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1837 1880 Collection

"1837-1880

Background image1837 1880 Collection: Plants of the Greenhouse, 1872. Creator: Jules Jacquemart (French, 1837-1880); A

Plants of the Greenhouse, 1872. Creator: Jules Jacquemart (French, 1837-1880); A
Plants of the Greenhouse, 1872

Background image1837 1880 Collection: Ivory and Celadon, 1872. Creator: Jules Jacquemart (French, 1837-1880); Gazette des Beaux-Arts

Ivory and Celadon, 1872. Creator: Jules Jacquemart (French, 1837-1880); Gazette des Beaux-Arts
Ivory and Celadon, 1872

Background image1837 1880 Collection: A Genoise, 1877. Creator: Jules Jacquemart (French, 1837-1880)

A Genoise, 1877. Creator: Jules Jacquemart (French, 1837-1880)
A Genoise, 1877

Background image1837 1880 Collection: History Ceramic Art Descriptive Philosophical Study

History Ceramic Art Descriptive Philosophical Study
History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations, 1877. Jules Jacquemart (French, 1837-1880)

Background image1837 1880 Collection: Book Albert Jacquemart History Ceramic Art Descriptive

Book Albert Jacquemart History Ceramic Art Descriptive
Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Japan: Chrysanthemo-Paeonian Family

Background image1837 1880 Collection: Genoise 1877 Jules Jacquemart French 1837-1880

Genoise 1877 Jules Jacquemart French 1837-1880
A Genoise, 1877. Jules Jacquemart (French, 1837-1880). Etching; sheet: 42.7 x 31.5 cm (16 13/16 x 12 3/8 in.); platemark: 27 x 19.7 cm (10 5/8 x 7 3/4 in.)

Background image1837 1880 Collection: Plants Greenhouse 1872 Jules Jacquemart French

Plants Greenhouse 1872 Jules Jacquemart French
Plants of the Greenhouse, 1872. Jules Jacquemart (French, 1837-1880), A. Cadart & Luquet, 79, rue Richelieu. Etching; sheet: 53.2 x 36.3 cm (20 15/16 x 14 5/16 in.); platemark

Background image1837 1880 Collection: History Ceramic Art Saucer Rich Enameled Ground

History Ceramic Art Saucer Rich Enameled Ground
History of the Ceramic Art: Saucer with Rich Enameled Ground and Medallion Representing the Goddess Kounin, c. 1877. Jules Jacquemart (French, 1837-1880), Ampson Low, Marston, Searle & Rivington

Background image1837 1880 Collection: Ivory Celadon 1872 Jules Jacquemart French 1837-1880

Ivory Celadon 1872 Jules Jacquemart French 1837-1880
Ivory and Celadon, 1872. Jules Jacquemart (French, 1837-1880), Gazette des Beaux-Arts. Etching; sheet: 18.1 x 27.5 cm (7 1/8 x 10 13/16 in.); platemark: 12.4 x 22.3 cm (4 7/8 x 8 3/4 in.)

Background image1837 1880 Collection: Farm in Culemborg, The Netherlands, Jan Weissenbruch, 1837 - 1880

Farm in Culemborg, The Netherlands, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Sleeping dog, Jan Weissenbruch, 1837 - 1880

Sleeping dog, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Young man wearing clogs, Jan Weissenbruch, 1837 - 1880

Young man wearing clogs, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Artist draws a nude model, Jan Weissenbruch, 1837 - 1880

Artist draws a nude model, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: View of Lek, The Netherlands, Jan Weissenbruch, 1837 - 1880

View of Lek, The Netherlands, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Portrait of David Block, Jan Weissenbruch, 1837 - 1880

Portrait of David Block, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Study of a seated woman, Jan Weissenbruch, 1837 - 1880

Study of a seated woman, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Incumbent hermit, Jan Weissenbruch, 1837 - 1880

Incumbent hermit, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Man with jug and glass on a chair. print maker: Jan Weissenbruch, 1837 - 1880

Man with jug and glass on a chair. print maker: Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Oriental clad figure on a pillow, Jan Weissenbruch, 1837 - 1880

Oriental clad figure on a pillow, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Two dogs, print maker: Jan Weissenbruch, 1837 - 1880

Two dogs, print maker: Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Lying hunter, Jan Weissenbruch, 1837 - 1880

Lying hunter, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Two tethered dogs, Jan Weissenbruch, 1837 - 1880

Two tethered dogs, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: View near Culemborg, The Netherlands, Jan Weissenbruch, 1837 - 1880

View near Culemborg, The Netherlands, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: House on the waterfront in Nijmegen, The Netherlands, Jan Weissenbruch, 1837 - 1880

House on the waterfront in Nijmegen, The Netherlands, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Ferry in Rhenen, The Netherlands, Jan Weissenbruch, 1837 - 1880

Ferry in Rhenen, The Netherlands, Jan Weissenbruch, 1837 - 1880

Background image1837 1880 Collection: Farm in Culemborg, The Netherlands, print maker: Jan Weissenbruch, 1837 - 1880

Farm in Culemborg, The Netherlands, print maker: Jan Weissenbruch, 1837 - 1880



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"1837-1880: Exploring the Legacy of Jules Jacquemart and his Contributions to Ceramic Art" Step into the world of ceramic art as we delve into the remarkable era spanning from 1837 to 1880. During this period, French artist Jules Jacquemart left an indelible mark on the artistic landscape with his exceptional creations and scholarly pursuits. One notable work that emerged during this time was "History of the Ceramic Art: A Descriptive and Philosophical Study of Pottery. " This comprehensive study not only showcased Jacquemart's deep understanding of pottery but also provided a philosophical perspective on its significance in human history. Through meticulous research and insightful analysis, he unraveled the secrets behind ancient ceramics, shedding light on their cultural importance. Jacquemart's talent extended beyond writing, as evidenced by his exquisite artworks such as "Plants of the Greenhouse" (1872). With delicate brushstrokes, he captured nature's beauty within these vibrant pieces. The juxtaposition between ivory and celadon in another creation titled "Ivory and Celadon" (1872) demonstrated his mastery over color combinations, creating visually stunning compositions. His contributions were not limited to paintings alone; Jacquemart also ventured into sculpture with works like "A Genoise" (1877). This captivating piece showcased his ability to breathe life into clay through intricate details and skillful craftsmanship. The impact of Jacquemart's work reverberated throughout artistic circles at that time. His influence can be seen in publications like Gazette des Beaux-Arts where discussions surrounding his innovative techniques sparked intellectual discourse among fellow artists. As we reflect upon this transformative period in ceramic art history, it becomes evident that Jules Jacquemart played a pivotal role in shaping its trajectory. His dedication to both scholarship and creativity allowed him to leave an enduring legacy that continues to inspire contemporary artists today.