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1822 Collection (page 10)

In the year 1822, a multitude of significant events and individuals shaped history

Background image1822 Collection: Entrance large Karlee Cave. Bombay Attributed

Entrance large Karlee Cave. Bombay Attributed
Entrance to the large Karlee Cave. - Bombay; Attributed to Col. T. Biggs (British, 1822 - 1905), or Dr. William Henry Pigou (British, active India 1818 - 1858); Bombay

Background image1822 Collection: Columns Temple od Ambernath Bombay Presidency

Columns Temple od Ambernath Bombay Presidency
Columns of the Temple od Ambernath - Bombay Presidency; Col. T. Biggs (British, 1822 - 1905), or Dr. William Henry Pigou (British, active India 1818 - 1858); Bombay

Background image1822 Collection: Madura Teppacolum Capt Linnaeus Tripe English

Madura Teppacolum Capt Linnaeus Tripe English
Madura. Teppacolum; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Albumen silver print from a waxed paper negative; 27.2 × 38.2 cm (10 11, 16 × 15 1, 16 in.)

Background image1822 Collection: Madura Roya Gopurum Trimul Naik Choultry Distance

Madura Roya Gopurum Trimul Naik Choultry Distance
Madura. Roya Gopurum, with Trimul Naiks Choultry, in the Distance; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Salted paper print from a paper negative; 25.5 × 36 cm (10 1)

Background image1822 Collection: Madura. Vygay River Causeway Across Madura Capt

Madura. Vygay River Causeway Across Madura Capt
Madura. The Vygay River, with Causeway, Across to Madura; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Salted paper print from a paper negative; 26.9 × 36.1 cm (10 9)

Background image1822 Collection: Chittumputty Teramboor Elephant Rock View Capt

Chittumputty Teramboor Elephant Rock View Capt
Between Chittumputty and Teramboor. Elephant Rock End View; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Salted paper print from a paper negative; 24.4 × 36.7 cm (9 5)

Background image1822 Collection: Madura West Front Roya Gopurum Capt Linnaeus Tripe

Madura West Front Roya Gopurum Capt Linnaeus Tripe
Madura. West Front of the Roya Gopurum; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Salted paper print from a paper negative; 26.5 × 35.8 cm (10 7, 16 × 14 1, 8 in.)

Background image1822 Collection: Madura Pillars Recessed Portico Roya Gopurum

Madura Pillars Recessed Portico Roya Gopurum
Madura. Pillars in the Recessed Portico in the Roya Gopurum with the Base of One of the Four Sculptured Monoliths; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura

Background image1822 Collection: Madura Munduppum Bed Vygay River Causeway Capt

Madura Munduppum Bed Vygay River Causeway Capt
Madura. Munduppum in the Bed of the Vygay River Seen from the Causeway; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura

Background image1822 Collection: Madura. Tunkum East Capt Linnaeus Tripe English

Madura. Tunkum East Capt Linnaeus Tripe English
Madura. The Tunkum from East; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Salted paper print from a paper negative; 25.3 × 33.6 cm (9 15, 16 × 13 1, 4 in.)

Background image1822 Collection: Entrance Church Holy Sepulchre Sgt James M McDonald

Entrance Church Holy Sepulchre Sgt James M McDonald
Entrance to the Church of the Holy Sepulchre; Sgt. James M. McDonald (English, 1822 - 1885); Israel; negative 1864; print 1865; Albumen silver print

Background image1822 Collection: Lock Polney Dunkeld Attributed Robert Murray

Lock Polney Dunkeld Attributed Robert Murray
Lock Polney. Dunkeld; Attributed to Robert Murray (Scottish, 1822 - 1893); Dunkeld, Great Britain; about 1865; Albumen silver print

Background image1822 Collection: Madura Trimul Naik Choultry Centre Nave West

Madura Trimul Naik Choultry Centre Nave West
Madura. Trimul Naiks Choultry Centre Nave from West End; Capt. Linnaeus Tripe (English, 1822 - 1902); Madura, India; 1858; Albumen silver print

Background image1822 Collection: Haute Egypte Palmiers doums Maxime Du Camp French

Haute Egypte Palmiers doums Maxime Du Camp French
Haute Egypte. Palmiers doums; Maxime Du Camp (French, 1822 - 1894), Louis Desire Blanquart-Evrard (French, 1802 - 1872); Hamamah, Egypt; negative May 29

Background image1822 Collection: Egypt Moyenne Le Sphinx Maxime Du Camp French

Egypt Moyenne Le Sphinx Maxime Du Camp French
Egypt Moyenne. Le Sphinx; Maxime Du Camp (French, 1822 - 1894), Louis Desire Blanquart-Evrard (French, 1802 - 1872); Giza, Egypt; 1850; Salted paper print; 15.2 x 21.3 cm (6 x 8 3, 8 in.)

