3rd Century Collection (page 6)

The 3rd century was a pivotal time in the Roman Empire, circa 200 AD. It was an era filled with remarkable art and cultural achievements that still captivate us today

3rd Century Collection: Wool Tapestry Fragment, 3rd century. Creator: Unknown

Wool Tapestry Fragment, 3rd century. Creator: Unknown
Wool Tapestry Fragment, 3rd century

3rd Century Collection: Roman statue of Hercules

Roman statue of Hercules. This marble statue of Hercules, 3.17 metres high, is a copy made by Glycon in 200-210 AD of a smaller original Greek bronze sculpture of the 4th century BC by Lysippus

3rd Century Collection: Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic)

Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic)
1068448 Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic) by Moche; 16.04x11.59x18.73 cm; Dallas Museum of Art, Texas, USA; (add.info.: Moche culture); The Nora and John Wise Collection

3rd Century Collection: Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723)

Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe
UIG5325124 Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et

3rd Century Collection: Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723)

Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de
UIG5325120 Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et Chloe

3rd Century Collection: Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723)

Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723)
UIG5325113 Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723)

Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723)
UIG5325107 Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour

Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour. Dessin de Philippe d'Orleans (1674-1723)
UIG5325116 Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour. Dessin de Philippe d'Orleans (1674-1723)

3rd Century Collection: Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723)

Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723)
UIG5325109 Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Chloe se lave dans la fontaine des nymphes en presence de Daphnis

Chloe se lave dans la fontaine des nymphes en presence de Daphnis. Dessin de Philippe d'Orleans (1674-1723)
UIG5325106 Chloe se lave dans la fontaine des nymphes en presence de Daphnis. Dessin de Philippe d'Orleans (1674-1723)

3rd Century Collection: Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723)

Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe
UIG5325125 Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et

3rd Century Collection: Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723)

Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723)
UIG5325119 Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723)

Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723)
UIG5325114 Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration

3rd Century Collection: L'amour apparait a Philetas dans son jardin. Dessin de Philippe d'Orleans (1674-1723)

L'amour apparait a Philetas dans son jardin. Dessin de Philippe d'Orleans (1674-1723)
UIG5325110 L'amour apparait a Philetas dans son jardin. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Chloe verse a boire a Daphnis. Dessin de Philippe d'Orleans (1674-1723)

Chloe verse a boire a Daphnis. Dessin de Philippe d'Orleans (1674-1723)
UIG5325126 Chloe verse a boire a Daphnis. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis

3rd Century Collection: La nuit d'amour de Daphnis et Chloe. Dessin de Philippe d'Orleans (1674-1723)

La nuit d'amour de Daphnis et Chloe. Dessin de Philippe d'Orleans (1674-1723)
UIG5325117 La nuit d'amour de Daphnis et Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de

3rd Century Collection: Les nymphes promettent a Daphnis le retour de Chloe. Dessin de Philippe d'Orleans (1674-1723)

Les nymphes promettent a Daphnis le retour de Chloe. Dessin de Philippe d'Orleans (1674-1723)
UIG5325112 Les nymphes promettent a Daphnis le retour de Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Franc and Sicamber warriors around the year 254. The Sicambres were a Germanic people south of

Franc and Sicamber warriors around the year 254. The Sicambres were a Germanic people south of the Lippe
PCT4264725 Franc and Sicamber warriors around the year 254. The Sicambres were a Germanic people south of the Lippe, subordinated by the Romans in the 8th century

3rd Century Collection: Daphnis fait obeir ses chevres au son de sa flute. Dessin de Philippe d'Orleans (1674-1723)

Daphnis fait obeir ses chevres au son de sa flute. Dessin de Philippe d'Orleans (1674-1723)
UIG5325122 Daphnis fait obeir ses chevres au son de sa flute. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Reconnaissance de Daphnis, fuite de Gnathon. Dessin de Philippe d'Orleans (1674-1723)

Reconnaissance de Daphnis, fuite de Gnathon. Dessin de Philippe d'Orleans (1674-1723)
UIG5325118 Reconnaissance de Daphnis, fuite de Gnathon. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Chloe et Dorcon retirent Daphnis d'une fosse. Dessin de Philippe d'Orleans (1674-1723)

Chloe et Dorcon retirent Daphnis d'une fosse. Dessin de Philippe d'Orleans (1674-1723)
UIG5325115 Chloe et Dorcon retirent Daphnis d'une fosse. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

3rd Century Collection: Combat pour Daphnis. Dessin de Philippe d'Orleans (1674-1723)

