1857 1927 Collection

Versailles, Chaste Venus, 1922-1923. Creator: Eugene Atget (French, 1857-1927)
Versailles, Chaste Venus, 1922-1923. During the first quarter of the 20th century, Eugene Atget photographed the French urban experience

Versailles, Fountain of Enceladus, 1922-1923. Creator: Eugene Atget (French, 1857-1927)
Versailles, Fountain of Enceladus, 1922-1923. Taken in his later campaign of photographing at Versailles during the 1920s

Versailles, Fountain of Triumphant France, 1904. Creator: Eugene Atget (French, 1857-1927)
Versailles, Fountain of Triumphant France, 1904. From 1901 until his death in 1927, Atget devoted much of his time to documenting chateaus and parks in and around Paris

The Park at Sceaux [April 1925, 7a. m. ], 1925. Creator: Eugene Atget (French, 1857-1927)
The Park at Sceaux [April 1925, 7a.m.], 1925. After the turn of the 20th century, Atget began to photograph many of the magnificent chateaux and parks surrounding Paris

Rue du Regard, 1899. Creator: Eugene Atget (French, 1857-1927)
Rue du Regard, 1899

Rue de la Montagne-Sainte-Genevieve, 1898. Creator: Eugene Atget (French, 1857-1927)
Rue de la Montagne-Sainte-Genevieve, 1898

Mullein in Bloom, c. 1897-1899. Creator: Eugene Atget (French, 1857-1927)
Mullein in Bloom, c. 1897-1899. Atget produced architectural details, views of historic Paris, landscapes, and botanical images for use by painters and illustrators

Fountain of the LEcole Polytechnique, 1902. Creator: Eugene Atget (French, 1857-1927)
Fountain of the LEcole Polytechnique, 1902

Hotel Cheruseau, Rue Louis en LIle, c. 1905-06. Creator: Eugene Atget (French
Hotel Cheruseau, Rue Louis en LIle, c. 1905-06

Nymphea, 1922-1923. Creator: Eugene Atget (French, 1857-1927)
Nymphea, 1922-1923. A prolific Parisian artist who enjoyed a three-decade career, Atget was one of the most important and original photographers active at the beginning of the 20th century

Mullein Bloom 1897-1899 Eugene Atget French
Mullein in Bloom, c. 1897-1899. Eugene Atget (French, 1857-1927). Albumen print; image: 21.8 x 17.6 cm (8 9/16 x 6 15/16 in.); paper: 21.8 x 18 cm (8 9/16 x 7 1/16 in.)

Atget numbering series Landscape Documents #1196
Atget numbering series: Landscape Documents #1196: Nymphea, 1922-1923. Eugene Atget (French, 1857-1927). Albumen print, gold-toned; image: 22.2 x 17.6 cm (8 3/4 x 6 15/16 in.); matted

Sceaux series #37 Park Sceaux April 1925 7a. m
Sceaux series #37: The Park at Sceaux [April 1925, 7a.m.], 1925. Eugene Atget (French, 1857-1927). Arrowroot print, gold-toned; image: 22.9 x 17.6 cm (9 x 6 15/16 in.); matted

Shop front Courone d Quai Bourbon 1922 Gelatin silver print
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Boats La Rochelle ca 1896 Matte albumen silver print
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Boucherie Rue Christine 1920s printed 1956 Gelatin silver print
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Fontaine Sceaux ca 1921 Gelatin silver print
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Pompe Funebre 1e Classe 1910 printed 1956 Gelatin silver print
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Environs Paris 1920s printed 1956 Gelatin silver print
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Atget Work Room Contact Printing Frames ca 1910
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Paris Interior ca 1910 printed 1956 Gelatin silver print
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St Cloud Paris 1923 Gelatin silver print Image
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Rue St Rustique Montmartre 1922 printed 1956
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Eclipse 1911 printed 1956 Gelatin silver print
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Cuisine ca 1910 Albumen silver print glass negative
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Window 1913 Albumen silver print glass negative
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Ragpickers Hut 1910 printed 1956 Gelatin silver print
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la Biche rue Geoffrey Hilaire 1922 Matte albumen silver print
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Cour 7 rue de Valence 1922 Gelatin silver print
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St Cloud Fin mai 7 h soir 1922 Matte albumen silver print
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Men Fashions 1925 printed 1956 Gelatin silver print
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Carrousel 1923 printed 1956 Gelatin silver print
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Boulevard de Strasbourg Corsets Paris 1912 Gelatin silver print
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Maison Close 1921 printed 1956 Gelatin silver print
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"Capturing the Essence of a Bygone Era: Eugene Atget (1857-1927)" Step into the world of renowned French photographer, Eugene Atget, as he takes us on a visual journey through time. From his lens, we witness the beauty and grandeur of Versailles in the early 1900s. In "Chaste Venus" and "Fountain of Enceladus, " Atget's artistry transports us to this iconic palace, where history comes alive. But it is not just Versailles that captivates Atget; he also finds inspiration in everyday scenes. In "Rue du Regard" and "Rue de la Montagne-Sainte-Genevieve, " he captures the essence of Parisian streets with their charming architecture and bustling energy. Through his lens, we are transported to late 19th-century France. Atget's attention to detail extends beyond cityscapes; he finds beauty even in nature's simplicity. In "Mullein in Bloom, " delicate flowers come alive against a backdrop of greenery, showcasing Atget's ability to find poetry in the ordinary. As we delve deeper into his portfolio, we discover more hidden gems like "The Park at Sceaux [April 1925, 7a. m. ]". Here, Atget masterfully captures an ethereal morning scene – sunlight filtering through trees while casting enchanting shadows on dew-covered grass. Not limited by genre or subject matter, Atget also turns his lens towards architectural wonders such as the majestic "Fountain of Triumphant France" and the elegant facade of Hotel Cheruseau on Rue Louis en LIle. These images serve as reminders that even man-made structures can possess artistic allure. In Nymphea and Fountain of LEcole Polytechnique, " we see how water becomes a recurring motif throughout Atget's work – symbolizing life and movement within still images.