Abstractions Collection

Fractal graphics, abstract

Kitchen Still Life (oil on wood)
3744351 Kitchen Still Life (oil on wood) by Barker, John Edward (1889-1953); 19.1x24.1 cm; Nottingham City Museums and Galleries (Nottingham Castle); © Nottingham City Museums & Galleries .

Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas)
BAL194923 Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas) by Tatlin, Vladimir Evgrafovich (1885-1953); 100x57 cm; Tretyakov Gallery, Moscow, Russia.

Winter Over Autumn
Paolo Giudici

Abstract-futurist Composition, c. 1912 (oil on canvas)
7412139 Abstract-futurist Composition, c.1912 (oil on canvas) by Lanooy, Chris (1881-1948); 56.5--66.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: attributed to Chris Lanooy)

Plate No. 40, from Prismes, after 1931 (colour litho)
BCC124706 Plate No.40, from Prismes, after 1931 (colour litho) by Seguy, Emile-Allain (1877-1951); Calmann & King, London, UK; (add.info.: by Emile-Allain Seguy)

Group I, Primordial Chaos, No. 16, from The WU/Rose Series, 1906-1907 (oil on canvas)
7347301 Group I, Primordial Chaos, No. 16, from The WU/Rose Series, 1906-1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IX SUW, The Swan No. 7, 1915 (oil on canvas)
7347223 Group IX SUW, The Swan No. 7, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

The Current Standpoint of the Mahatmas, 1920 (oil on canvas)
7347540 The Current Standpoint of the Mahatmas, 1920 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group V, The Seven-Pointed Star, No. 1 (WUS/Seven-Pointed Star Series), 1908 (tempera on cardboard)
7347539 Group V, The Seven-Pointed Star, No. 1 (WUS/Seven-Pointed Star Series), 1908 (tempera on cardboard) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Aeropainting, 1938 (oil on panel)
7293958 Aeropainting, 1938 (oil on panel) by Tano, Bruno (1913-42); Palazzo Ricci, Museo Arte Italiana del Novecento, Macerata, Italy; (add.info.: Aeropainting, 1938, Bruno Tano, oil on panel)

Spring (The Procession), c. 1914-16 (oil on canvas)
7355551 Spring (The Procession), c.1914-16 (oil on canvas) by Stella, Joseph (1877-1946); Yale University Art Gallery, New Haven, CT, USA; (add.info.: by Joseph Stella (1877-1946))

Group IX/SUW, The Swan, No. 12, 1915 (oil on canvas)
7347306 Group IX/SUW, The Swan, No. 12, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IX/UW, No. 25, The Dove, No. 1 (oil on canvas)
7347544 Group IX/UW, No. 25, The Dove, No. 1 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group X, No. 2, Altarpiece, 1915 (oil on canvas)
7347542 Group X, No. 2, Altarpiece, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Evolution, No. 15, Group IV, The Seven-pointed Stars, 1908 (oil on canvas)
7347307 Evolution, No. 15, Group IV, The Seven-pointed Stars, 1908 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Oasis, 1935 (oil on faesite)
7293935 Oasis, 1935 (oil on faesite) by Tano, Bruno (1913-42); Palazzo Ricci, Museo Arte Italiana del Novecento, Macerata, Italy; (add.info.: Oasis, 1935, Bruno Tano, oil on faesite)

Untitled Drawing, 1918 (pencil and gouache on paper)
CCL248189 Untitled Drawing, 1918 (pencil and gouache on paper) by Eluard, Paul (1895-1952); 13x10, 5 cm; Musee d'Art et d'Histoire, Saint-Denis, France; (add.info.: Dessin sans titre;)

Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin, Military in Nature, c
7355584 Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin, Military in Nature, c.1915 (oil on canvas) by Hartley

Composition, beginning of 1950s (watercolour on paper)
7294369 Composition, beginning of 1950s (watercolour on paper) by Wols, Alfred Otto Wolfgang Schulze (1913-51); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Composition, beginning of 1950s)

Sunrise III, 1936-37(wax emulsion and oil on canvas, partly coated in gesso)
7355585 Sunrise III, 1936-37(wax emulsion and oil on canvas, partly coated in gesso) by Dove, Arthur Garfield (1880-1946); 63.5 -- 89.1 cm; Yale University Art Gallery, New Haven, CT

The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series, 1907 (oil on canvas)
7347305 The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IV, No. 2. The Ten Largest, Childhood, 1907 (oil and tempera on cardboard)
7347302 Group IV, No. 2. The Ten Largest, Childhood, 1907 (oil and tempera on cardboard) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

The Swan, No. 1, Group IX SUW, 1915 (oil on canvas)
7347300 The Swan, No. 1, Group IX SUW, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

The Ten Largest, Childhood, No. 1, Group IV, 1907 (oil on canvas)
7347298 The Ten Largest, Childhood, No.1, Group IV, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group X, No. 3, Altarpiece (oil on canvas)
7347543 Group X, No. 3, Altarpiece (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group I, No. 7. Primordial Chaos, 1906-1907 (oil on canvas)
7347541 Group I, No. 7. Primordial Chaos, 1906-1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Tree of Knowledge, No. 5, 1915 (oil on canvas)
7347538 Tree of Knowledge, No. 5, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

