Abraham Bloemaert Collection
Abraham Bloemaert, a renowned Dutch painter and printmaker, left an indelible mark on the art world during the Haarlem Mannerist period from 1566 to 1651
All Professionally Made to Order for Quick Shipping
Abraham Bloemaert, a renowned Dutch painter and printmaker, left an indelible mark on the art world during the Haarlem Mannerist period from 1566 to 1651. His artistic prowess is evident in his various works, including "The Realm of Neptune" and "Figure Studies, " which were featured in his Drawing Book between 1650 and 1656. One notable piece that showcases Bloemaert's talent is the portrait of himself. This etching captures his essence as a multifaceted artist who excelled not only in painting but also in etching and engraving. Another intriguing artwork is the trade card titled "Map and Printseller. " Through this engraving, we catch a glimpse into the bustling world of mapmaking and print selling during that era. Bloemaert's versatility shines through his diverse subject matter. In "Two Studies of the Head of the Virgin, " he skillfully employs red and white chalk on light brown paper to depict delicate facial features with remarkable precision. Similarly, his portrayal of an old man's head demonstrates his ability to capture age and wisdom through intricate details. Not limited to religious themes, Bloemaert also delved into depicting female hermits like Sancta Euphrolyna in his series called Female Hermits from 1600 to 1633. These artworks showcase both his technical mastery and storytelling abilities. Collaboration was another aspect that enriched Bloemaert's career; evidenced by Nicolas Visscher's portrait capturing him during the seventeenth century. This collaboration highlights their mutual respect for each other as artists within their respective mediums. Furthermore, Bloemaert contributed significantly to biblical narratives such as "Eve Giving Adam the Forbidden Fruit" from "The Story of Adam and Eve. " His interpretation breathes life into these ancient tales while staying true to their essence. Lastly, Jacob Matham's depiction of "The Nativity" showcases Bloemaert's influence on other artists.