1838 Collection (page 6)

Eagle Egg Hunting - Attempt to rob the Aerie. 1838

Cheapside, London - including 65 Cheapside at the Civet, Cat & Rose and Rigge Perfumery and Cutlery shop. Date: 1838

Preparing for Queen Victorias Coronation in 1838. 1838

Gulliver converses with talking horses in Houyhnhnms Land from Gulliver
3514757 Gulliver converses with talking horses in Houyhnhnms Land from Gullivers Travels by Jonathan Swift by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

Gulliver escape Brobdingnag when his box is grabbed by an eagle who drops it in the sea
3514756 Gulliver escape Brobdingnag when his box is grabbed by an eagle who drops it in the sea, from Gullivers Travels by Jonathan Swift by Grandville (Jean Ignace Isidore Gerard) (1803-47)

April - low Sunday (engraving)
607047 April - low Sunday (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: April - low Sunday; from George Cruikshanks Comic Almanack)

A Charity Ball, Dancing for the Million (engraving)
5997818 A Charity Ball, Dancing for the Million (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: A Charity Ball, Dancing for the Million)

January, New Years Eve (engraving)
5997817 January, New Years Eve (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: January, New Years Eve)

John-Henry-Brodribb Irving (1838) (b / w photo)
5220131 John-Henry-Brodribb Irving (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: John-Henry-Brodribb Irving (1838)

Henry Fouquier (1838-1901) (b / w photo)
5219900 Henry Fouquier (1838-1901) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Henry Fouquier (1838-1901)

Jean-Paul Laurens (1838) (b / w photo)
5220033 Jean-Paul Laurens (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jean-Paul Laurens (1838)

Edouard Lockroy (1838) (b / w photo)
5219763 Edouard Lockroy (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Edouard Lockroy (1838)

Fashionable woman in the Luxembourg Gardens in 1838, 1898 (litho)
5913069 Fashionable woman in the Luxembourg Gardens in 1838, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: Fashionable woman in the Luxembourg Gardens, 1838)

Alexis Grippenberg, General, 1838 (b / w photo)
5201455 Alexis Grippenberg, General, 1838 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Alexis Grippenberg, General, 1838)

Coronation Portrait of Queen Victoria, 1838 (etching)
2622518 Coronation Portrait of Queen Victoria, 1838 (etching) by English School, (19th century); Private Collection; (add.info)

The Edinburgh and London Royal Mail, 1838 (oil on canvas)
989632 The Edinburgh and London Royal Mail, 1838 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 51.1x91.5 cm; Private Collection; (add.info.: The Edinburgh and London Royal Mail)

Gulliver is inspected by residents of Brobdingnag, from Gullivers Travels
3514755 Gulliver is inspected by residents of Brobdingnag, from Gullivers Travels by Jonathan Swift by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

The Roman Road, Tufnell Park, in 1838 (engraving)
3636966 The Roman Road, Tufnell Park, in 1838 (engraving) by English School, (19th century); Private Collection; (add.info.: The Roman Road, Tufnell Park, in 1838)

The Coronation of Queen Victoria (1819-1901) (oil)
FC12288 The Coronation of Queen Victoria (1819-1901) (oil) by Jennens, L. (fl.1830-97) and Bettridge, H. (fl.1830-1900); The FORBES Magazine Collection

The Late Right Honourable Henry Cecil Raikes, MP, Post-Master General (engraving)
1036365 The Late Right Honourable Henry Cecil Raikes, MP, Post-Master General (engraving) by English School, (19th century); Private Collection; (add.info)

Californian Vulture, Old Male, 1838 (hand-coloured etching with aquatint engraving)
985668 Californian Vulture, Old Male, 1838 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 (folio) cm; Private Collection; (add.info)

St Davids Day in Wales (engraving)
1055628 St Davids Day in Wales (engraving) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: St Davids Day in Wales)

Louis Baron Pere (1838) (b / w photo)
5220069 Louis Baron Pere (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Louis Baron Pere (1838)

Edouard Colonne (1838) (b / w photo)
5219972 Edouard Colonne (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Edouard Colonne (1838)

Louise, Grande Duchesse De Bade (1838) (b / w photo)
5219663 Louise, Grande Duchesse De Bade (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Louise, Grande Duchesse De Bade (1838)

Emile Loubet (1838) (b / w photo)
5219640 Emile Loubet (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Emile Loubet (1838)

General Louis-Joseph-Nicolas Andre, 1838 (b / w photo)
5201418 General Louis-Joseph-Nicolas Andre, 1838 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: General Louis-Joseph-Nicolas Andre, 1838)

The Queens Glorious Reign (litho)
1598900 The Queens Glorious Reign (litho) by English School, (19th century); Private Collection; (add.info.: The Queens Glorious Reign. Illustration for The Illustrated London News, 27 May 1899)

The late Duchess of Teck (engraving)
1598079 The late Duchess of Teck (engraving) by English School, (19th century); Private Collection; (add.info.: The late Duchess of Teck)