Combat pour Daphnis. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de
UIG5325111 Combat pour Daphnis. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et Chloe

3rd Century Collection: Celestial Horse, 25-220 (bronze with traces of polychrome)

Celestial Horse, 25-220 (bronze with traces of polychrome)
7424844 Celestial Horse, 25-220 (bronze with traces of polychrome) by Chinese School; 114 x 87.6 x 36.8 cm; Minneapolis Institute of Arts, MN, USA; Photo: © Minneapolis Institute of Arts, MN, USA

3rd Century Collection: Handle Spout Vessel Depicting Oral Sex, 100 B. C. / A. D. 500. Creator: Unknown

Handle Spout Vessel Depicting Oral Sex, 100 B. C. / A. D. 500. Creator: Unknown
Handle Spout Vessel Depicting Oral Sex, 100 B.C./A.D. 500

3rd Century Collection: Guan Yu, ca. 1700. Creator: Unknown

Guan Yu, ca. 1700. Creator: Unknown
Guan Yu, ca. 1700. Guan Yu, warrior and saint in the Daoist pantheon, patron saint of the Manchu rulers of the Qing dynasty (1644-1911)

3rd Century Collection: Temple of Vespasian and Arch of Severus, east from Capitol, Rome, Italy, c1909. Creator: Unknown

Temple of Vespasian and Arch of Severus, east from Capitol, Rome, Italy, c1909. Creator: Unknown
Temple of Vespasian and Arch of Severus, east from Capitol, Rome, Italy, c1909. The Temple of Vespasian, begun by Titus in 79 after Vespasians death

3rd Century Collection: Daphne, Coptic carving, Ahnassia, Beni-Soueff, Egypt, 3rd century

Daphne, Coptic carving, Ahnassia, Beni-Soueff, Egypt, 3rd century. Held at Coptic Museum, Cairo

3rd Century Collection: Floor Mosaic of Romulus, Remus and Wolf, Roman Villa, Carthage, Tunisia, 2nd-3rd century

Floor Mosaic of Romulus, Remus and Wolf, Roman Villa, Carthage, Tunisia, 2nd-3rd century. Rome took control of Carthage after the Third Punic War (149-146), annexed the city and its vicinity

3rd Century Collection: Roman Merchant-ship being loaded with grain, from a wall painting in Ostia, 2nd-3rd century

Roman Merchant-ship being loaded with grain, from a wall painting in Ostia, 2nd-3rd century. Note the rudder. Vatican Museums

3rd Century Collection: Baths of Caracalla, Rome, c20th century. Artist: CM Dixon

Baths of Caracalla, Rome, c20th century. Artist: CM Dixon
Baths of Caracalla, Rome, c20th century. The Baths of Caracalla in Rome, Italy, were the citys second largest Roman public baths, or thermae, likely built between AD 212 (or 211) and 216/217

Roman Mosaic of Horseman hunting a leopard, Merida, Spain, c2nd-3rd century

3rd Century Collection: Romano-Celtic bronze statuette of a deity, 3rd century

Romano-Celtic bronze statuette of a deity, 3rd century. Found in Southbroom, Devizes, Wiltshire. The figure is markedly native in style. From the British Museums collection

3rd Century Collection: Statue of Jesus as the good shepherd, early Christian Catacombs, Rome, Italy

Statue of Jesus as the good shepherd, early Christian Catacombs, Rome, Italy
Statue of Jesus as the good shepherd, from the early Christian Catacombs in Rome, 3rd - 4th Century. Part of the Vatican Museums Collection

3rd Century Collection: Prometheus creating the First Man, detail of Sarcophagus from Arles, France, c3rd-4th century

Prometheus creating the First Man, detail of Sarcophagus from Arles, France, c3rd-4th century
Prometheus creating the First Man, detail of Sarcophagus from Ares, France, c3rd-4th century. Roman relief of Prometheus creating man, guided by Athena.Marble relief from Arles. Held at Louvre Museum

3rd Century Collection: Baths of Caracalla, 3rd century

Baths of Caracalla, 3rd century
The baths of Caracalla in Rome, 3rd century

3rd Century Collection: Roman mosaic showing the toilette of Venus, 3rd century

Roman mosaic showing the toilette of Venus, 3rd century
Roman mosaic showing the toilette of Venus with cupids. From Thuburbo Maius, Tunisia. Now in the Bardo Museums collection in Tunis, 3rd century

3rd Century Collection: St Sebastian, 1609-1667. Creator: Cornelis van Poelenburch