The Ten Largest, No. 7. Adulthood, Group IV, 1907 (oil on canvas)
7347536 The Ten Largest, No. 7. Adulthood, Group IV, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IX/SUW, The Swan, No. 17, 1914-1915 (oil on canvas)
7347537 Group IX/SUW, The Swan, No. 17, 1914-1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IX/SUW, No. 8, The Swan, No. 8, 1914-1915 (oil on canvas)
7347304 Group IX/SUW, No. 8, The Swan, No. 8, 1914-1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Group IX SUW, The Swan No. 9, 1915 (oil on canvas)
7347224 Group IX SUW, The Swan No. 9, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

On the Viewing of Flowers and Trees, 1922 (oil on canvas)
7347222 On the Viewing of Flowers and Trees, 1922 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Construction, 1947 (mixed media)
XAV218917 Construction, 1947 (mixed media) by Del Marle, Felix (1889-1952); Musee des Beaux-Arts, Valenciennes, France

Cherry Orchard, 1930 (printed textile)
7273873 Cherry Orchard, 1930 (printed textile) by Nash, Paul (1889-1946); 177x98 cm; The Whitworth, The University of Manchester; (add.info.: Creator: Paul Nash (1889-1946), G P and J Baker Ltd

The Archer, c. 1930-42 (oil on canvas)
908516 The Archer, c.1930-42 (oil on canvas) by Nash, Paul (1889-1946); 71x91.5 cm; Southampton City Art Gallery, Hampshire, UK; Southampton City Art Gallery

Proun 30 T, 1920 (painting)
885197 Proun 30 T, 1920 (painting) by Lissitzky, Eliezer (El) Markowich (1890-1941); Niedersachsisches Landesmuseum, Hanover, Germany; (add.info.: by Eliezer (El) Markowich Lissitzky (1890-1941))

Proun R. V. N. 2. 1923 (painting)
885192 Proun R.V.N.2. 1923 (painting) by Lissitzky, Eliezer (El) Markowich (1890-1941); Niedersachsisches Landesmuseum, Hanover

Parque, illustration from Romancero Gitano, 1927 (litho)
1728896 Parque, illustration from Romancero Gitano, 1927 (litho) by Garcia Lorca, Federico (1898-1936); (add.info.: Parque, drawing by Federico Garcia Lorca for " Romancero Gitano" (poems)

Don Juan
BAL3760 Don Juan by Wols, Alfred Otto Wolfgang Schulze (1913-51); Private Collection

Imaginary Forms, c. 1939 / 40 (pen, indian ink and watercolour on paper)
XKH148261 Imaginary Forms, c.1939/40 (pen, indian ink and watercolour on paper) by Wols, Alfred Otto Wolfgang Schulze (1913-51); 31.4x24.1 cm; On Loan to the Hamburg Kunsthalle, Hamburg, Germany

Landscape in the Camargue, 1940s (oil on canvas)
2957154 Landscape in the Camargue, 1940s (oil on canvas) by Winsberg, Jacques (b.1929); 21x15 cm; Private Collection

Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660947 Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Barn Next Door, (oil on canvas)
984954 Barn Next Door, (oil on canvas) by Dove, Arthur Garfield (1880-1946); 51x71.4 cm; Private Collection; (add.info.: Barn Next Door. Arthur Garfield Dove (1880-1946). Oil on canvas

Set Design for Shakespeares Macbeth, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660946 Set Design for Shakespeares Macbeth, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

Sunset. Fontainebleau, 1900 (oil on canvas)
5675870 Sunset. Fontainebleau, 1900 (oil on canvas) by Schonheyder Moller, Valdemar (1864-1905); 116.2x88.3 cm; Statens Museum for Kunst, Copenhagen, Denmark; (add.info.: Valdemar Schonheyder Moller)

Construction, 1922-23 (oil on canvas)
3726052 Construction, 1922-23 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 89.2 x 89.9 cm; Museum of Modern Art, New York, USA; The Riklis Collection of McCrory Corporation

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"Exploring the World of Abstractions: A Journey Through Fractal Graphics and Abstract Art" Step into a realm where reality blurs, and imagination takes flight. Fractal graphics and abstract art beckon us to embrace the beauty of abstractions. From the mesmerizing "Abstract-futurist Composition" in 1912 to the vibrant "Plate No. 40, from Prismes" after 1931, these masterpieces on canvas transport us to a world beyond conventional forms. Intriguingly, Group I's "Primordial Chaos, No. 16" from The WU/Rose Series captures the essence of creation itself with its chaotic yet captivating strokes. Meanwhile, Group IX's "The Swan No. 7" in 1915 evokes a sense of grace amidst turmoil through its elegant portrayal. "The Current Standpoint of the Mahatmas, " painted in 1920, invites contemplation as it merges spirituality with abstraction on canvas. Similarly thought-provoking is Group V's "The Seven-Pointed Star, " an enchanting tempera on cardboard that sparks curiosity about hidden meanings within its intricate design. "Aeropainting, " created in 1938, propels us forward into an era where technology intertwines with artistic expression—a testament to human progress and innovation captured through brushstrokes. Spring (The Procession), painted between c. 1914-16, immerses us in a vivid celebration of nature's renewal—an explosion of colors that transcends traditional representation. Group IX/SUW presents another majestic swan in their painting titled "The Swan, No. 12. " Its serene presence exudes tranquility amid chaos—a symbol of hope amidst adversity. Meanwhile, Group IX/UW introduces us to "No. 25 The Dove, " an artwork that speaks volumes about peace and harmony through its symbolic representation. Lastly, we encounter Group X's profound masterpiece—Altarpiece, No. 2—painted in 1915.