Academic Bands Collection

Page from De Proprietatibus Rerum by Bartholomeus Anglicus
488341 Page from De Proprietatibus Rerum by Bartholomeus Anglicus, in the French translation of Jean Corbechon, c.1390 (tempera on vellum) (see also 488340-47) by Remiet

Thomas Hearne, engraved by George Vertue (1683-1756), c. 1735 (engraving)
418526 Thomas Hearne, engraved by George Vertue (1683-1756), c.1735 (engraving) by Tillemans, Peter (1684-1734) (after); 16.2x11 cm; Gerald Coke Handel Collection, Foundling Museum

Rev. Thomas Wood (oil on canvas)
NCO404079 Rev. Thomas Wood (oil on canvas) by Gibson, Thomas (c.1680-1751); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Jeremy Taylor (oil on canvas)
HEH416328 Jeremy Taylor (oil on canvas) by English School, (17th century); 73.7x58.4 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

James Edwards Sewell, 1885-86 (oil on canvas)
3576795 James Edwards Sewell, 1885-86 (oil on canvas) by Herkomer, Hubert von (1849-1914); Courtesy of the Warden and Scholars of New College

Portrait in the Mansion House, Queen Square, of Lord Ashburton (w / c on paper)
2831784 Portrait in the Mansion House, Queen Square, of Lord Ashburton (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint)
DEC418558 Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint) by Cornish, John (fl.1751-65) (after); 30.1x22.5 cm; Gerald Coke Handel Collection, Foundling Museum

Henry Bathurst, Bishop of Norwich, 1826 (oil on canvas)
NCO374273 Henry Bathurst, Bishop of Norwich, 1826 (oil on canvas) by Kirkby, Thomas (1775-c.1847); Courtesy of the Warden and Scholars of New College

William Hayes, engraved by John Keyse Sherwin (c. 1751-90), c. 1775 (stipple engraving)
DEC418543 William Hayes, engraved by John Keyse Sherwin (c.1751-90), c.1775 (stipple engraving) by Cornish, John (fl.1751-65) (after); 26.2x22.8 cm; Gerald Coke Handel Collection, Foundling Museum

Patrick Scougal, c. 1680 (oil on canvas)
752946 Patrick Scougal, c.1680 (oil on canvas) by Scougall, David (fl.1654-77); Private Collection; Collection Michael Burden, New College, Oxford; Scottish, out of copyright

Portrait of Richard Bentley DD, c. 1750 (oil on canvas)
2830942 Portrait of Richard Bentley DD, c.1750 (oil on canvas) by Hudson, Thomas (1701-79); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Freeman, Mrs I.C

Henri de Pussort, 1675 (engraving)
2972734 Henri de Pussort, 1675 (engraving) by Masson, Antoine (1636-1700); 55.1x46.3 cm; The Art Institute of Chicago, IL, USA; Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K

Henricus Aldrich, engraved by John Smith (1652-1743), 1696 (mezzotint)
DEC418559 Henricus Aldrich, engraved by John Smith (1652-1743), 1696 (mezzotint) by Kneller, Godfrey (1646-1723) (after); 39.3x27.6 cm; Gerald Coke Handel Collection, Foundling Museum

Warden John Nicholas (oil on canvas)
NCO404076 Warden John Nicholas (oil on canvas) by Lely, Peter (1618-80) (circle of); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Warden of New College 1675-79; ); English

Thomas Ken (1637-1711), Bishop of Bath and Wells (oil on canvas)
NCO404072 Thomas Ken (1637-1711), Bishop of Bath and Wells (oil on canvas) by Sheffer, F

Dr. Thomas Fowkes (oil on canvas)
NCO404078 Dr. Thomas Fowkes (oil on canvas) by English School, (17th century); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Warden John Dobson (oil on canvas)
NCO404077 Warden John Dobson (oil on canvas) by Gibson, Thomas (c.1680-1751); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: John Dobson)

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"Exploring the Melodies of Academic Bands: A Journey Through Time" Step into the world of academia as we embark on a musical odyssey, guided by the captivating artworks and engravings that have immortalized these esteemed individuals. From Hastings Rashdall's evocative oil painting in 1923 to Thomas Hearne's meticulously engraved portrait from 1735, each piece unveils a unique facet of this enchanting realm. Transport yourself to c. 1760 with an exquisite oil painting capturing a young man adorned in cap and gown, symbolizing the timeless traditions and intellectual pursuits associated with academic life. As we delve deeper into history, Bartholomeus Anglicus' page from "De Proprietatibus Rerum" offers glimpses into ancient knowledge that shaped scholarly discourse. The canvas comes alive once again with Reverend Thomas Wood and Jeremy Taylor portrayed in rich oils, their expressions reflecting wisdom acquired through years of dedicated study. Denis Talon's intricate engraving takes us back to 1656, showcasing the artistry behind documenting academic achievements during that era. James Edwards Sewell's vibrant oil painting from 1885-86 captures an energetic ensemble of musicians clad in academic regalia – perhaps an early representation of what would later be known as "academic bands. " Meanwhile, Lord Ashburton's watercolor portrait exudes elegance within the walls of Mansion House at Queen Square. Warden P. N. Shuttleworth gazes upon us from his canvas depiction while Guliel Hayes' mezzotint engraving introduces us to another figure who left an indelible mark on academia during his time. Finally, Bishop Henry Bathurst's commanding presence is captured beautifully on canvas in 1826. These diverse artworks serve as portals connecting us to different eras where scholars thrived amidst music-filled halls and celebrated their intellectual endeavors through harmonious melodies.