Background image1822 Collection: Portrait Louis XVIII 1822 Jean-Baptiste Jacques Augustin

Portrait Louis XVIII 1822 Jean-Baptiste Jacques Augustin
Portrait of Louis XVIII, c. 1822. Jean-Baptiste Jacques Augustin (French, 1759-1832). Watercolor on ivory in a gilt metal and enamel frame; framed: 5.8 x 5.2 cm (2 5/16 x 2 1/16 in.); unframed

Background image1822 Collection: Voluntary Partisan 1822 Horace Vernet French

Voluntary Partisan 1822 Horace Vernet French
Voluntary Partisan, 1822. Horace Vernet (French, 1789-1863). Lithograph

Background image1822 Collection: Unfortunate Family 1822 Pierre-Paul Prud hon

Unfortunate Family 1822 Pierre-Paul Prud hon
An Unfortunate Family, 1822. Pierre-Paul Prud hon (French, 1758-1823). Lithograph

Background image1822 Collection: Meditation 1822 Pierre-Paul Prud hon French 1758-1823

Meditation 1822 Pierre-Paul Prud hon French 1758-1823
Meditation, 1822. Pierre-Paul Prud hon (French, 1758-1823). Lithograph

Background image1822 Collection: Boy Dog 1822 Pierre-Paul Prud hon French 1758-1823

Boy Dog 1822 Pierre-Paul Prud hon French 1758-1823
Boy with a Dog, 1822. Pierre-Paul Prud hon (French, 1758-1823). Lithograph

Background image1822 Collection: Egyptian Mare 1822 Theodore Gericault

Egyptian Mare 1822 Theodore Gericault
Egyptian Mare, 1822. Theodore Gericault (French, 1791-1824). Lithograph; sheet: 22 x 27.9 cm (8 11/16 x 11 in.); image: 18.1 x 23.5 cm (7 1/8 x 9 1/4 in.)

Background image1822 Collection: Chevaux d Auvergne 1822 Theodore Gericault

Chevaux d Auvergne 1822 Theodore Gericault
Chevaux d Auvergne, 1822. Theodore Gericault (French, 1791-1824), Gihaut. Lithograph; sheet: 27.6 x 35.5 cm (10 7/8 x 14 in.); image: 19 x 23.2 cm (7 1/2 x 9 1/8 in.)

Background image1822 Collection: Charlets first lithographic album Recueil de Croquis

Charlets first lithographic album Recueil de Croquis
Charlets first lithographic album: Recueil de Croquis a L usage des petits Enfans, Paris: Sketch Book for the Use of Small Children: The Young Amateurs, 1822

Background image1822 Collection: Description Egypt Thebes Medynet-Abou Vol II

Description Egypt Thebes Medynet-Abou Vol II
Description of Egypt: Thebes. Medynet-Abou, Vol. II, Pl. 12, 1822. Antoine Phelippeaux (French, 1767-1830), after Henry Joseph Redoute (French, 1766-1853)

Background image1822 Collection: Double Portrait Brothers Konrad Franz Eberhard

Double Portrait Brothers Konrad Franz Eberhard
Double Portrait of the Brothers Konrad and Franz Eberhard, Painter and Sculptor in Munich, 1822. Johann Anton Ramboux (German, 1790-1866)

Background image1822 Collection: Two Dappled Horses Exercising 1822 Theodore Gericault

Two Dappled Horses Exercising 1822 Theodore Gericault
Two Dappled Horses Exercising, 1822. Theodore Gericault (French, 1791-1824). Lithograph

Background image1822 Collection: Nakamura Utaemon Inanoya Hanbei 1822 Hokushu Shunkosai

Nakamura Utaemon Inanoya Hanbei 1822 Hokushu Shunkosai
Nakamura Utaemon as Inanoya Hanbei, c. 1822. Hokushu Shunkosai (Japanese). Color woodblock print; sheet: 38 x 26 cm (14 15/16 x 10 1/4 in.)

Background image1822 Collection: Miniature Album Figures Landscape Hill House

Miniature Album Figures Landscape Hill House
Miniature Album with Figures and Landscape (Landscape with Hill, House, Boat and Bridge), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Background image1822 Collection: Miniature Album Figures Landscape Man Riding Carp

Miniature Album Figures Landscape Man Riding Carp
Miniature Album with Figures and Landscape (Man Riding Carp), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Background image1822 Collection: Miniature Album Figures Landscape Old Man Donkey

Miniature Album Figures Landscape Old Man Donkey
Miniature Album with Figures and Landscape (Old Man on Donkey), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Background image1822 Collection: Receuil d essais lithographiques Dragon fumant couche au pied d arbre

Receuil d essais lithographiques Dragon fumant couche au pied d arbre
Receuil d essais lithographiques: Dragon fumant couche au pied d un arbre, 1822. Antoine Pierre Mongin (French, 1761-1827). Lithograph; overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.)



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In the year 1822, a multitude of significant events and individuals shaped history. Renowned composer Giovanni Bottesini mesmerized audiences with his enchanting melodies, while Thomas Colleton Garth's captivating portrait in Vanity Fair by Spy immortalized him as a symbol of elegance and sophistication. Meanwhile, Gregor Mendel laid the foundation for modern genetics through his groundbreaking experiments with pea plants. Ulysses Grant, captured magnificently by Brady's lens, emerged as a prominent figure during this time alongside Percy Shelley whose ethereal beauty was forever etched in Finden's artwork. Across the globe in Ecuador's Guayaquil, the La Rotonda monument commemorated Simon Bolivar's historic meeting that would shape South America's destiny. Archery enthusiasts gathered for an exhilarating meeting in 1822 to showcase their prowess and celebrate this ancient sport. Virginia Poe left an indelible mark on literature with her haunting tales of mystery and darkness. Ulysses Grant continued to make waves, this time alongside Johnson as they navigated the complexities of leadership together. Eta Hoffmann penned his own tale of intrigue and fantasy that captivated readers worldwide. Grant championed freedom during these tumultuous times when it was most needed. The Salters Hall in London stood witness to important gatherings where ideas were exchanged and progress fostered. In 1822, these diverse threads wove together to create a rich tapestry of culture, innovation, and resilience that continues to inspire us today.