St Sebastian, 1609-1667. Creator: Cornelis van Poelenburch
St Sebastian, 1609-1667

Roman mosaic (3rd century), Archaeological museum, El Jem, Tunisia

Diocletian arch (3rd century), Sbeitla, Tunisia

Roman amphitheatre (230-238), El Jem, Tunisia

Praetorium (267), Lambesis, Batna Province, Algeria

Baths of Caracalla (217), Rome, Italy

3rd Century Collection: San Fermin Saint Fermin Firmin San Fermín De Amiens

San Fermin Saint Fermin Firmin San Fermín De Amiens
San Fermin, co-patron saint of Navarre, Spain. He is thought to have lived in the third century AD. After a work by Bernard Picart

3rd Century Collection: Seated Ballplayer, 1st century BC-3rd century CE (ceramic)

Seated Ballplayer, 1st century BC-3rd century CE (ceramic)
7393883 Seated Ballplayer, 1st century BC-3rd century CE (ceramic) by Mexican School, Ameca-Etzatlan Jalisco, (100 BC-250); 48.3--33--23.8 cm; Metropolitan Museum of Art, New York, USA

3rd Century Collection: Seated Bodhisattva Shakyamuni, c. 3rd century AD (dark grey schist)

Seated Bodhisattva Shakyamuni, c. 3rd century AD (dark grey schist)
7394093 Seated Bodhisattva Shakyamuni, c. 3rd century AD (dark grey schist) by Pakistani School, (3rd century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: dark grey schist)

3rd Century Collection: Standing Ballplayer, 1st century BC-3rd century CE (ceramic)

Standing Ballplayer, 1st century BC-3rd century CE (ceramic)
7394126 Standing Ballplayer, 1st century BC-3rd century CE (ceramic) by Mexican School, Ameca-Etzatlan Jalisco, (100 BC-250); 28.3--13.7--12.1 cm; Metropolitan Museum of Art, New York, USA

3rd Century Collection: Antiquite: representation of Pope Sixtus II (Sixtus or Sisto) (258)

Antiquite: representation of Pope Sixtus II (Sixtus or Sisto) (258) Drawing from " Misteri del Vaticano" by
ELD4956597 Antiquite: representation of Pope Sixtus II (Sixtus or Sisto) (258) Drawing from " Misteri del Vaticano" by Franco Mistrali; Private Collection; (add.info.: Antiquite)

3rd Century Collection: Antiquite: representation of Pope Fabien (Fabian or Fabiano or Fabianus) (236-250)

Antiquite: representation of Pope Fabien (Fabian or Fabiano or Fabianus) (236-250)
ELD4956594 Antiquite: representation of Pope Fabien (Fabian or Fabiano or Fabianus) (236-250) Drawing from "Misteri del Vaticano" by Franco Mistrali; Private Collection; (add.info)

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The 3rd century was a pivotal time in the Roman Empire, circa 200 AD. It was an era filled with remarkable art and cultural achievements that still captivate us today. One such masterpiece is the Barberini Faun, a Roman marble copy of a sleeping or drunken satyr. Its intricate details and lifelike portrayal showcase the artistic prowess of this period. Another stunning artifact from this time is the Mosaic of Nine Muses, discovered in Augusta Treverorum (Trier). This mosaic depicts the muses, goddesses of inspiration, each adorned with their unique attributes. The vibrant colors and meticulous craftsmanship make it a true testament to Roman ingenuity. Traveling further south to Tunis, Tunisia, we encounter yet another breathtaking Roman mosaic housed in the Bardo museum. This intricate piece showcases scenes from daily life during this period - a glimpse into ancient society frozen in time. In Tebessa, Algeria stands an awe-inspiring sight - the Roman Temple of Minerva. Built during this epoch, its grandeur speaks volumes about Rome's architectural prowess and influence over distant lands. Moving away from visual arts but no less significant is Saint Anthony the Great, patron saint of basket makers. His devotion to Christianity as one of its first monks paved the way for future spiritual seekers seeking solace in solitude. Speaking of spirituality brings us to Liu Bei (161-223), also known as Xuande - an influential figure during China's Three Kingdoms period. His leadership skills and strategic acumen left an indelible mark on Chinese history. Returning to matters religiously profound leads us to Saint Anthony (c250-350), considered Christianity's first monk. A line engraving from 1832 captures him amidst his ascetic lifestyle in the desert – reminding us how faith can shape lives across centuries. Jan Muller's painting depicting St. Sebastian's martyrdom around 1600 takes us back to Rome.