Pushkin Looking at the Black Sea, 1838 (oil on canvas)
1195537 Pushkin Looking at the Black Sea, 1838 (oil on canvas) by Aivazovsky, Ivan Konstantinovich (1817-1900); 54.5x47.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Panorama of Constantinople, with two views of Buyukdere, 1838-1845 (tinted lithograph)
986176 Panorama of Constantinople, with two views of Buyukdere, 1838-1845 (tinted lithograph) by French School, (18th century); 43x60 cm; Private Collection; (add.info.: Panorama of Constantinople)

Raven, (hand-coloured etching with aquatint engraving)
985856 Raven, (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 99.6x66.7 cm; Private Collection; (add.info.: Raven; Corvus Corax)

Leading Exponents of the Part of Hamlet (engraving)
1055945 Leading Exponents of the Part of Hamlet (engraving) by English School, (19th century); Private Collection; (add.info.: Leading Exponents of the Part of Hamlet)

Black and Yellow Warbler and Flowering Raspberry, c. 1826-1838
985670 Black and Yellow Warbler and Flowering Raspberry, c.1826-1838 (hand-coloured etching with aquatint engraving) by Audubon

Reiter am Tegernsee, 1838 (oil on panel)
827944 Reiter am Tegernsee, 1838 (oil on panel) by Kobell, Wilhelm Alexander (1766-1855); 28.9x25 cm; Private Collection; (add.info.: Reiter am Tegernsee)

Gulliver is inspected by the daughter of the farmer in Brobdingnag
3514754 Gulliver is inspected by the daughter of the farmer in Brobdingnag, from Gullivers Travels by Jonathan Swift by Grandville (Jean Ignace Isidore Gerard) (1803-47)

Gulliver sees the flying island Laputa for the first time
3514758 Gulliver sees the flying island Laputa for the first time, from Gullivers Travels by Jonathan Swift by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info)

Scarborough Castle from the South, 1838 (watercolour, with scratching out)
658991 Scarborough Castle from the South, 1838 (watercolour, with scratching out) by Fielding, Anthony Vandyke Copley (1787-1855); 26.7x39.4 cm; Private Collection; (add.info)

The Approaching Storm, 1838 (oil on canvas)
658529 The Approaching Storm, 1838 (oil on canvas) by Oehme, Ernst Ferdinand (1797-1855); 99x142 cm; Private Collection; (add.info.: The Approaching Storm. Ernst Ferdinand Oehme (1797-1855)

Interior of the Hall, Trinity College, 1838 (engraving)
5988636 Interior of the Hall, Trinity College, 1838 (engraving) by English School, (19th century); Private Collection; (add.info.: Interior of the Hall, Trinity College, 1838)

The Great Court, Trinity College, 1838 (engraving)
5988612 The Great Court, Trinity College, 1838 (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Court, Trinity College, 1838)

Big pine in Bruhl valley near Moding, 1838 (oil on canvas)
6372823 Big pine in Bruhl valley near Moding, 1838 (oil on canvas) by Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853); 66x112 cm; Osterreichische Galerie Belvedere, Vienna, Austria; German

The Progress of Steam Navigation (engraving)
1609654 The Progress of Steam Navigation (engraving) by Andrews, George Henry (1816-98) (after); Private Collection; (add.info.: The Progress of Steam Navigation)

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In 1838, amidst a world of contrasting events and remarkable individuals, history unfolded in its diverse tapestry. Grace Darling, a beacon of bravery and resilience, embarked on a daring rowing adventure with her father to rescue stranded sailors from the treacherous sea. Their selfless act became an emblem of heroism. Simultaneously, the Trail of Tears marked a dark chapter in American history as the Cherokee Native Americans were forcibly removed from their ancestral lands and relocated westward. Robert Lindneux's poignant oil painting captures the sorrow and displacement endured by these resilient people. Barend Cornelis Koekkoek's Winter Landscape transports us to a serene scene painted between 1835-1838. The tranquility depicted contrasts sharply with the turmoil experienced during this period. John James Audubon's artistic prowess shines through his depictions of nature's wonders. From his Birds of America series spanning 1827-1838, we witness the majestic Crested Caracara soaring across canvas alongside other avian marvels like the Merlin Hawk and Key West Quail-Dove. Meanwhile, Union Workhouse in Sleaford stands as a testament to societal structures that sought to address poverty during this era. Its walls witnessed both hardship and hope for those seeking refuge within its doors. The Wharncliffe Viaduct symbolizes progress as it spans across landscapes connecting communities through engineering marvels. It serves as a reminder that even amidst tumultuous times, humanity strives for advancement. And finally, Corry's caricature featured in Vanity Fair humorously reflects society's satirical lens towards influential figures during 1877 while The Imperial State Crown represents enduring symbols of power and monarchy throughout time. Thus, within these fragments lies an encapsulation of life in 1838 - tales of courage against adversity; struggles etched upon canvases; nature celebrated through artistry; societal constructs shaping lives; bridges uniting communities; and the enduring presence of power and satire.