1833–1914 Collection
The period from 1833 to 1914 was a time of immense artistic and cultural transformation
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The period from 1833 to 1914 was a time of immense artistic and cultural transformation. From the unpublished frontispiece of Baudelaire's iconic work "Les Fleurs du Mal" to Edmond de Goncourt's portrait etching in 1882, these pieces reflect the diverse range of artistic expressions during this era. One such example is the etching titled "La Seine a Bas Meudon, " which captures the essence of late 19th to early 20th-century Paris. This artwork transports us to the picturesque banks of the Seine River, showcasing its timeless beauty through delicate lines and intricate details. In contrast, "Old Cock" presents a different perspective with its watercolor black chalk medium. The artist skillfully portrays an aged rooster, capturing every feather and wrinkle with precision. This piece serves as a reminder that even in nature's simplicity, there lies profound beauty. Benjamin Fillon's etched portrait from 1876 showcases his mastery over this technique in its third state. The fine lines and shading bring out every detail on Fillon's face, revealing both his character and depth as an individual. Moving on to decorative plates, we encounter various themes like rain depicted in an etching by Raina depicting Plate Rain from 1870. Through careful use of watercolors combined with precise line work, this piece evokes emotions associated with rainfall - perhaps melancholy or tranquility depending on one's interpretation. Meyer-Heine's caustic portrayal captured in his first-state etching reveals raw emotion frozen within each stroke. It invites viewers into Meyer-Heine’s world where they can experience his thoughts and feelings firsthand. Another notable artwork is Fisherman Net by an unknown artist dating back to1868; it depicts three states of change within one image – representing not only physical transformations but also metaphorical ones that occur throughout life itself.