid including an engraved plate
MMM5469066 Augsburg compass (Germany) and its 10-degree latitude dial, with its lid including an engraved plate, c.1750 (copper and glass compass); National Maritime Museum, London

Diyptic dial, for latitude 0-90 degrees, with engraved table and the position of some European cities
MMM5469039 Diyptic dial, for latitude 0-90 degrees, with engraved table and the position of some European cities, 1556 (ivory and copper); National Maritime Museum, London

All Professionally Made to Order for Quick Shipping

Step back in time and explore the world through captivating posters and iconic items. From Southsea to Portsmouth, BR poster in 1962, immerse yourself in the vintage charm. Travel further back to Guernsey with the GWR/SR poster from 1938, capturing the essence of a bygone era. Delve into nostalgia with Saltburn's LNER poster spanning from 1923-1947, showcasing timeless elegance. Rev up your style with a Lambretta scooter adorned with mod mirrors, epitomizing coolness and individuality. Transport yourself to Bournemouth's GWR poster from 1923-1947, where sophistication meets seaside allure. Indulge in luxury as you admire an advert for Louis Vuitton luggage from Paris in 1935 – a testament to timeless elegance and impeccable craftsmanship. Feel the coastal breeze at Whitley Bay through its enchanting BR poster dating between 1950-1965. Discover the ancient art of falconry as you witness exquisite falconry equipment that embodies both tradition and gracefulness. Admire David Wright's masterpiece 'Flower in her Hair, ' capturing beauty enhanced by delicate adornments. Travel back even further to My First Sermon (1863) and My Second Sermon (1864), created by John Everett Millais – these artworks remind us of how they are convey deep emotions and stories. Finally, marvel at Acme Moustache Guard - a quirky invention that adds humor while highlighting how they have always played a role in enhancing personal grooming throughout history and can not just embellishments; they are windows into different eras, cultures, and expressions of individuality.